Profile
External Links
Kathryn Hansen
Professor — Ph.D., University of California, Berkeley
Contact
- E-mail: kgh@austin.utexas.edu
- Phone: 512-475-6035
- Office: WCH 5.104A
- Campus Mail Code: G9300
Biography
Research Interests: The history of theatrical practices in South Asia, gender and performance, South Asian literary and cultural studies (modern period), South Asian (Hindi, Urdu), diaspora, ethnicity, and immigration
Courses taught:
Undergraduate: Senior Seminar: Asian Theatre, Drama, and Performance; Hindi Literature in the Nationalist Era; Hindi Drama and Film
Graduate: Identity at the Margins of Hindi Fiction (Hindi); Theatre, Gender, and Performance in South Asia; Hindi Literature in the Nationalist Era (1920s-40s) (Hindi); Theatre and Drama in South Asia; Folklore and Oral Performance of South Asia; Hindi Drama and Film
HIN 330 • Hindi Lit In Nationalist Era
32235 •
Spring 2013
Meets
TTH 1100am-1230pm MEZ 1.208
(also listed as
HIN 384 )
show description
Hindi 330: Hindi Literature in the Nationalist Era (unique #32235)
Hindi 384: Hindi Literature in the Nationalist Era (unique #32255)
Spring 2013
Meeting Time: Tues, Thurs, 11-12:30p.m. Place: Mezes 1.208
Instructor: Dr. Kathryn Hansen E-mail: kgh@austin.utexas.edu
Office: WCH 4.122 Telephone: 475-6035
Description:
This is a literature course that requires advanced skills in Hindi: reading, writing, and oral comprehension. We will focus on nationalism and neo-nationalism in Hindi writing (fiction, poetry, non-fiction) and recent cinema. The time periods to be studied include the pre-Independence decades as well as the 1980s and 90s. Texts and films deal with such topics as the concept of the nation, censorship and patriotism under the Raj, Partition, communalism, Hindu-Muslim relations, intercaste marriage, and Hindutva. Journal writing, oral presentation in Hindi, and short response papers will be integral to the student’s effort. Classroom discussion will primarily be conducted in Hindi.
Students enrolled in Hindi 384 will be expected to complete longer reading assignments, give two oral reports instead of one, and write a more sophisticated and lengthier term paper. For details, see Grading and Assignments below.
Readings may include:
Mahatma Gandhi, selections from Satya ke Prayog
Jawaharlal Nehru, excerpts from Bharat ki Khoj
Abdul Kalan, selections of his autobiography Ângi ki Udan
Fiction by Premchand, Amrita Pritam, Geetanjali Shree, and others
Poetry by Hindi and Urdu poets
Essays by Savarkar and Golwalkar
Selected films, such as Rang De Basanti, Zakhm, Pinjar
Grading and Assignments:
HIN 330
Mid-term 15%
Final exam 15%
Two short papers (Engl) 30%
One oral report (Hindi) 15%
Journal (Hindi) 15%
Participation, attendance 10%
HIN 384
Mid-term 15%
Final exam 15%
Research paper (Engl & Hindi) 25%
Two oral reports (Hindi) 20%
Journal (Hindi) 10%
Participation, attendance 10%
Prerequisites:
Facility in Devanagari, plus five semesters of coursework in Hindi and/or Urdu, or consent of instructor. Hindi 384 students must have graduate standing.
HIN 384 • Hindi Lit In Nationalist Era
32255 •
Spring 2013
Meets
TTH 1100am-1230pm MEZ 1.208
(also listed as
HIN 330 )
show description
Hindi 330: Hindi Literature in the Nationalist Era (unique #32235)
Hindi 384: Hindi Literature in the Nationalist Era (unique #32255)
Spring 2013
Meeting Time: Tues, Thurs, 11-12:30p.m. Place: Mezes 1.208
Instructor: Dr. Kathryn Hansen E-mail: kgh@austin.utexas.edu
Office: WCH 4.122 Telephone: 475-6035
Description:
This is a literature course that requires advanced skills in Hindi: reading, writing, and oral comprehension. We will focus on nationalism and neo-nationalism in Hindi writing (fiction, poetry, non-fiction) and recent cinema. The time periods to be studied include the pre-Independence decades as well as the 1980s and 90s. Texts and films deal with such topics as the concept of the nation, censorship and patriotism under the Raj, Partition, communalism, Hindu-Muslim relations, intercaste marriage, and Hindutva. Journal writing, oral presentation in Hindi, and short response papers will be integral to the student’s effort. Classroom discussion will primarily be conducted in Hindi.
Students enrolled in Hindi 384 will be expected to complete longer reading assignments, give two oral reports instead of one, and write a more sophisticated and lengthier term paper. For details, see Grading and Assignments below.
Readings may include:
Mahatma Gandhi, selections from Satya ke Prayog
Jawaharlal Nehru, excerpts from Bharat ki Khoj
Abdul Kalan, selections of his autobiography Ângi ki Udan
Fiction by Premchand, Amrita Pritam, Geetanjali Shree, and others
Poetry by Hindi and Urdu poets
Essays by Savarkar and Golwalkar
Selected films, such as Rang De Basanti, Zakhm, Pinjar
Grading and Assignments:
HIN 330
Mid-term 15%
Final exam 15%
Two short papers (Engl) 30%
One oral report (Hindi) 15%
Journal (Hindi) 15%
Participation, attendance 10%
HIN 384
Mid-term 15%
Final exam 15%
Research paper (Engl & Hindi) 25%
Two oral reports (Hindi) 20%
Journal (Hindi) 10%
Participation, attendance 10%
Prerequisites:
Facility in Devanagari, plus five semesters of coursework in Hindi and/or Urdu, or consent of instructor. Hindi 384 students must have graduate standing.
ANS 372 • Theatre & Drama In South Asia
31660 •
Fall 2012
Meets
TTH 200pm-330pm WAG 208
show description
Description:
This course will introduce students to South Asian culture through its rich history of dramatic literature and theatrical performance. Various forms such as modern urban drama, political and street theatre, ritual and secular folk theatre, and classical Sanskrit drama will be examined together with their social meanings and cultural contexts. Readings include a variety of play texts, actors’ autobiographies, studies, debates, and reviews. Students will be expected to write several response papers, take quizzes and exams, lead class discussion, and deliver oral presentations. A number of films and videos of performances will also be shown.
Grading/Requirements:
Two response papers (3-4 pages) 30%
Two oral reports with slide shows 30%
Quizzes and exams 30%
Attendance and leading discussion 10%
Readings:
W.J. Johnson/Kalidasa, The Recognition of Sakuntala
Phillip Zarrilli, Kathakali Dance-Drama
Girish Karnad, Naga-Mandala
Manjula Padmanabhan, Harvest
Eugene van Erven, The Playful Revolution
Balwant Gargi, Folk Theater of India
Kathryn Hansen, Grounds for Play
Kathryn Hansen, Stages of Life
ANS 384 • Folklore & Oral Perf Of S Asia
31990 •
Spring 2011
Meets
W 400pm-700pm MEZ 1.202
(also listed as
ANT 394M )
show description
Study of various aspects and periods of South Asian culture and society. Specific offerings are listed in the Course Schedule. Prerequisite: Graduate standing; additional prerequisites vary with the topic and are given in the Course Schedule.
HIN 330 • Hindi Drama And Film
31260 •
Fall 2010
Meets
TTH 200pm-330pm WEL 3.266
(also listed as
HIN 384 )
show description
Study of specific subjects related to Hindi culture as reflected in its literary productions and other modes of expression. Specific offerings are listed in the Course Schedule. Prerequisite: Hindi 312L with a grade of at least C.
HIN 384 • Hindi Drama And Film
31280 •
Fall 2010
Meets
TTH 200pm-330pm WEL 3.266
(also listed as
HIN 330 )
show description
Study of various aspects and periods of Hindi language and culture. Specific offerings are listed in the Course Schedule. Prerequisite: Graduate standing, and six semester hours of upper-division coursework in Hindi or consent of instructor. Additional prerequisites vary with the topic and are given in the Course Schedule.
HIN 330 • Hindi Drama And Film
31660 •
Fall 2009
Meets
TTH 200pm-330pm MEZ 1.204
(also listed as
HIN 384 )
show description
Study of specific subjects related to Hindi culture as reflected in its literary productions and other modes of expression. Specific offerings are listed in the Course Schedule. Prerequisite: Hindi 312L with a grade of at least C.
HIN 384 • Hindi Drama And Film
31685 •
Fall 2009
Meets
TTH 200pm-330pm MEZ 1.204
(also listed as
HIN 330 )
show description
Study of various aspects and periods of Hindi language and culture. Specific offerings are listed in the Course Schedule. Prerequisite: Graduate standing, and six semester hours of upper-division coursework in Hindi or consent of instructor. Additional prerequisites vary with the topic and are given in the Course Schedule.
ANS 384 • Theatre/Gender/Perf In S Asia
30630 •
Spring 2009
Meets
W 200pm-500pm MEZ 2.210
(also listed as
WGS 393 )
show description
Study of various aspects and periods of South Asian culture and society. Specific offerings are listed in the Course Schedule. Prerequisite: Graduate standing; additional prerequisites vary with the topic and are given in the Course Schedule.
Research online
Grounds for Play: The Nautanki Theatre of North India
Staging Composite Culture: Nautanki and Parsi Theatre in Recent Revivals
- Files Attached
- Staging Composite Culture
Ritual Enactments in a Hindi 'Mythological': Betab's Mahabharat in Parsi Theatre
- Files Attached
- Ritual Enactments
Languages on Stage: Linguistic Pluralism and Community Formation in the 19th-Century Parsi Theatre
- Files Attached
- Languages on Stage
Making Women Visible: Gender and Race Cross-Dressing in the Parsi Theatre
- Files Attached
- Making Women Visible
The Virangana in North Indian History, Myth and Popular Culture
- Files Attached
- Virangana
Stri Bhumika: Female Impersonators and Actresses on the Parsi Stage
- Files Attached
- Stri Bhumika
Classical Dance Re-Emerges in Pakistan
Parsi Theatre and the City: Locations, Patrons, Audiences
- Files Attached
- Parsi Theatre and the City
Parsi Theater, Urdu Drama, and the Communalization of Knowledge: A Bibliographic Essay
- Files Attached
- Parsi Theater, Urdu Drama
Indian Folk Traditions and the Modern Theatre
- Files Attached
- Indian Folk Traditions
Sultana the Dacoit and Harishchandra: Two Popular Dramas of the Nautanki Tradition of North India
- Files Attached
- Sultana the Dacoit
Renu's Regionalism: Language and Form
- Files Attached
- Renu's Regionalism



