History 350R/RS 346
Professor Howard Miller
W 3:00-6:00
GAR 1.122
Office: Garrison 3.220
Hours: MWF 11:00-12:00, W 1:30-2:30
hmiller@mail.utexas.edu
RELIGION AND POPULAR CULTURE IN THE UNITED STATES:
THE BEN-HUR TRADITION
Required Texts:
Students are expected to have purchased the following:
Lew Wallace, Ben-Hur: A Tale of the Christ
Bruce D. Forbes and Jeffrey H. Mahan, eds., Religion and Popular Culture in America
(revised edition)
Ben-Hur, Four-disc Collector’s Edition, Warner Brothers DVD
Grading:
Class Attendance and Participation:
Fifty per cent of the course grade will be determined by class attendance and participation in class discussion.
This is a seminar; there will be virtually no lecturing by Professor Miller. Students are expected to be at every class and to be prepared to participate actively in discussing the assigned reading. Every unexcused absence will result in five points being deducted from the attendance/participation half of the final course grade.
There will be no examinations in the course as long as students (1) faithfully attend class, (2) do the assigned reading and (3) sustain effective discussion of that reading. If they do not do these things, Professor Miller reserves the right to give pop quizzes on the assigned reading and any other examinations that might seem appropriate. The grade(s) on those quizzes will be factored into the attendance/participation half of the final course grade.
Students are expected to approach a subject about which they may have strong personal opinions from a perspective appropriate to scholarly inquiry.
Writing:
The other half of the course grade will be determined by the semester’s writing project. This is a Substantial Writing Component Course. Students are required by University and College of Liberal Arts regulations to submit at least sixteen pages of written material that must be evaluated by the instructor and then re-written to reflect that evaluation. Each student will, in close consultation with Professor Miller, select a topic that traces a theme or development that interests the student and that could serve as the basis of the final paper.
By noon, Friday, October 8, each student will turn in a one to two pages short prospectus describing the topic of her or his paper and discussing the ways in which the topic might be developed.
By noon, Friday, October 22, each student will turn in a three to four page extended prospectus of the paper that will elaborate on those plans and suggest materials to be used in the analysis of the topic.
A first draft of that paper, at least twelve pages in length, is due by noon, Friday, November 12.
A revision of the paper that takes into careful and detailed consideration Professor Miller’s critique of the first draft and that is at least sixteen pages in length is due by noon on Tuesday, December 7.
The grade for the writing half of the course grade will be determined in approximately this way:
Short Prospectus: 5%
Extended Prospectus: 15%
First Draft: 30%
Final Draft: 50%
Tentative Course Outline and Assignments
August 25: Introducing the Course
Discussing (1) the problems of studying an extended period of time through the lens of a single cultural artifact and (2) the experience of reading, with early twenty-first century eyes, a late nineteenth century best selling historical romance.
September 1: Religion and Popular Culture
Developing a theoretical vocabulary and a general background for studying Wallace’s novel and the tradition it created in American popular culture.
Read:
Selections from Forbes and Mahan, Religion and Popular Culture
September 8 and September 15: The Novel
Analyzing Ben-Hur and its relationship to late Victorian culture in American and the reasons for its amazing success.
Read:
Wallace, Ben-Hur
Wallace, “How I Came to Write Ben-Hur”
Paul C. Gutjahr, Chapter 5, “Popularity,” from A Bible for America
Blake Allmendinger, “Toga! Toga!” from Matsumoto and Allmendinger, eds., Over
The Edge.
September 22: The First Post-Novel Incarnations
Discussing the broad outlines of the Ben-Hur tradition of the past one hundred and twenty-five years. Viewing and analyzing the first post-novel incarnations of Ben-Hur –advertising and merchandising, lecture, stereopticon, pantomime and tableau vivant—and putting them into the context of emerging debates over issues of intellectual and artistic property in late Victorian culture.
Read:
Howard Miller, “The Charioteer and the Christ: Ben-Hur in America from the Gilded
Age to the Culture Wars”
View:
“Ben-Hur: The Making of an Epic,” Documentary in DVD set
September 29: The Staged Version of Ben-Hur
Discussing the staged version of the novel; analyzing the reasons for its remarkable two decades of success on three continents; and exploring its role in the creation of modern American popular entertainment
Read:
Ben-Hur, adapted for the stage by William Young, script in David Mayer, ed., Playing
Out the Empire
October 6 and October 13: The Silent Cinematic Version(s) of Ben-Hur
Discussing the first silent version of Ben-Hur, from 1907, and then the epochal silent film of 1925 in its cultural context and analyzing changes made in it from both the novel and the stage play.
Read:
Kevin Bownlow, “The Heroic Fiasco,” from The Parade’s Gone By . . .
Bosley Crowther, “The Saga of Ben-Hur,” The Lion’s Share
View: Ben-Hur, (1925-26)
October 20 and October 27: The Blockbuster 1959 Film Version of Ben-Hur
Discussing the most popular and best known of the incarnations of Ben-Hur, especially the ways in which it differs from previous versions and the reasons for the film’s phenomenal success.
Read:
“Ben-Hur” from Jan Herman, William Wyler: A Talent for Trouble.
“Four White Horses,” from Charlton Heston, In the Arena
“Chapter 11,” from Ralph Winters, Some Cutting Remarks
“To Do Well What Should Not Be Done At All,” from Gore Vidal, Palimpset
“The Story of the Making of Ben-Hur,” Pamphlet in DVD set
“Benevolent Supremacy,” from Melani McAlister, Epic Encounters
View:
Ben-Hur (1959)
“Ben-Hur: The Epic That Changed Cinema,” 2005 Documentary in DVD set
November 3: The Epic Homage to Ben-Hur
Viewing and discussing two instances in which significant movie makers pay tribute to Ben-Hur in general and to the chariot race in particular.
View:
Selections from Oliver Stone, Any Given Sunday
George Lucas: The Phantom Menace
November 10: The Conservative Christian Adaptations of Ben-Hur
Viewing, listening to and discussing instances in which conservative Christians have embraced—and transformed—the “Christ tradition” of Ben-Hur
Listen to:
Focus on the Family Theater, “Ben-Hur: An Epic Tale of Revenge and Redemption”
View:
Fraser and Charlton Heston, Ben-Hur (an animated version)
November 17: Gladiator: Ben-Hur Without Christians
Discussing the ways in which Ridley Scott’s Gladiator was influenced by the 1959 version of Ben-Hur and, in many significant ways, is the culmination of the Ben-Hur tradition in American culture
November 24: Thanksgiving, No Class Meeting
December 1: The Race Goes On: Contemporary Incarnations of “Ben-Hur”
A final session led by Dr Miller
This course contains a Writing flag.