Ancient Greece
Lecture 17 - Th 11/6
Athenian Comedy
I. Athenian Comedy
A. Origins: demes, City Dionysia, komodia, komos
(Attic cup c. 470)
- "Old comedy" (5th C): political satire, chorus (Attic
cup c. 500)
- "New comedy" (330-250 BC): domestic sitcoms, Menander
(c.345-290)
B. Comic drama (Roman
mosaic)
- prologue, episodes + odes, finale
- contemporary characters and plot: Athenian stereotypes +
celebrity caricatures
- comic formula: (X - Y) / Z + W = X + Y = : )
- typical scenes: agon (pp 104-20, 206-15), parabasis (pp 185-9,
215-6), komos
- laughter: masks and
costumes, slapstick, jokes,
insults, obscenity, parody
II. Aristophanes and the Comic Hero
A. Aristophanes (c. 455-385 BC): 11 comedies survive (about 20
more lost)
B. Lysistrata (411 BC):
sex-strike & occupation
- plot (p 98, 100) and oath (p 102)
- protagonist and blocking characters
- dirty jokes: deserters (p 124), "Chanel" + "Rod", personified
Reconciliation (p 142)
- sexist fantasy: women in control, what women want
C. Democratic laughter
"The essential spirit of Old Comedy is the ordinary man's protest,
using his inalienable weapons of humor and fantasy, against those who
are in some way stronger or better than he is: politicians, generals,
artists, intellectuals, even gods." --Kenneth Dover (1973)
III. Lysistrata in Athens
A. Wartime crisis
- Peloponnesian war, disaster in Sicily 413, revolts, emergency
government
- Lysistrata, oikos vs. polis ... it's the
economy, stupid!
- acropolis, Parthenon,
treasury, priestess
of Athena (Lysimache)
B. Messages: serious or silly? policy or fantasy?
- sexist resolution: peace party, komos (Attic
cup c. 480)
- policy: peace, panhellenism (p143) ... but status quo
- democracy: free speech, collective action, criticize leaders
but not institutions
- subversive potential: democratic protest, missing the joke
feminism
Back on schedule:
Read for next class: Amos & Lang Ch. 13-14, Euripides
Alcestis
Homework questions: due in class Tu
Nov. 11
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Last modified 11/6/03: sawhite@uts.cc.utexas.edu