This online text of the Rigveda derives from the highly important Rig Veda: a Metrically Restored Text, by Barend A. van Nooten and Gary B. Holland, published in 1994 by Harvard University Press; van Nooten and Holland's edition, as the first attempt to present the poems in their entirety in the poetic form in which they were composed, constituted a watershed in Rigvedic scholarship, but it has been out of print for several years. The preface of the printed book states (p. i) that the content was "in part derived from an incomplete electronic version of the Rig Veda produced at the University of Texas in 1970." (N.B. The Linguistics Research Center produced a complete electronic version of the text; decades ago, a copy was donated to the Oxford Text Archive.) Re: editing in this new online electronic version, outlined below, or Rigvedic language issues in general, contact Karen Thomson.
Our text here is based on the van Nooten & Holland electronic version (itself derived from the much earlier UT Linguistics Research Center electronic text), which was issued on a 3.5" diskette together with the printed book. A file on the diskette bore the notice:
Copyright with the authors and Harvard Oriental Series. The electronic text may be used for research but not for commercial purposes.
Our non-commercial use here is for research by ourselves, other scholars, and the public at large, who may lack access to the out-of-print Harvard edition and be unaware of the deficiencies of the ancient saṃhitā text which formed the basis for Theodor Aufrecht's nineteenth-century transliterated edition. Aufrecht's unrestored text has continued to be generally used, as, for example, by Alexander Lubotsky in his 1997 concordance.
The form in which the Rigveda was handed down by Indian tradition, the saṃhitā text, applied later rules of sound combination throughout that systematically destroyed the metrical form of the poems. These inappropriate combinations have to be resolved before the text can be read, and they frequently obscure meaning. For illustration of the many ways in which the later editorial process distorted and obscured the original, see section 45.1 of our online course on the language of the Rigveda, Ancient Sanskrit Online.
The approach taken by van Nooten and Holland to restore the original form of the poems was exclusively systematic. A precise set of procedures was applied, which owed their origin to suggestions made by a number of nineteenth-century Rigvedic scholars, among them Kuhn, Bollensen, Oldenberg, Grassmann, and E. Vernon Arnold. These procedures were:
A table of specific restorations can be found at the end of this introduction.
Two electronic versions of the Rigveda were provided on the diskette. In addition to the metrically restored version (RV), which forms the basis for our online edition, the unrestored Aufrecht (RVA) text was also supplied. Included also were miscellaneous DOS applications -- variously dated 1986-1990 -- and some online (README) documentation.
Our first problem was identifying the character set used in the metrically restored text files. The Harvard documentation describes an "International Codepage for Sanskrit diacritics," extending the ASCII character set, which was supposedly used to transcribe the text; but the files use 20 non-ASCII characters, many with high frequency, that are not described. Later, two ASCII code points (42 and 46) were found to represent non-ASCII characters, "bolle" and "midline dot", in the metrically restored text -- though not elsewhere. (Actually, ASCII code point 42 was thus used only in the first book; in books 2-10, the non-ASCII code point 174 represents "bolle".) Finally, in the Codepage description, "r underdot acute" is listed twice, at two different code points; the first of these turned out to be unused.
Our second problem was to identify those 20 undefined characters. The "International Codepage" as described corresponds in some ways to the "CSX" and "CSX+" Sanskrit codepages that may be found on the Internet. Some of the 20 undefined characters can be matched with these codepages; however, there are numerous differences between CSX(+) and both the described Codepage and the characters that must be inferred from their context in the RV files. Ultimately, given incomplete and sometimes inaccurate documentation, we could fully decode the [inconsistent] electronic RV files only by trial and error.
Third, we faced the problem that no font then known to us (none was included on the diskette) could properly render the Rigveda text -- even if our own subsequent editing had not required the specification of yet more code points, not used by van Nooten and Holland. We decided that the only reasonable option was to convert the entire text to the Unicode (ISO/IEC 10646) character set, for which many standard fonts are available.
Our fourth problem was to identify and correct a range of errors in the electronic RV files. For example, several apparently random (transmission?) data errors were found. Several lines were found to be missing, and others were misnumbered or duplicated. Such errors, where identified, were corrected by hand.
Fifth, for publication online we selected the HTML web page format (using Unicode UTF-8) in the belief that this represents the simplest and most effective means of free, worldwide distribution. In this way, we could publish our results and simultaneously facilitate Rigveda research by others -- goals no doubt shared by van Nooten and Holland, now 14+ years ago.
Errors aside, we owe van Nooten and Holland a debt of gratitude for publishing the text in electronic form. Without their pioneering work, we would not have tackled this project.
Subsequent examination of the [repaired] contents of the RV files revealed a significant number of differences between the electronic and the printed text, the electronic version appearing to represent an earlier stage of the authors' editorial process (although some errors occurring in the printed text were not found in the electronic text). Our own online text, therefore, is a significantly edited version of the electronic text as issued by Harvard. The textual alterations that we have made take the following forms:
The primary purpose of our online edition is to show the original linguistic and poetic style of the Rigveda, and to make the text accessible in this form and easy to read. In addition, as is to be expected of an innovative and highly complex piece of work, some errors remain in van Nooten and Holland's attempt. By putting the metrically restored text online we hope to facilitate its further improvement and correction by scholars; accordingly, scholars are invited to suggest further corrections using the "Send comments" e-mail link at the bottom of this or any other LRC web page, or by contacting Karen Thomson directly.
An interlinear electronic edition, giving (a) the traditional saṃhitā text, (b) its ancient word-by-word analysis (the Pada 'word' text - but see below, 'Restoration or Conservation?'), and (c) the van Nooten and Holland metrically restored text in parallel, can be found on the TITUS website, providing a useful resource for study of the restoration process. Many of the corrections that we have made to van Nooten and Holland's text remain uncorrected on the TITUS website, and no doubt we shall have missed other errors identified by the TITUS editors. A complete list of our corrections is available upon request.
An alphabetical table of all the changes flagged in the text by van Nooten and Holland's editorial bolle (°) follows. Many restored forms were not so marked -- the printed text makes use of italics to indicate restorations -- and we have supplemented the table by marking other restorations with our own editorial sign: +. A few additional forms that might be puzzling are also included here.
|cakrate||cakrāte (Pada: iti)|
|mā́ ū||mó (Pada: iti)|
|hárīhá||hárī ihá (Pada: iti)|
N.B. This section contains a brief discussion of some modern editorial revisions to the ancient texts, the loci of which are flagged in our text with a dagger (†) hotlinked to here.
We owe the text that we have, in its two forms, to the painstaking editorial work of Max Müller in the middle of the nineteenth century. Although fully aware that neither the Saṃhitā nor the Pada was a true representation of the original, he argued against making any changes to them. "What would a Greek scholar give, if he could say of Homer that his text was in every word, in every syllable, in every vowel, in every accent, the same as the text used by Peisistratos in the sixth century B.C.!" (Vedic Hymns, Oxford, 1891, p.xlvi). In attempting a reconstruction of the original metrical form of these ancient poems van Nooten and Holland have departed from the form of the text that we have inherited from ancient scholastic tradition, according to the systematic procedure outlined above.
In other respects, however, their edition of the Rigveda is conservative, and would meet with the approval of its primary editor. Van Nooten and Holland have not imported most of the conjectural readings of modern scholarship, with the exception of the revision throughout of the incongruous form u loká to uloká, an emendation which is based on strictly linguistic arguments. So that the reader can assess these conjectural readings (the different reading can be found in the TITUS version of the Pada text), they are briefly discussed below.
A number of the changes remain open to debate. The readings sápāti for sá pāti at 5.012.06b (after Roth) and cakrámāma for ca krámāma at 6.049.15d are possible alternatives. The change from śmaśā́ rudhat to śmaśā́ru dhat at 10.105.01b (Oldenberg) is endorsed by Manfred Mayrhofer in his recent dictionary, but not the change from áti riktam (an aorist form) to átiriktam at 8.058.03d, which creates an earlier occurrence of the past participle than is otherwise attested. The transferring of the initial r to the end of the previous word at 1.069.08b and 6.031.03d (changing rápāṃsi to ápāṃsi) seems less compelling than at 8.039.02c and 10.040.07c, where the two uniquely occurring forms of rárāvan are reassigned to árāvan; the second is followed by Geldner in his translation but not the first. The change of verb at 8.099.06c, giving śrathayanta for śnathayanta after the medieval scholar Sāyaṇa, perhaps presents problems for a text that was orally transmitted.
All scholars however agree that at 1.070.07b ca rátham is an error for carátham. This was first pointed out by the nineteenth-century scholar Benfey, and acknowledged by Max Müller, although he could not approve making the correction, nor indeed any other: "although I have no doubt that the original poet said sthātúḥ carátham, I should be loath to suppress the evidence of the mistake and alter the Pada text from ca rátham to carátham. The very mistake is instructive, as showing us the kind of misapprehension to which the collectors of the Vedic text were liable, and enabling us to judge how far the limits of conjectural criticism may safely be extended" (op. cit. p. lxxiv).
The poems of the Rigveda were produced over a considerable period of time. Although critics remain divided in their view as to the historical relation of its different parts, there is general agreement with E. Vernon Arnold's identification of passages that he categorized as "popular," which he describes as later additions to the original collection. Many of these are found in Book 10, but every book contains at least some "popular" passages.
Our online edition of the text is the first to mark these passages, which we have divided into two categories. When Arnold's assignment of passages to the Popular Rigveda is based on linguistic evidence, the passages are distinguished by both color and smaller type size; but passages that Arnold classified as "popular" for non-linguistic reasons (position, meter, supposed subject matter, repetion in later collections) are distinguished by smaller type size alone. In addition, passages in which the linguistic evidence points to their "popular" nature, but which Arnold for the same non-linguistic reasons does not mark as "popular," are also identified by smaller type size in our text.