Sweden across the Disciplines:
Lecture Series

Dr. Görel Cavalli-Björkman
Director of Research, Nationalmuseum, Stockholm

The Dutch Painting Collection in the Nationalmuseum, Stockholm, and the Cultural Relations Between Sweden and Holland in the Golden Age

Monday, October 18, 2004, 4-5 pm
ART 1.120

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Dr. Cavalli-Björkman has a Ph.D. from Stockholm University and has taught at Stockholm University and been Visiting Research Fellow at the Center for Advanced Study in the Visual Arts in Washington D.C. A member of the Swedish Academy of Science, she has arranged exhibitions on subjects as diverse as women artists in Sweden, Rococo art, Cranach, and turn-of-the-century Scandinavian painting.

Recent publications include

• Såsom i en spegel. Vilhelm Hammershøi och det holländska interiörmåleriet, [Vilhelm Hammershøj and Dutch Interior Painting. Vilhelm Hammershøi. Exhibition catalogue, Nationalmuseum
• Netherlands art and artists in 17th century Sweden. In H. de Schepper, Chr. L. Tümpel & J.J.V.M. de Vet (eds.), La Paz de Münster/ The Peace of Münster 1648, Actas del Congreso de Commemoración /Proceeedings of the Commemoration Congress Nijmegen-Cleve 28-30.VIII.1996 (Collección Idea Universitaria - Historia, Barcelona/ Nijmeegse publicities over Nieuwe Geschiedenis nr 5, Nijmegen 2000. pp.. 161-184
• Face to Face. Exhibition catalogue. Nationalmusei utställningskatalog nr 626.
• Roelant Savery, Memento Mori¸ Jan Fyt, Jagtstillleben in Sinn und Sinnligkeit: Das flämische Stillleben 1550 - 1680, Kunsthistorisches Museum Wien, Kulturstiftung Ruhr Essen Villa Hügel, nos. 44, pp. 146f., 70, pp. 212 f.
• Gustavo III Collezionista d’arte [Gustav III, Art Collector]. Cristina di Svezia Le collezioni reali (Palazzo Ruspoli Fondazione Memmo, Roma 2003, 248-261
• Konstnären och döden [The Artist and Death]. Res Publica 61 (2003), (Vanitas), p. 4-17
• Falskt & äkta. True and false. Exhibition catalogue Nationalmuseum 2004. With an English summary

This talk is co-sponsored by the Departments of Germanic Studies and Art and Art History. We gratefully acknowledge the support of the Swedish Excellence Endowment.