Lynn R Wilkinson

Affiliated ProfessorsPh.D. Comparative Literature, University of California, Berkeley

Lynn R Wilkinson



“The Chamber Plays.”  Cambridge Companion to Strindberg.  Ed. Michael Robinson.  Cambridge:  Cambridge University Press, 2009.  107-120.


“Playful Performances: Ingmar Bergman’s Bildmakarna and Film Authorship.”TijdSchrift voor Skandinavistiek 30:1 (2009): 269-304.

Wilkinson, Lynn R.  (2008, September) Marriage, Remarriage, and Other Language Games:  Emma Gad's Ægtestand and De unge Drømme and the Comedy of Remarriage.” Orbis litterarum 63(3), 177-194.

Wilkinson, Lynn R.  (2008, September) "Culture and Power in Balzac's Rubempré Novels." Romance Quarterly 55(2), 153-160.
Wilkinson, L.R. (2008, March) Review of Women, Modernism, and Performance. South Central Review 25(1), 174-175.

Wilkinson, L.R. (2007) Review of Das Ich im Dialog mit dem Wir: Die Literarisierung kultureller Migration als kritische Auseinandersetzung mit der eigenen kollektiven Identität. The German Quarterly The German Quarterly 80(4), 550-551

Wilkinson, L.R. (2006, December) Review of Regions of Sorrow: Anxiety and Messianism in Hannah Arendt and W. H. Auden. Comparative Literature 58(1), 86-89.

“Gender and the Gaze in Anne Charlotte Leffler’s ‘En bal i “societeten.’” Scandinavian Studies 78(4), 429-460.

Wilkinson, Lynn R.  (2006, September)  Anne Charlotte Leffler and Bjørnstjerne Bjørnson’s De nygifte. TijdSchrift voor Skandinavistiek 27(1), 69-89.

Wilkinson, Lynn R. (2004, December) Hannah Arendt on Isak Dinesen: Between Storytelling and Theory. Comparative Literature, 56(1), 77-98.

Wilkinson, Lynn R. (2004, March) Feminism, Modernism, and the Morality Debate: Anne Charlotte Leffler's Tre komedier. Scandinavian Studies, 76(1), 47-70.

Wilkinson, Lynn R. (2003, November) Sketching Modernity: Elin Améen's Träldom och Lifsmål. Scandinavica, 42(2), 209-237.

Wilkinson, L. (2003, September) Feminism, Comedy, and Theatricality in Turn-of-the-Century Copenhagen: Emma Gad's Et Sølvbryllup och Den mystiske Arv. Edda: Nordisk tidsskrift for litteraturforskning/ Scandinavian Journal of Literary Research, 4, 352-364.

Wilkinson, Lynn R. (2002, September) Karin Boye. Twentieth-Century Swedish Writers Before World War II. Dictionary of Literary Biography 259. Ed. Anne Charlotte Gavel Adams. Bruccoli Clark Layman, 19-29.

Wilkinson, L. (2002, September) Ellen Key. Twentieth-Century Swedish Writers Before World War II.  Dictionary of Literary Biography 259.  Ed. Anne Charlotte Gavel Adams.  Bruccoli Clark Layman, 83-93.

Wilkinson, Lynn R (2001, September) Gender and Melodrama in Ibsen's Lady Inger. Modern Drama, 44(2), 155-173.

Wilkinson, Lynn R.  (1998, September) Henri Becque. French Dramatists from 1789 to 1914. Dictionary of Literary Biography 192. Ed. Barbara T. Cooper. Bruccoli Clark Layman, 12-18.

Wilkinson, Lynn R.  (1998, September) Maurice Maeterlinck.  French Dramatists from 1789 to 1914.  Dictionary of Literary Biography 192.  Ed. Barbara T. Cooper.  Bruccoli Clark Layman,, 232-243. 

Wilkinson, Lynn R. (1997, December) Strindberg, Peter Szondi, and the Origins of Modern (Tragic) Drama. Scandinavian Studies, 69(1), 1-28.

Wilkinson, Lynn R. (1996) The Dream of an Absolute Language: Emanuel Swedenborg and French Literary Culture. Albany: State University of New York Press.

Wilkinson, Lynn R. (1996, September) Isak Dinesen's "Sorrow-Acre" and the Ethics of Storytelling. Edda: Nordisk tidsskrift for litteraturforskning/ Scandinavian Journal of Literary Research, 1, 33-44.

Wilkinson, Lynn R. (1993, September) The Politics of the Interior: Strindberg's Chamber Plays. Scandinavian Studies, 65(4), 463-486.

Wilkinson, Lynn R. (1992, December) The Art of Distinction: Proust and the Dreyfus Affair. MLN, 107(5), 976-999.

Wilkinson, Lynn R. (1992, March) Le cousin Pons and the Invention of Ideology. PMLA, 107(2), 274-289.

Wilkinson, L. (1989, June) Embodying the Crowd: Balzac's L'envers de l'histoire contemporaine and the Languages of Class Consciousness. Symposium, 43(2), 127-137.

Wilkinson, L. (1989, January) Gender and Class in Stendhal's Lamiel. Romanic Review, 80(1), 57-74.

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