REVIEW FOR FINAL EXAM

Back to Syllabus.

Format and coverage

  • This is a 2 hour final. The first hour is a midterm for the third section of the course. The second hour is comprehensive.
  • The midterm (first hour)
    • Section I will require short, factual answers.
    • Section II will require short paragraph answers. It will include important names, events and themes from the material covered in this section of the course:
      • the House of Atreus (Agamemnon's family)
      • the House of Labdacus (Oedipus's and Antigone's family)
      • the plays by Aeschylus (Agamemnon required, and discussion of Eumenides), Sophocles and Euripides (Medea required, and discussion of Bacchae)
      • the myths of Herakles, Theseus and Jason
    • Section III will be ONE longer essay. There will be choice.
  • The comprehensive section (second hour)
    • There will be TWO long essays to write. There will be choice.

The Midterm Hour

The House of Atreus

  • Know who the following people were, and the basics of what they do/what happens to them:
    • Tantalos
    • Pelops
    • Atreus and Thyestes
    • Agamemnon, Clytemnestra and Aegisthus
    • Iphigenia, Orestes (and Electra)

Aeschylus's Plays

  • How does Aeschylus use the family myths in his plays? What does he emphasize/change?
  • What is his interest in fate--is everyone fated or do they get to make choices?
    • Review what the chorus say in the Agamemnon, lines 107-121, about Agamemnon's decision to kill Iphigenia. Was he helpless in his fate, or is he guilty and should be punished?
    • What other choices does Agamemnon make? To destroy the gods' temples in Troy--sacrilege; to walk on the holy purple tapestries. How does this tie in with the question about Agamemnon being guilty or not?
  • How does he characterize Agamemnon? Clytemnestra? Aegisthus?
  • What does Cassandra add to the play?
  • In the Eumenides, Orestes is beset by the Furies for killing his mother. Why is Clytemnestra not hounded for killing her husband? Because he was not a blood relation.
  • Orestes is acquitted of the murder of his mother. Why? By whom?
  • What happens to the Furies? They are reconciled, and become the Eumenides--kindly ones

The House of Labdacus (Laius)

  • Know who the following people were, and the basics of what they do/what happens to them:
    • Cadmus
    • Laius and Jocasta
    • Oedipus (and Jocasta)
    • Antigone

Sophocles's Plays

  • How does Sophocles use the family myths in his play Oedipus the King? What does he emphasize/change?
  • What is his interest in fate--are Laius and Oedipus fated or do they get to make choices?
    • remember the oracle to Laius? presented differently by Aeschylus and Sophocles:
      • Aeschylus: If you have a son, he will kill you.
      • Sophocles: Your son will kill you.
  • Is Oedipus guilty? flawed? (see next section). Does he deserve the suffering he undergoes? Could he have prevented his downfall?
  • What are Oedipus' good and bad qualities?
  • The legend involving Antigone:
    • Eteocles and Polynices, Oedipus' sons, fight over who is to rule Thebes
    • Polynices is thrown out by Eteocles; he returns with an army and attacks Thebes
    • Creon (king, their uncle) decrees no burial for Polynices (proper treatment for traitors)
    • Antigone defies the decree, for which the penalty is death
  • Is Antigone in the right? She claims the same age old laws of the gods as the Furies do to justify hounding Orestes
  • Is Creon right? He claims the same laws of the human state as Apollo does to justify acquitting Orestes

Aristotle on Greek Tragedy (Poetics, sec. 13)

  • I discussed this in class; here it is written down. It's important to understand that there is no such thing to the Greeks as a "tragic flaw". That phrase is a misunderstanding of Aristotle's word hamartia, which just means an error, particularly an error of judgment. He gives the following description of the best plot for a tragedy; he says that Sophocles' Oedipus the King is a perfect example of it.
  • Aristotle says that the best tragic plot:
    • must imitate actions arousing pity and fear
    • should be about "a good man, not overly virtuous and just, whose misfortune is brought upon him not by vice and depravity but by some error (of judgment)" (hamartia)...e.g. Oedipus. "The perfect plot, accordingly, must have a single, and not (as some tell us) a double issue; the change in the hero's fortunes must be not from misery to happiness, but on the contrary from happiness to misery; and the cause of it must lie not in any depravity, but in some great error on his part."

Euripides' Plays

  • The background to the Medea is the story of Jason and the Golden Fleece (see below)
  • What is Euripides interested in teaching with the play Medea?
  • Medea does not change through the play but our attitude toward her does
  • What is Jason like? Does he deserve to suffer as he does?
  • Does Medea deserve to go unpunished for killing her children?
  • The Bacchae presents a confrontation between a god, Dionysos, and people; they react in different ways.
    • Some embrace his worship--what happens to them?
    • Pentheus rejects him absolutely--what happens to him?
  • What is the message of the Bacchae?

Herakles

  • Know the 12 labors--why did he do them?
    • how do the first 6 labors differ from the last 6? maybe some connecton of 1st 6 to reality of Bronze Age?
    • how are the last 2 labors a quest for immortality?
  • What other types of deeds did Herakles do? How did he die?
  • What are the different views of Herakles that existed in ancient times?

Theseus

  • the 6 labors--made up by Athenians in 6th century BC to imitate Herakles
    • compare to Herakles' labors
  • the Minotaur story
    • a much older legend, probably based on the real Bronze Age of Crete
  • The Athenians, especially the tyrant Pisistratus in the 6th cy. and the Democrats in the early 5th cy., exploited Theseus for propaganda purposes

Jason and the Argonauts

  • Jason sent away from home at birth, comes back when grown, takes over as kin--folktale; compare Oedipus, Theseus
  • Quest for golden fleece
    • Medea falls in love with Jason, helps him (compare Ariadne and Theseus)
    • adventures on the way deliberately copy those of Odysseus, Herakles

General study suggestions for this midterm

  • Know what the textbook says is important about the topics above
  • Think about connections, comparisons and contrasts
    • miracle babies--Oedipus, Herakles, Theseus (sort of), Jason
    • women loved, then abandoned--Medea, Ariadne, Herakles' wife Dianeira
    • comparison between Herakles and Theseus: labors; connection of their myths to the real worlde of the Greek Bronze Age
    • comparison between Clytemnestra (Aeschylus) and Medea (Euripides)
    • comparison among Aeschylus, Sophocles, Euripides

The Comprehensive Hour

  • Look for recurring themes and archetypes in different myths
    • for miracle babies, add Romulus and Remus
    • for women abandoned, add Calypso in the Odyssey
    • compare Penelope to Clytemnestra, Medea, Antigone
    • different types of heroes: Achilles, Odysseus, Gilgamesh, Aeneas, Herakles, Theseus
    • quests for immortality, and attempts to cheat death by returning from Underworld: Odysseus, Gilgamesh, Aeneas, Herakles, Theseus
  • How do the ancient societies use myths?
    • moral lessons
    • political propaganda
  • Relations between gods and men
    • are gods models of behavior?
    • do they help, punish or both?
    • do they enforce fate?
  • Relations between men and women
    • think about women as seducers, saviors, supporters (helper-maidens), murderers, etc.
  • Heroes
    • do the heroes from the course have things in common? do they differ a lot?
    • do stories of epic heroes and tragic heroes offer different things or lessons to ordinary people?


Last updated: 12/4/07

Back to Syllabus. Back to top of Page.