Janine Barchas

Matters of Fact in Jane Austen: History, Location, and Celebrity (Johns Hopkins University Press 2012).

Graphic Design, Print Culture, and the Eighteenth-Century Novel (Cambridge University Press, 2003). Reprinted: April 2004. Paperback:  November 2008. Prize: SHARP Book History Prize.

The Annotations in Lady Bradshaigh’s Copy of Clarissa, with the editorial collaboration of Gordon Fulton, ELS Monograph Series, No. 76 (Victoria, 1998). 144 pgs.

Volume 1 (1700-1735) of Eighteenth-Century British Erotica Set II, 5 vols., gen. eds. Alexander Pettit and Patrick Spedding  (Pickering & Chatto, 2004). 523 pgs.

“The Real Bluebeard of Bath: A Historical Model for Northanger Abbey,” Persuasions 32 (2010): 115-134.

“Artistic Names in Austen’s Fiction: Cameo Appearances by Prominent Painters,” Persuasions 31 (2009): 145-162.

“Hell-Fire Jane: Austen and the Dashwoods of West Wycombe,” Eighteenth-Century Life 33.3 (Fall 2009): 1-36. Reprinted as “Dashwood Celebrity” in Sensibilities (Feb 2011), journal of the Jane Austen Society of Australia.

“Mapping Northanger Abbey: Or, Why Austen’s Bath of 1803 Resembles Joyce’s Dublin of 1904,” Review of English Studies, New Series, 60.245 (June 2009): 431-59.  Distinction: RES “Editor’s Choice”

“Mrs. Gaskell’s North and South: Austen’s Early Legacy,” Persuasions 30 (2008): 53-66.

“Very Austen: Accounting for the Language of Emma,” Nineteenth-Century Literature 62.3 (Dec 2007): 303-338.

Digital Project

“What Jane Saw,” a website supported by a grant from LAITS.  This site reconstructs the museum exhibit of 141 paintings by Sir Joshua Reynolds that Jane Austen attended on 24 May 1813. Site launches 24 May 2013—the 200^th anniversary of the original event.