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Luisa Nardini, Director MBE 3.602, Mailcode E3100, Austin, TX 78712 • 512-232-2069

Geraldine Heng

Associate Professor Ph.D., Cornell University

Geraldine Heng

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Biography

Geraldine Heng is Associate Professor of English and Comparative Literature, Director of Medieval Studies and the holder of the Perceval endowment for Medieval Romance, Historiography, and Culture, an endowment created to support her research and teaching.

She is also Founder and Co-director of the Global Middle Ages Project (G-MAP), the Mappamundi cybernetic initiatives, and the Scholarly Community for the Globalization of the Middle Ages (SCGMA):http://www.laits.utexas.edu.ezproxy.lib.utexas.edu/gma/portal/

Heng's teaching has included courses on the literatures and political cultures of the crusades, the genealogies and texts of medieval romance, the literatures of medieval England, Chaucer, medieval biography, premodern race and race theory, transcultural medieval travel narratives, and feminist theory and third world feminisms.

In 2004, she designed, coordinated, and taught in “Global Interconnections: Imagining the World 500-1500 CE,” an experimental interdisciplinary graduate seminar collaboratively taught by seven faculty to introduce an interconnected premodern world spanning Europe, Islamic civilizations, Mahgrebi  and SubSaharan Africa, India, China, and the Eurasian continent.

Heng’s research focuses on literary, cultural, and social encounters between worlds, and webs of exchange and negotiation between communities and cultures, particularly when transacted through issues of gender, race, sexuality, and religion.  She is especially interested in medieval Europe’s discoveries and rediscoveries of Asia and Africa.  Her book, Empire of Magic, traces the development of a medieval  literary genre—European romance, and, in particular, the King Arthur legend—in response to the traumas of the crusades and crusading history, and Europe’s myriad encounters with the East.  She is completing two books: a book theorizing premodern race and racial-religious difference, and a book on medieval England as a global site, traced through its literature.

MDV 392M • Lit Archeol Of Global Mid Ages

41755 • Spring 2014
Meets W 600pm-900pm PAR 310
(also listed as E 392M )
show description

GLOBAL ENGLAND: A LITERARY ARCHEOLOGY OF THE GLOBAL MIDDLE AGES

What might a Global Middle Ages signify for the literature of medieval England, an insular territory shunted off to the far northwest corner of Europe (Europe being understood, in the medieval period, as Latin Christendom)?

Not usually seen as belonging to the ambit of world literature, or sought out for attention by literary transnationalism’s comparatist heuristics, medieval England’s examples of non-modern literature are not the wandering lyrics of Chinese poetry, Arabic cycles of heroic epics across Dar al-Islam, or migratory Jataka tales.

This seminar is an invitation to consider a selection of literary texts, and methods of reading, that grant access to what medieval England’s literature wants to tell us about globalizations.   We’ll begin with a survey of early globalisms, and the role of literature in articulating globality, extraterritoriality, and the outside.  We’ll consider the transnational properties of texts, and each work’s capacity to transact through a variety of methods.

Since our interest is to see how medieval England’s literature engages with globalism for its own internal audiences, many of our texts will be Middle English texts, arguably a literature aimed at insular, national audiences.  To provide context and background, however, we will also read in translation relevant texts in Latin, French, Franco-Italian, and Greek to situate our reading of Middle English texts.

Some ability to read Middle English is required; possession of other languages is not required for seminar discussion, but is an advantage for research and writing.  Non-medievalists are expected to thicken their understanding of the Middle Ages in a serious and aggregative way, and medievalists are expected to engage with critical and theoretical texts we read with the same degree of attentiveness and commitment they afford medieval texts. Other requirements: 2 presentations, a seminar paper for a letter grade (for pass/fail credit, 2 presentations, no seminar paper).

Sample texts (suggestive, subject to change, open to negotiation):

Richard Coer de Lyon

Sowdan of Babylon

King of Tars

Man of Law’s Tale

Emaré

Floris and Blanchefleur

Balaam and Josephat

The Greek Alexander romance

Gests of King Alexander of Macedon

Letters of Alexander to Dindimus

John of Plano Carpini, Ystoria Mongalorum

William of Rubruck, Itinerarium

Marco Polo (The Travels/Il Milione)

The Squire’s Tale, Man of Law’s Tale

The Letter of Prester John

Odoric of Pordenone (Relatio)

Mandeville’s Travels (the Book of Sir John Mandeville). 

 

 

Publications

Global England: A Literary Archeology of the Global Middle Ages, in progress.

The Invention of Race in the European Middle Ages, in progess.

Race and the Middle Ages. University of Toronto Press and the Medieval Academy of America, 2012.

"The Invention of Race in the European Middle Ages II: Locations of Medieval Race." Forthcoming in Literature Compass, the Global Circulation Project.

"The Invention of Race in the European Middle Ages I: Race Studies, Modernity, and the Middle Ages." Forthcoming in Literature Compass, the Global Circulation Project.

"Holy War Redux: The Crusades, Futures of the Past, and Strategic Logic in the 'Clash' of Religions." PMLA May 2011.

pdf"The Global Middle Ages." Special Issue on Experimental Literary Education.  Ed Jeffrey Robinson.  ELN 47:1, 2009.

"An Experiment in Collaborative Humanities: 'Global Interconnections: Imagining the World 500-1500. ADFL Bulletin, 38(3), December 2007.

"Jews, Saracens, 'Black men,' Tartars: England in a World of Racial Difference, 13th-15th Centuries," A Companion to Medieval English Literature, c. 1350-c.1500, ed. Peter Brown, Blackwell 2005.

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''Music to My Ears: Pleasure, Resistance, and Feminist Aesthetics in Reading.'' Cambridge Companion to Feminist Literary Theory. ed. Ellen Rooney. Cambridge UP, 2006.

"The Romance of England: Richard Coer de Lyon, Saracens, Jews, and the Politics of Race and Nation," The Postcolonial Middle Ages, ed. Jeffrey Cohen, Garland (2000).

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"Cannibalism, the First Crusade, and the Genesis of Medieval Romance," differences 10.1, 1998.

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"'A Great Way to Fly': Women, Nationalism, and the Varieties of Feminism in Southeast Asia." Feminist Genealogies, Colonial Legacies, Democratic Futures (pp.30-45). eds. M. Jacqui Alexander and Chandra Talpade, Mohanty, Routledge, 1996 (republished, translated).

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"A Woman Wants: The Lady, Gawain, and the Forms of Seduction." Yale Journal of Criticism, 5(3), 101-134 (September 1992).

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"Feminine Knots and the Other Sir Gawain and the Green Knight." PMLA: Publication of the Modern Language Association of America, 500-514 (May 1991).

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''State Fatherhood: The Politics of Nationalism, Sexuality, and Race in Singapore'', Nationalisms and Sexualities, eds. Andrew Parker, Mary Russo, Doris Sommer, Patricia Yeager, Routledge 1991 (republished eight times; translated into other languages).

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