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Jill Robbins, Chair 150 W 21st Street, Stop B3700, Austin, TX 78712 • 512-471-4936

Braiding words: Grammatical differentiation and the place of contemporary poetry in indigenous language revitalization

Tue, January 31, 2012 • 4:00 PM - 5:00 PM • BEN 2.104

Lecture by Rusty Barrett, University of Kentucky

Grammatical differentiation refers to the exaggeration of structural differences between languages in contact (e.g. Campbell and Muntzel 1989, Gal and Irvine 2001). Prior research on grammatical differentiation in Mayan language revitalization (Barrett 2008) has shown that in everyday conversations, younger speakers of Sipakapense Maya are avoiding structures that overlap with Spanish, even in cases where the overlap is coincidental (and does not result from contact). However, new research suggests that this differentiation is limited to specific parts of grammar. Although some features of Sipakapense (word order, null object NPs, and resumptive pronouns) show differentiation, other parts of the language show convergence in which marked Mayan structures are in decline (e.g. ideophones and the instrumental voice). In language revitalization, as specific structures come to be associated with new domains for indigenous language use, grammatical differentiation plays a central role in the development of indexical markers of discourse contexts. Thus, the patterns of differentiation found in everyday conversation will differ from those found in other discourse contexts, such as formal speech or verbal art. This talk presents research on grammatical differentiation in the emergence of syncretic forms of verbal art, focusing on the use of ideophones in contemporary Mayan poetry. The talk will describe a quantitative analysis of three types of K’iche’ poetic language: traditional ceremonial language, poetry written by children in a bilingual education program, and the work of Humberto Ak’abal (the most prominent and widely published poet writing in K’iche’). The findings demonstrate that the use of ideophones is comparatively higher in Ak’abal’s poetry even though his work does not preserve the traditional structural forms associated with traditional K’iche’ verbal art (such as the use of couplets). The results suggest that the development of syncretic forms of verbal art may aid in the conservation and documentation of marked grammatical forms that are declining in other discourse contexts.

Sponsored by: Lozano Long Institute of Latin American Studies


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