Archive for February, 2012


Wednesday, February 29, 2012

Special offer celebrates recognition of “The Gernsheim Collection”

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Just last week, The Gernsheim Collection, co-published by the Harry Ransom Center and the University of Texas Press, received an Alfred H. Barr Jr. Award, which honors a distinguished catalog in the history of art published during the past year.

To celebrate this recognition, the Ransom Center is offering editor-signed copies of The Gernsheim Collection at a reduced price of $60 through March 15. Orders placed by this date will also include a set of five notecards featuring images from the Gernsheim collection.

Edited by Ransom Center Senior Research Curator Roy Flukinger, The Gernsheim Collection coincided with the Ransom Center’s 2010 exhibition Discovering the Language of Photography: The Gernsheim Collection, which explored the history of photography through the Center’s foundational photography collection. The Gernsheim…

Tuesday, February 28, 2012

From buildings to books to tattoos: The language of the King James Bible

A production still of Robert De Niro as Max Cady, the bible verse-tattoo sporting convict from 'Cape Fear.'

A production still of Robert De Niro as Max Cady, the bible verse-tattoo sporting convict from 'Cape Fear.'

“Eat, drink, and be merry.” “The skin of our teeth.” “Ye shall know the truth, and the truth shall make you free.” Phrases from the King James Bible are so thoroughly integrated into our language that we often don’t think about their origins. In conjunction with today’s opening of the exhibition The King James Bible: Its History and Influence, co-Curator Danielle Brune Sigler explores the translation’s influence on works ranging from the speeches of Martin Luther King Jr. to Robert De Niro’s tattoos in Cape Fear.

Tuesday, February 28, 2012

Newly cataloged collection of science materials now open for research

A drawing of Halley's Comet by Caroline Herschel in 1835–1836.

A drawing of Halley's Comet by Sir John F. W. Herschel in 1835–1836.

A collection of science materials from the family of Sir John F. W. Herschel (1792–1871) is now open for research after a grant enabled staffers to rehouse the collection and to create an online inventory.

The Herschel family papers, acquired in 1960 with subsequent smaller accessions of additional materials, largely represent the life and work of Herschel, the English mathematician, astronomer, chemist, and experimental photographer/inventor. John Herschel has been called Britain’s first modern physical scientist, and his correspondence has been noted as one of the most valuable archives for 19th-century science.

The Herschel family papers at the Ransom Center form a significant resource for the study of the history of science…

Monday, February 27, 2012

Thanks to “Kings & Creators” sponsors

Invite Graphic_Low-resThe Harry Ransom Center extends a thank you to the many generous sponsors who are helping us turn Friday’s opening party, “Kings & Creators,” into an event of biblical proportions.

Tickets are still avilable for this opening celebration. Join online or purchase a membership and tickets at the door.

Enjoy wine provided by the Austin Wine Merchant and Vineyard Brands Inc., a signature “Merrymaker” cocktail courtesy of Dripping Springs Texas Vodka, and screenings of biblically inspired clips, from Pulp Fiction to Jesus Christ Superstar to Bob Marley’s “Exodus,” curated by local filmmaker Tommy Swenson of The Alamo Drafthouse.

Guests will also have the opportunity to create a custom bookmark or notecard with the calligraphers of Capitol City Scribes.

All royal guests will receive gift bags compliments of…

Friday, February 24, 2012

Photo Friday

Each Friday, the Ransom Center shares photos from throughout the week that highlight a range of activities and collection holdings. We hope you enjoy these photos that reveal some of the everyday happenings at the Center.

Book Conservator Mary Baughman teaches intern Hsiang-Shun Huang how to build a housing that will keep shelved books safe. Photo by Kelsey McKinney.

Book Conservator Mary Baughman teaches intern Hsiang-Shun Huang how to build a housing that will keep shelved books safe. Photo by Kelsey McKinney.

Sonja Reid, Registrar with the Ransom Center’s exhibition services, adjusts the humidity of the case holding the Gutenberg Bible. Photo by Kelsey McKinney.

Sonja Reid, Registrar with the Ransom Center’s exhibition services, adjusts the humidity of the case holding the Gutenberg Bible. Photo by Kelsey McKinney.

Ransom Center staff oversee the installation of vinyl text for the exhibition “The King James Bible: Its History and Influence,” which opens Tuesday. Photo by Kelsey McKinney.

Ransom Center staff oversee the installation of vinyl text for the exhibition “The King James Bible: Its History and Influence,” which opens Tuesday. Photo by Kelsey McKinney.

Linda Hohneke, conservator at the Folger Shakespeare Library, installs an item on loan from the Folger for the exhibition The King James Bible: Its History and Influence. Photo by Alicia Dietrich.

Linda Hohneke, conservator at the Folger Shakespeare Library, installs an item on loan from the…

Continue Reading Photo Friday

Thursday, February 23, 2012

Fellows Find: How Diane Johnson’s writing process evolved with her work in Victorian literature and screenwriting

Undated photo of Diane Johnson.

Undated photos of Diane Johnson.

Carolyn A. Durham, Inez K. Gaylord Professor of French and Comparative Literature at the College of Wooster, spent the month of June (2011) at the Harry Ransom Center on a fellowship.  Her research in the Diane Johnson collection informs her book, Understanding Diane Johnson, which will be published by the University of South Carolina Press in 2012 as part of a series on “Understanding Contemporary American Literature.”

During the summer of 2011, I had the good fortune to spend a productive and fascinating month in residence at the Harry Ransom Center thanks to a research fellowship funded by the Center’s Filmscript Acquisitions Endowment. The extensive holdings of the Diane Johnson collection, which reflect the remarkable diversity of the…

Wednesday, February 22, 2012

Three Ransom Center authors announced as finalists for the 2012 PEN/Faulkner Award

Russell Banks, Don DeLillo, and Anita Desai were selected as finalists for the 2012 PEN/Faulkner Award for Fiction.

Russell Banks, Don DeLillo, and Anita Desai were selected as finalists for the 2012 PEN/Faulkner Award for Fiction.

Authors Russell Banks, Don DeLillo, and Anita Desai were selected as finalists for the 2012 PEN/Faulkner Award for Fiction.  The Ransom Center holds the archives of Banks, Delillo, and Desai.

Banks was nominated for his twelfth novel Lost Memory of Skin, DeLillo was nominated for his collection of short stories The Angel Esmeralda: Nine Stories, and Desai was nominated for The Artist of Disappearance, a collection of three novellas.

DeLillo was awarded the PEN/Faulkner award in 1991 for his novel Mao II (1991). Banks was previously nominated for Affliction (1990) and Cloudsplitter (1999). This is the first nomination for Desai.

The winner of the 2012 PEN/Faulkner award will…

Tuesday, February 21, 2012

Teacher workshops demonstrate value of primary source materials in Ransom Center’s collections to enhance learning

Teachers attend a workshop about using Watergate materials in their classroom in 2011. Photo by Pete Smith.

Teachers attend a workshop about using Watergate materials in their classroom in 2011. Photo by Pete Smith.

In elementary school, my class took a field trip to the main branch of the Houston Public Library. We learned how to use the microfilm machines, and I was allowed to look up the front page of the newspaper from the day I was born. I still remember the “Ransom Recovered” headline, a reference to the Patty Hearst case, something about which I knew absolutely nothing.

That moment sitting in front of a microfilm reader is as vivid to me now as it was 30 years ago. Suddenly, there was an entire world before me. I had discovered the appeal of research and of primary…

Friday, February 17, 2012

Photo Friday

Each Friday, the Ransom Center shares photos from throughout the week that highlight a range of activities and collection holdings. We hope you enjoy these photos that reveal some of the everyday happenings at the Center.

Lindsay Barras, a volunteer in the conservation department, helps construct a “pizza box” to hold an oversized book that is being repaired in the book lab.  Photo by Kelsey McKinney.

Lindsay Barras, a volunteer in the conservation department, helps construct a “pizza box” to hold an oversized book that is being repaired in the book lab. Photo by Kelsey McKinney.

Volunteer Michel McCabe-Hughes organizes slides in the photography collection. Photo by Kelsey McKinney.

Volunteer Michel McCabe-Hughes organizes slides in the photography collection. Photo by Kelsey McKinney.

Graduate intern Arcadia Falcone searches in the souvenir program collection for items related to a future blog post she will write. Photo by Kelsey McKinney.

Graduate intern Arcadia Falcone searches the souvenir program collection for items. Photo by Kelsey McKinney.

Thursday, February 16, 2012

Africa and the Archive: Researching the Transcription Centre

Samantha Pinto received a research fellowship to work in the Transcription Centre collection.

Samantha Pinto received a research fellowship to work in the Transcription Centre collection.

Georgetown University Assistant Professor of English and Women and Gender Studies Samantha Pinto is a fellow in the African and American Diaspora Studies Department at The University of Texas at Austin for the 2011–2012 year. She writes about her research in the Transcription Centre, an organization founded for African Literature and Culture based in London during the 1960s.

Pinto’s article explains the historical context of the Transcription Centre and the contemporary voices of the time. Her discoveries stem from her thorough examination of the Centre’s radio program “Africa Abroad.”

The Ransom Center annually awards more than 50 fellowships to support scholarly research projects that require on-site use of its collections.