Archive for April, 2010


Thursday, April 29, 2010

A conversation with playwright Kenneth Brown

Kenneth Brown

Kenneth Brown

Playwright Kenneth Brown, whose archive resides at the Ransom Center, introduces a screening of the documentary film Another Glorious Day tonight at 7 p.m. at the Ransom Center. The film explores the history, context, and performances of the Living Theatre’s European tour of his play, The Brig (1963). A question and answer session follows.

The film is centered around a 2008 revival of The Brig, the inflammatory play that exposed the harsh realities inside a U.S. Marine prison. This documentary by Karin Kaper and Dirk Szuszies puts former Marine Kenneth H. Brown’s drama into historical perspective—and makes a case for its ongoing relevance—through powerful scenes from the recent production in Berlin and illuminating interviews with directors of the play past and…

Tuesday, April 27, 2010

Celebrating the twentieth anniversary of “The Things They Carried”

You must have Javascript enabled and the Flash 8 plugin installed to view this content.

Get Adobe Flash Player

Consult your browser’s help file for instructions to enable Javascript.

Click on the four-way arrow in the bottom right-hand corner of the slideshow to convert into full-screen mode.

2010 marks the twentieth anniversary of the publication of Tim O’Brien’s The Things They Carried, a ground-breaking meditation on war, memory, imagination, and the redemptive power of storytelling. The book depicts the men of Alpha Company: Jimmy Cross, Henry Dobbins, Rat Kiley, Mitchell Sanders, Norman Bowker, Kiowa, and the character Tim O’Brien, who has survived his tour in Vietnam to become a father and writer at the age of 43.

The Ransom Center acquired the archive of the National Book Award–winning writer in 2007, and a finding aid for the collection is available online. Also, read what O’Brien has to say about his papers residing at the Ransom Center.

Snapshot of Tim O'Brien in Vietnam. Unknown date and photographer.

Snapshot of Tim O'Brien in Vietnam. Unknown date and photographer.

Monday, April 26, 2010

Ransom Center Director Staley announces retirement plans

Photo of Ransom Center Director Thomas F. Staley by Eric Beggs.

Photo of Ransom Center Director Thomas F. Staley by Eric Beggs.

Thomas F. Staley, director of the Harry Ransom Center for the last 22 years, will retire August 31, 2011. During his tenure, Staley has raised more than $100 million in donations and collection materials, expanded the Center’s holdings substantially, increased awareness of the collections, and focused on making them more accessible to scholars and the public. Learn more or view a list of major acquisitions and achievements under the leadership of Staley

Thursday, April 22, 2010

Corporal Dashiell Hammett’s “The Battle of the Aleutians: A Graphic History, 1942–1943″

You must have Javascript enabled and the Flash 8 plugin installed to view this content.

Get Adobe Flash Player

Consult your browser’s help file for instructions to enable Javascript.

Click on the four-way arrow in the bottom right-hand corner of the slideshow to convert into full-screen mode.

A few weeks ago, the Ransom Center received as a gift an unusual volume to add to our holdings of hard-boiled detective writer Dashiell Hammett (1894–1961). Kevin Berger, a journalist from New York, donated this booklet, which Hammett wrote for the U.S. military while he was stationed in the Aleutian Islands off the Alaska Peninsula during World War II. Berger’s father was a draftsman who also served in the Aleutians, and Berger had found the volume among his father’s drawings. We enthusiastically accepted the gift knowing that it would remedy what we call a “want”—a gap in our holdings. The Ransom Center is an important research site for scholars of Hammett in part because we have a small collection of Hammett’s papers and the massive archive of his longtime lover, the playwright Lillian Hellman. This gift is a boon to Hammett scholars not just because it fills a bibliographical gap, but because the Hammett papers, it turns out, contain a series of letters Hammett wrote to Hellman while stationed in the Aleutians.

In June 1942, the Japanese attacked a United States military base in Dutch Harbor on Unalaska Island and went on to occupy two far western islands in the Aleutian chain. After more than a year of air, sea, and land battles fought in brutal conditions, the United States defeated the Japanese in July 1943. Hammett was posted to the island of Adak almost immediately after the crisis ended. From that time on, the island was under little threat of invasion, and Hammett was assigned to keep the 50,000 troops stationed in the islands informed of current affairs through an official newspaper, The Adakian—a sleepy journalistic assignment, since news arrived in this remote outpost well out of date. As part of his work, Hammett composed the history The Battle of the Aleutians in September 1943, a project for which he and his collaborators received a commendation. Its narrative has the feel of hard-boiled suspense writing, as in this passage describing the U.S. preparing for a counter-attack:

And then trouble came, a williwaw, the sudden wild wind of the Aleutians. Nobody knows how hard the wind can blow along these islands where the Bering meets the Pacific….The first morning the wind stopped landing operations with only a portion of our force ashore and, by noon, had piled many of the landing boats on the beach. The men ashore had no tents, no shelters of any kind. They dug holes in the ground and crawled into them for protection against wind and rain and cold. When the wind had quieted enough to let the others come ashore, they too dug holes and lived like that while the cold, wet and backbreaking work of unloading ships by means of small boats went on. And they did what they had to do. They built an airfield. They built an airfield in twelve days.

Hammett undertook related projects such as working at the radio station, offering film screenings, and delivering evening lectures on current events.

The famous writer was admired by his young staff at the newspaper and was himself an appealing curiosity for an isolated community often suffering from low morale. In letters to Lillian Hellman, he wrote detailed descriptions of life in the Aleutians; in the example shown here, he covers subjects such as his living conditions, his Texan bunkmate, Fred Astaire, and his thoughts on another work of war writing by Ralph Ingersoll. Biographer Diane Johnson (whose research materials on Hammett are part of her archive at the Ransom Center) writes that “if there were a happiest year for Hammett, it might have been this one, 1944.” Despite the austere landscape and the lack of news—not to mention fresh food—he stopped drinking and found himself to be unusually content. Hammett remained stationed in Adak—interrupted by a brief, unhappy period at Fort Richardson on the mainland—until the summer of 1945.

Hammett’s decision to enlist had seemed strange to those close to him—he was almost 50, he had long suffered from tuberculosis, and he had a well-known distaste for mainstream American politics. But his hatred of fascism was stronger, and he performed the service he was assigned with vigor, as this little booklet shows. As Diane Johnson tells it, a confusion over Hammett’s given name may be the only reason he made it to the Aleutians in the first place: over the course of several months in 1943, the office of J. Edgar Hoover issued memos to the General Staff office seeking validation of a rumor that Hammett—a known Communist Party sympathizer—had somehow made his way into the U. S. Military, but they assured him there was no such serviceman. The fact was only confirmed in 1945. By that time, Hammett had been reassigned, and the magic of Adak was over. He returned to drinking and after a short time requested a discharge; he officially left the military in August 1945.

The Battle of the Aleutians: A Graphic History, 1941–1943 (Headquarters Western Defence Command: Detachment 29th Engineers, 1944).  With text by Cpl. Dashiell Hammett, captions by Cpl. Robert Colodny, and illustrations by Sgt. Harry Fletcher.

The Battle of the Aleutians: A Graphic History, 1941–1943 (Headquarters Western Defence Command: Detachment 29th Engineers, 1944). With text by Cpl. Dashiell Hammett, captions by Cpl. Robert Colodny, and illustrations by Sgt. Harry Fletcher.

Tuesday, April 20, 2010

Writer Angella Nazarian discusses her memoir

Photo of Angella Nazarian by John Collazos.

Photo of Angella Nazarian by John Collazos.

Tonight, writer Angella Nazarian reads from Life as a Visitor, her account of fleeing Iran with her family and life as an immigrant caught between two cultures. This event, which is co-sponsored by the Schusterman Center for Jewish Studies at The University of Texas at Austin, will be webcast live. She shares the story of her memoir.

In writing my book, Life as a Visitor, I wanted to talk about the psychological and personal issues that take over the life of an 11-year-old Iranian girl when she finds herself in a new country without her parents. This book was a deeply personal tale of my journey. But an interviewer raised an interesting question last week:…

Wednesday, April 14, 2010

Jim Crace papers now open for research

Jim Crace

Jim Crace

The papers of British writer Jim Crace, author of acclaimed works Continent (1986), Arcadia (1992), Quarantine (1997), Being Dead (1999), and The Pesthouse (2007), are now open at the Ransom Center. A finding aid of the collection can be accessed online.

The Center acquired Crace’s archive in 2008. The collection is made up of more than 45 boxes of materials, including the research notes, early drafts and edited page proofs of All That Follows (2010), Crace’s novel that is being released next Tuesday.

Below you can view a video of Crace reading from All That Follows. Also, listen to audio of Crace reading from his other works and view a list of his recommended reading.

Tuesday, April 13, 2010

$1 million gift supports conservation and preservation programs

The Ransom Center has received a $1 million gift from the Booth Heritage Foundation to support and enrich its conservation and preservation programs. The gift to Campaign for Texas, the university’s capital campaign, will support a five-year initiative to enhance the Ransom Center’s conservation and preservation programs for physical materials and to transform the Center’s digital preservation program.

The gift will establish a Conservation and Preservation Programs Excellence Fund, supporting initiatives such as staff participation in conservation and preservation workshops, meetings, conferences and programs; the development of a digital preservation management system and the establishment of internships in conservation and digital preservation. The gift will enable the recruitment of two new Ransom Center staff members in photograph conservation and digital preservation,…

Tuesday, April 13, 2010

A Small Gem of Negativity: The Decline Postcard

Postcard from George Bernard Shaw collection. Click image to see larger version.

Postcard from George Bernard Shaw collection. Click image to see larger version.

Timothy Ferris has recently blogged about Edmund Wilson’s “decline letter,” a form postcard listing all of the things the crotchety literary critic refused to do: read manuscripts, advise authors, address meetings, donate and inscribe books—the list goes on and on. The same postcard may be found in the Ransom Center’s collections, and on our copy Wilson has checked “WRITE ARTICLES OR BOOKS TO ORDER” and added “I have nothing interesting to say about Pound and haven’t been influenced by him.”

I have “collected” such items in the Center’s collections for several years without a pigeonhole (the catalogers like to call them “genre headings”) to throw them into, but now I…

Thursday, April 8, 2010

Living Peter Matthiessen

Photo of Peter Matthiessen by Jesse Close

Photo of Peter Matthiessen by Jesse Close

The Ransom Center screens Peter Matthiessen: No Boundaries, the award-winning PBS documentary about the National Book Award–winning writer and environmental activist, on Monday evening at the Ransom Center. Matthiessen’s archive resides at the Ransom Center.

The film will be introduced by Jeffrey Sewald, producer, writer, and director of the documentary. He writes about what it was like to work with Matthiessen on this project.

I studied his craggy face as he gazed at the screen, reviewing a rough-cut video of his story, adapted and condensed of course for television viewers and the film festival crowd. More than three years of my own life had been invested in Peter Matthiessen’s, and the thought of my bio film soon being…

Continue Reading Living Peter Matthiessen

Tuesday, April 6, 2010

Anthony Bertram Rota’s legacy at the Ransom Center

Anthony and Bertram Rota. Photo courtesy of Bertram Rota Booksellers.

Anthony and Bertram Rota. Photo courtesy of Bertram Rota Booksellers.

The Ransom Center notes with great sorrow the death of Anthony Bertram Rota on December 13, 2009. As managing director and chairman of Bertram Rota Ltd, the London-based antiquarian bookseller was greatly influential in shaping the Center’s renowned holdings of the papers of numerous nineteenth, twentieth, and twenty-first–century British writers. Over a succession of five Ransom Center directors, the firm sold more than 500 collections to the Center, including the personal papers of several writing dynasties, notably those of Edith, Osbert, and Sacheverell Sitwell, and Theodore Francis, Llewellyn, and John Cowper Powys.

In his memoir, Books in the Blood (Oak Knoll Press, 2002), Anthony Rota recalled his annual travels to the United States:…