REVIEW SHEET FOR MIDTERM I

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Format of midterm

  • Section I: Pictures. Two or three pictures to comment on. You might have to identify the figure(s) in a Classical or post-Classical work of art, and make any other comments appropriate about the appearance or use of that figure. You should be able to recognize the gods and goddesses we have specifically studied, by their attributes and/or pose. Below in each section is a list of specific works of art that we have discussed in class. They should help you study. If a work is illustrated in H&P the reference is there; if not, click on the link to see it. Some works of art just illustrate a deity or a site; others we discussed the symbolism, the pose, or other features, and you should know what we talked about (it is also discussed in H&P).
  • Section II: Short answer, factual. I am not looking for arcane details, but for basic knowledge of the kind on the handouts (what is Poseidon the god of, what is a satyr, why was Zeus angry at Prometheus, give an example of a certain kind of myth, etc.).
  • Section III: shorter and longer essays. For the shorter essays you will identify and explain the importance of certain mythical figures and/or events. For the longer essay you will discuss themes we have covered (parallels in creation myths, tricksters) and apply the theories to the myths. There will be some choice in this section.

How to study

  • start from this review sheet
  • use handouts and class notes as a guide to what is important in the textbook--don't get bogged down in factual detail from the book that we did not discuss
  • think about how the Greeks' stories, world view, solutions to problems, compare to those of other cultures

Content of midterm

  • theories of myth
    • know the external and internal theories of myth, as described in H&P.
    • be able to apply them appropriately to the myths we have studied.
  • creation
    • how does the universe begin according to the different cultures we looked at? why does that make sense for them?
    • how is man created in Greek myth?
    • conflicts at world's beginning
      • between generations of gods (esp. father/son): Ouranos-Kronos-Zeus; Hurrian parallel
      • between gods and giants/titans/monsters (we didn't discuss these; you should just be aware that such struggles did exist)
      • between gods and mankind: flood myths (compare to other cultures); Zeus steals fire (why?)
    • how does Prometheus help mankind, and why?
  • early mankind
    • Hesiod's 5 ages of man: decline from golden age, vs. notion of progress from savagery to civilization
    • Pandora: Hesiod tells two versions: unnamed women is a punishment, or named Pandora brings evils in a jar; compare Garden of Eden
    • all these stories deal with mankind's current condition of hard work, troubles, etc.
  • the Greek gods, generally
    • like human beings on a grand scale, with human failings; key difference from humans is that they are immortal and we are not
    • most "at home" on mount Olympus, but have various origins
    • We specifically covered Zeus, Apollo, Dionysos, Demeter, Aphrodite, Hermes. Be able to say how/where they originated (there may be more than one version), what their responsibilities are, and (except for Demeter and Hermes) how to recognize them in art:
  • Zeus
    • be aware of the following mortal lovers of Zeus: Europa, Leda, Ganymede
    • what does Zeus symbolize?
    • where are his main sanctuaries?
    • images for study:
      • the birth of Athene. H&P p. 83 fig. 3-14.
      • the marriage of Zeus and Hera. H&P p. 84 fig. 3-15.
      • Zeus and Ganymede. H&P p. 188 fig. 6-3.
  • Apollo
    • be able to define: Hyperboreans, Delphi, Pythia, Daphne, oracle
    • what does Apollo symbolize?
    • what happens at Delphi? how does the oracle work?
    • images for study:
      • Apollo from the temple of Zeus at Olympia. H&P p. 201 fig. 6-10.
      • Belvedere Apollo. H&P p. 238 fig. 7-1.
      • Bernini, Apollo and Daphne. H&P p. 981 fig. 20-1.
      • Delphi. H&P p. 240 fig. 7-3.
      • Pythia. H&P p. 248 fig. 7-8.
  • Dionysos
    • be able to define: Semele and Pentheus, Delphi, satyrs, maenads, Zagreus
    • what does Dionysos symbolize?
    • what do Dionysiac rituals involve (mythical/real)?
    • images for study:
      • Dionysos with satyrs and maenads. Click here.
      • Maenad. H&P p. 270 fig. 8-3.
  • Mystery religions
    • Dionysiac mysteries--H&P p. 280-82.
    • Eleusinian mysteries
      • what's the basic story of Demeter and Persephone?
      • how does the Eleusinian ritual work? how does it correspond to the myth?
    • Orphism
      • what's the basic story of Orpheus and Eurydice?
      • how does the Orphic creation story compare to the conventional Greek one?
      • how does the Zagreus/Dionysos story compare to the conventional Greek Dionysos?
      • how does Orphic ritual work?
    • images for study:
      • Villa of the Mysteries, Pompeii. H&P p. 281-82 fig. 8-12.
      • Demeter and Persephone: two reliefs from Eleusis. H&P p. 158 fig. 5-8, p. 164, fig. 5-11.
  • Aphrodite
    • be able to define: Eros
    • what does Aphrodite symbolize?
    • how did post-classical artists depict Aphrodite?
    • how did those artists copy/use/exploit specific ancient works of art, both in portraying the goddess, and for other figures?
    • images for study:
      • Aphrodite of Cnidos. H&P p. 213 fig. 6-18.
      • Capitoline Venus. Click here.
      • Botticelli, Birth of Venus. H&P color plate 1.
      • Titian, Venus with the Mirror. H&P p. 1035 fig. 21-12.
      • Parmigianino, Madonna of the Rose. Click here.
      • Sleeping Ariadne. Click here.
      • Giorgione, Sleeping Venus. Click here.
      • Titian, Venus of Urbino. H&P p. 1035 fig. 21-11.
      • Manet, Olympia. H&P p. 1037 fig. 21-16.
      • Aphrodite of Melos (Venus de Milo). H&P p. 1034 fig. 21-10.
      • Dali, Venus de Milo with Drawers. H&P p. 1039 fig. 21-19.
  • Tricksters
    • what is a trickster, and how do we recognize one? what do they do?
    • know about the following tricksters: Hermes, Coyote, Loki, Prometheus
      • what makes them qualify as tricksters?
      • know the story of the Homeric Hymn to Hermes as we discussed it
  • Roman religion
    • How does Roman religion differ from Greek religion? What does it borrow from the Greeks?
    • Begins with spirits (singular numen, plural numina) of particular places and things in the environment
    • mystery religions from the East tend to flourish
  • Death and Immortality/The Look of Hades
    • What is the Greek attitude toward death?
    • What does Hades look like?
    • What can the soul of a human being expect to find there? to do there?
    • Homer's Hades: can you describe it?
      • know about the four great sinners
    • Plato's myth of Er: doctrine of purification, reincarnation
      • influenced by Orphism
    • Vergil's Aeneid: compare to Homer's and Plato's presentations
    • images for study:
      • Charon. H&P p. 300 fig. 9-4.
      • Sisyphus. H&P p. 301 fig. 9-5.
  • Daedalus and Icarus
    • Know the story
    • Basic Greek message:know thyself, nothing in excess, follow the middle course
    • How have post-classical painters and poets used the story? What message to they derive from it?
    • images for study: see the Icarus handout.


Last updated: 9/23/07

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