Art History Lecture Series presents Coco Fusco
Fusco will present an artist talk in which she will discuss her most recent work.
Coco Fusco is a New York-based interdisciplinary artist, writer and Director of Intermedia Initiatives at Parsons The New School for Design. She has performed, lectured, exhibited and curated around the world since 1988. She is a recipient of a 2003 Herb Alpert Award in the Arts. Fusco's performances and videos have been presented in two Whitney Biennials (2008 and 1993), the Sydney Biennale, The Johannesburg Biennial, The Kwangju Biennale, The Shanghai Biennale, InSite O5, Mercosul, Transmediale, The London International Theatre Festival, VideoBrasil and Performa05. Her works have also been shown at the Tate Liverpool, The Museum of Modern Art, and the Museum of Contemporary Art in Barcelona. She is represented by Alexander Gray Associates in New York.
Fusco is the author of English is Broken Here: Notes on Cultural Fusion in the Americas (1995) and The Bodies that Were Not Ours and Other Writings (2001), and A Field Guide for Female Interrogators (2008). She is also the editor of Corpus Delecti: Performance Art of the Americas (1999) and Only Skin Deep: Changing Visions of the American Self (2003).
Fusco's work combines electronic media and performance in a variety of formats, from staged multi-media performances incorporating large scale projections and closed circuit television to live performances streamed to the internet that invite audiences to chart the course of action through chat interaction. Her most recent work, a video entitled La Plaza Vacia (The Empty Plaza), was shot in the Plaza of the Revolution in Havana. It is a meditation on the legendary Cuban site as a stage devoid of human presence but filled with memories of past political performances.
Fusco received her BA in Semiotics from Brown University (1982), her MA in Modern Thought and Literature from Stanford University (1985) and her PhD in Art and Visual Culture from Middlesex University (2007)
Presented by the Center for Art of Africa and Its Diasporas (CAAD) and the Center for Latin American Visual Studies (CLAVIS)