C. Rendezvous with tyranny: Peisistratus (561-527 B.C.);
Thespis (534 B.C.), Panathenaic Festival;
Hipparchus vs. Harmodius and Aristogeiton (514 B.C.);
Hippias into Exile (510 B.C.)
D. The Reforms of Kleisthenes (508/507 B.C.); redistricting, Athenian style: 3x10 districts;
10 tribes; a Council (boulē);
an executive committee of the Council (prytany) and its presiding officer of the day; ostracism
tyche; moira; the question of Job; katharsis; pity and fear; hubris; catastrophe;
not "tragic" ending but resolutionDionysiac connection: ecstasy
A. Development from chorus and protagonist to 3 actors
B. audience; liturgy
C. the theater building: orchestra, skene; deus ex machina; Theater at Epidaurus;
Theater of Dionysus in Athens (see images)
A. Plot
B. domestic themes; characters, hubris
C. universal themes: the curse on the House of Atreus (see below)
generations 1 and 2: Tantalus/Pelops
generation 3: Atreus and Thyestes
next: Agamemnon/Clytemnestra/ Aegisthus
next: Orestes, Electra, IphigeniaD. historical and political themes; Areopagus
"ALL IN THE FAMILY": The House of Atreus
Please read Oresteia over the weekend and bring texts to class on Tuesday.
Syllabus
Images for Lecture 11