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Steven Hoelscher, Chair Burdine 437, Mailcode B7100, Austin, TX 78712 • 512-471-7277

Natalie Zelt

Doctoral Student
Natalie Zelt



Natalie Zelt is a doctoral student in American Studies at at the University of Texas at Austin, where she is also the Photography Associate at the Harry Ransom Center. Her research focuses contemporary American art with an emphasis on photography and identity formation.

She is a curator with INGZ, a collective committed to using curatorial practice as a platform from which to rethink the intersections of race, gender, class, and representation in art and beyond. She, also served as the curatorial assistant for photography at the Museum of Fine Arts, Houston, where she co­authored and co­curated, War/Photography: Images of Armed Conflict and Its Aftermath which was awarded the 2012 Kraszna­ Krausz “Best Photography Book” by Sony’s World Photography Awards.

She completed her Master's Degree at the University of Texas in American Studies with the report entitled "Documenting against erasure : deindustrialization and the camera in the work of LaToya Ruby Frazier" and her B.A. at the George Washington University in American Studies with a minor in the History of Art.



LaToya Ruby Frazier: Riveted, with INGZ Curatorial Collective, University of Texas, Visual Arts Center, November 7 - December 6, 2014; Warfield Center for African and African American Studies, January 15, 2015- May 4, 2015.

See Food: Contemporary Photography and the Ways We Eat, Houston Center for Photography, Nov. 22, 2013- Jan. 12, 2014.

WAR/PHOTOGRAPHY: Images of Armed Conflict and Its Aftermath, Museum of Fine Arts, Houston; Annenberg Center for Photography; the Corcoran Gallery of Art; Brooklyn Museum, November 2012 – January 2014.


“Encounters in the Desert: Photography and the Landscape of World War II,” in Matthew Arnold: Topography is Fate—North African Battlefields of World War II. Heidelberg: Keher Verlag, 2013.

WAR/PHOTOGRAPHY: Images of Armed Conflict and Its Aftermath. New Haven, CT: Yale University Press, 2012. Co-authored with Anne Wilkes Tucker and Will Michels, 2012.


Contemporary American art, contemporary photography and its histories, critical race and gender studies, American cultural history, visual culture studies, material culture studies, curatorial practice
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