Department of Art and Art History Faculty

Leslie Mutchler and Jason Urban present UNIVERSAL at Artists Image Resource

Wed. July 8, 2015

three white lines printed on wood plank leaning against white wall
Gate (woodblock). 2014 14” x 24”. Digital output on photo glossy paper.

Leslie Mutchler / Jason Urban present UNIVERSAL at the Artists Image Resource in Pittsburgh, Pennsylvania. The exhibition will be on view June 20 – July 18, 2015.

UNIVERSAL is the first large-scale collaborative project by artists Leslie Mutchler and Jason Urban. Both have multiple degrees in printmaking and have been working for several years to make relevant the archaic and dying craft of print. Mutchler’s most recent projects are experiential, WorkLAB Satellites and TrendFACTORY, examine the purpose and functionality of the printed form and the use of handcraft through multi-participatory installations. Urban is co-founder and co-editor of, a 2011 Creative Capital Warhol Foundation Arts Writers Grant winning blog, focused on interesting and relevant contemporary printmaking, print, and print-related issues. Urban’s most recent project, Temporary Monument, printed and installed in Doha, Qatar, focuses on the expansiveness of printed matter, text and graphic proliferation.

See more about the project or view a video.

Beili Liu featured in Austin Way magazine

Mon. June 29, 2015

Woman in black standing behind table with half finished installation
Photo by Ben Sklar.

"Beili Liu on Her Hauntingly Beautiful 'Thirst' Project & What's Next" spotlights Professor Liu in the Austin Way.

See how (and where) faculty spend their summer (Part 1 of 2)

Fri. June 26, 2015


piles of books and papters with lap top on table

Eddie Chambers is currently working on a book manuscript entitled Roots and Culture: The Making of Black Britain. Upon the book’s completion, it is scheduled to be published by I.B. Tauris. Roots and Culture sets out to chronicle the evolution of Black Britain as a distinct cultural entity—a nation within a nation.

The book's thesis is that right from the earliest times of Caribbean migration to Britain in the decades of the mid twentieth century, Black people have had cause or need to fashion distinctly different manifestation of cultural expression that existed in marked contrast to the cultural sensibilities demonstrated by the so-called 'host' community. Even though Caribbean migrants essentially arrived as British subjects, they found that their Britishness and the Caribbean brand of British culture that they brought with them counted for little or nothing, amongst their fellow Brits. Instead, Caribbean migrants were obliged to formulate new ways of existing. surviving, and living, in what was in effect a culturally hostile environment.

three people kneel around amphora in archaelogical dig
Jenny Muslin (right) instructs UT Austin undergraduates Lillie Leone and Michael Kilgore on the intricacies of Roman wine amphorae.

The Oplontis Project returns to the Bay of Naples for its tenth season of field work, under the direction of John Clarke and Michael Thomas (director of the Center for the Study of Ancient Italy and PhD in Art History, 2001). As in year’s past, the project brings together UT Austin faculty, graduate students, undergraduate students, and international scholars as part of its multi-disciplined study of two sites, Villas A and B at Oplontis, both located a few miles from Pompeii. This year’s excavation continues in Oplontis B, which is led by field director Ivo van der Graaff (PhD in Art History, 2013), who is now a post-doctoral researcher at the Center for Advanced Study in the Visual Arts. Jenny Muslin (graduate student in Art History) is leading the study of over 1000 Roman wine amphora found at the site.

people on boat in river with river bed in background

Julia Guernsey travels to Guatemala to work with archaeological materials from the site of La Blanca and to begin research on a new book. In July, Guernsey will present a paper titled Captives and Social Discourse in Late Preclassic Mesoamerica at the annual International Congress of Americanists.

digital rendering of person in installation with green floor

Amy Hauft is working on part of a project for Old Dominion University’s Gordon Gallery. It is a large installation and this summer is devoted to working on the floor portion of it. With the help of Eric McMaster, Hauft is 3D modeling and cutting out the parts on the CNC router over the summer. The site-responsive installation will be on view in 2017.

photograph of three story library from balcony
Staatsbibliothek, Berlin, Germany. Image courtesy of Linda Henderson.

Linda Dalrymple Henderson is in Berlin for several weeks this summer, doing research at the Staatsbibliothek. Henderson is working through the remarkable journal Die Uebersinnliche Welt (The Unseen World) of which Wassily Kandinsky was a reader (numerous issues are preserved in his archive in Munich). Published monthly from 1893 to the 1920s, it was an international spiritualist journal filled with both the latest occult news but also any scientific developments that supported interest in unseen worlds, such as X-rays, radioactivity, and electrons. It is an ideal vehicle for tracking the international cultures of science and occultism shared by modern artists all over Europe.
Henderson will speak in Madrid on June 26 at an art/science session organized by the Thyssen-Bornemisza Museum in conjunction with the 2015 conference of a network of astrophysicists researching dark matter and dark energy, who call themselves “The Invisibles.”  She is on a panel on the theme of “Dimensionality” with Harvard physicist Lisa Randall, whose ideas about our four-dimensional space-time world being embedded in a 5-dimensional “bulk” were part of the background for Christopher Nolan’s Interstellar.

photograph overlooking balcony with mountains in far background

Joan Holladay continues to work with the designer on her upcoming publication, Gothic Sculpture in America 3: The Museums of New York and Pennsylvania. The book will be available in spring 2016. Holladay will finish an invited article on royal iconography. She will also complete the book she has been plugging away at for ages on imagery with genealogical content in the high and late middle ages.

woman sits at desk with piles of paper spread out in front of her

Susan Rather is working her way through copy-editor’s queries and making other adjustments to her 600 page book manuscript. Later, Rather will deal with page proofs, galleys, and indexing. The American School: Artists and Status in the Late-Colonial and Early National Era is forthcoming in fall from Yale University Press and the Paul Mellon Centre for Studies in British Art. These processes will take a lot of her focus this summer. Rather states, “But for any of us, drawing a long-LONG-term project to a close is pretty exciting—even if it doesn’t look like it!”

photograph of dark room with window overlooking yard

Richard Shiff works on exhibition essays scheduled for Bridget Riley, early art of Piet Mondrian, Jasper Johns, and Georg Baselitz. Shiff will also be researching the late work of Barnett Newman for an academic journal. Additionally, he will work on an essay on problems of pictorial resolution for a journal of semiotics. Longer term projects include work on a book on Donald Judd and writing on A.R. Penck that will may appear in an exhibition catalog. Shiff continues to work on a book of previously published essays.

Eddie Chambers publishes articles in Nka and Afterall Journal

Thu. June 25, 2015

white overlapping hexagonal and cube shapes on green background

Eddie Chambers published articles in Nka: Journal of Contemporary African Art and Afterall Journal, Issue 39.

The May 2015 issue of Nka results from a 2014 CAA Panel Chambers organized and Rose G. Salseda, PhD candidate in Art History, participated.

Bogdan Perzynski presents work in Retreat at Liliana Bloch Gallery

Sat. August 1, 2015

photograph of lush forest
Still from 52 42 N 23 52 E. Image courtesy of the artist.

Bogdan Perzynski presents video work in an exhibition, Retreat, at Liliana Bloch Gallery. Rachel Rogerson, curator of the exhibition, states:

Retreat explores our relationship with nature. Through video and photography that reflects the human condition, artists investigate this topic. Home foundations sit lonely amidst sprawling vistas. Lush forests provide little evidence of humanity. Concrete structures dominate cityscapes. What remnants of humanity do we impose on our environment? What features of nature do we attempt to possess?

Retreat will be on view August 1 – September 5, 2015.

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