music and globalization
The course
addresses a number of key issues relevant to the globalization of music
in the late 20th century; issues such as the politics and aesthetics of
worldbeat, the politics of nationalism, race and ethnicity,
cross-cultural consumption, the crisis of modernity and the public
sphere, the digital revolution, etc.
The Global Village Revisited
Marshall McLuhan: Understanding Media. The Extensions of Man. 2nd. ed. Cambridge, Mass.: MIT Press, 1994
Center and Periphery: Cultural Imperialism and the World System
John Tomlinson: Cultural Imperialism. A Critical Introduction. Baltimore: The Johns Hopkins University Press, 1991
BMG, CNN & Co.
Robert
Burnett:
The
Global
Jukebox.
The
International
Music
Industry.
New
York:
Routledge,
1996
Roger
Wallis
and
Krister
Malm:
Big
Sounds
from
Small
Peoples.
London:
Constable,
1992
Postmodern Pessimism and Pastiche: The Cultural Logic of Late Capitalism
Veit
Erlmann:
The
Aesthetics
of
the
Global
Imagination:
Reflections
on
World
Music
in
the
1990s,
Public
Culture
8,
1996:
467-87
Fredric
Jameson:
The
Cultural
Logic
of
Late
Capitalism,
in
Postmodernism
or,
The
Cultural
Logic
of
Late
Capitalism.
Durham:
Duke
University
Press,
1991:
1-54
The Center Does Not Hold: Disjuncture, Hybridity and Creolization
Arjun
Appadurai:
Modernity
at
Large.
Cultural
Dimensions
of
Globalization.
Minneapolis:
University
of
Minnesota
Press,
1996,
chs.1-3
Ulf
Hannerz:
The
World
in
Creolization,
Africa
57
(4),
1987:
546-59
Notes
on
the
Global
Ecumene,
Public
Culture
1
(2),
1989:
66-75
Peter
Manuel:
Music
as
Symbol,
Music
as
Simulacrum:
Postmodern,
Pre-Modern,
and
Modern
Aesthetics
in
Subcultural
Musics,
Popular
Music
14,
1995:
227-39
Timothy
D.
Taylor:
Global
Pop.
World
Music,
World
Markets.
New
York:
Routledge,
1997
Ethnicity and the Politics of Authenticity: Nigerian Fuji
Christopher
Waterman:
Our
Tradition
is a
Very
Modern
Tradition:
Popular
Music
and
the
construction
of
pan-
panYoruba
identity,
Ethnomusicology
34(3),
1995:
367-79
Celebrity
and
the
Public
in
Yoruba
Popular
Music
Video,
Passages
5(1),
1994
Karin
Barber
and
Christopher
Waterman:
Traversing
the
Global
and
the
Local:
Fújì
Music
and
Praise
Poetry
in
the
Production
of
Contemporary
Yorùbá
Popular
Culture,
Daniel
Miller,
ed.,
Worlds
Apart.
Modernity
Through
the
Prism
of
the
Local.
New
York:
Routledge,
1995:
241-62
One Nation Under a Groove? Music and the Nation-State
Martin Stokes: The Arabesk Debate. Music and Musicians in Modern Turkey. Oxford: Clarendon Press, 1992
Orientalism and the Politics of Cultural Ownership
Steven
Feld:
pygmy
POP:
A
Genealogy
of
Schizophonic
Mimesis,
Yearbook
for
Traditional
Music,
28,
1996:
1-35
A
Sweet
Lullaby
for
World
Music,
Public
Culture
12/1,
2000
Occidentalism and the Reversal of Mimesis
Ingrid
Monson:
Riffs,
Repetition,
and
Theories
of
Globalization,
Ethnomusicology,
43/1,
1999:31-65
Christopher
Waterman:
Race/Music:
Corrine
Corrina,
Bo
Chatmon,
and
the
Excluded
Middle
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