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Elizabeth Cullingford, Chair CAL 226, Mailcode B5000, Austin, TX 78712 • 512-471-4991

Fall 2006

E 392M • Joyce and Beckett: Text and Performance

Unique Days Time Location Instructor
35750 TTh
12:30 PM-2:00 PM
CAL 21
FRIEDMAN

Course Description

Joyce and Beckett, it has been said, "are no closer than father and son": Joyce was Beckett's "literary godfather [who] might have become an inlaw as well" (David Hayman). Their relationship was intimate and sometimes troubled: Beckett was Joyce's amanuensis and translator, a family friend, loved by his mad daughter, and deeply influenced (not entirely happily) by Joyce and his writings. Joyce and Beckett both experienced Irishness in Conor Cruise O'Brien's sense ("the condition of being involved in the Irish situation, and usually of being mauled by it") and were self-exiled from their native country, fleeing Joyce's "dear dirty Dublin" and the "charm" of Beckett's "derelict" country that consisted of "history's ancient faeces." And both have been claimed as supreme exemplars of literary innovation and of international periods and movements (modernism and postmodernism, respectively). This course, which concerns texts, contexts, and performance, will explore the historic and cultural moments that produced Joyce and Beckett, analyze many of their major works, and examine their relationship to performance and performance media. We will read the texts, explore controversies they provoked, and also view (often in multiple versions) many of the productions.

Texts

JOYCE:

Occasional, Critical, and Political Writing

Dubliners

A Portrait of the Artist as a Young Man

Ulysses

Films: The Sisters, Araby, A Painful Case, The Dead, A Portrait of the Artist as a Young Man, Ulysses

BECKETT:

The Collected Shorter Plays of Samuel Becket

Endgame

Happy Days

Waiting for Godot

Videos/radio plays: Complete Beckett Plays; Endgame; Film; Krapp's Last Tape; Rockaby; Waiting for Godot; radio plays, shorter plays

Packet of additional readings. Jenn's, 2200 Guadalupe

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