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Jacqueline Jones, Chair 128 Inner Campus Dr., Stop B7000, GAR 1.104 Austin, TX 78712-1739 • 512-471-3261

Spring 2005

HIS 392 • Cul Hist of Amer Photography

Unique Days Time Location Instructor
37705 M
2:00 PM-5:00 PM
HRC 2.202F
Abzug/Hoelscher

Course Description

This graduate seminar will investigate the history of photography in the United States in relationship to changing currents in America society and culture. Taking as its starting point, the course will follow three distinct, but related, strands of that culture: the history of the medium, from daguerreotypes to digital imaging; the relationship between photography and American history, especially urbanization, the rise of commercial culture, and identity formation; and finally a history of the theory of photography, in particular how photography has been understood as a medium expressive of visual culture. Specific themes that this seminar will address include: art; nature; nation building; ethnicity and race; war; landscapes; urbanization and industrialization; advertising and fashion; documentary expression; photojournalism and picture magazines; postmodernism; and the practice of reading and writing about photographs.

This course will be conducted as seminar with open discussion of the assigned readings and other visual materials. We will meet in the Harry Ransom Center in order to make use of that archive’s superb photography collection.

Texts

(Please note that this is a sampling of the kinds of materials we will read in this class, and not the final reading list, which will be shorter!): Joel Meyerowitz, Bystander : A History of Street Photography with a new Afterword on SP since the 1970s Agee and Evans, Let Us Now Praise Famous Men Christopher Pinney, Nicolas Peterson, Photography's Other Histories Roland Barthes, Camera Lucida: Reflections on Photography Judith Fryer Davidov, Women’s Camera Work: Self/Body/Other in American Visual Culture Erika Doss, Looking at Life Magazine Robert Frank, The Americans Marianne Hirsch, Family Frames: Photography, Narrative, and Postmemory Patricia Johnston, Real Fantasies: Edward Steichen’s Advertising Photography Miles Orvell, American Photography Martha A. Sandweiss, Print the Legend: Photography and the American West Shawn Michelle Smith, Photography and the Color Line: W.E.B. Du Bois, Race, and Visual Culture Susan Sontag, Regarding the Pain of Others William Stott, Documentary Expression and Thirties America

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