Wednesday, March 13, 2013
In 1958, Andre Dubus graduated from McNeese State University in Louisiana and joined the U. S. Marine Corps, thinking it would be “a romantic way to make a living as a writer.” Buoyed by a distinctive voice and a natural ebullience, Dubus’s work enjoyed moderate initial success. After six years in the Marines, he entered the Iowa Writers’ Workshop at the University of Iowa, received his MFA, and completed his first and only novel, The Lieutenant. From then on, he devoted himself to the art of the short story.
But it was tragedy that spurred his transformation as a writer and brought his works a broader readership. In 1986, on a highway outside of Boston, he stopped to help two motorists who had stalled in the middle of the lane. A passing car struck Dubus, severely injuring both his legs, one of which required amputation above the knee. He spent the remainder of his life in a wheelchair. Following the accident, his marriage ended, and he battled with depression.
Fortunately, Dubus continued to write after his injury, and the result was met with much critical acclaim. The notebooks Dubus kept while recovering in the hospital—which include drafts of stories—are just a few of the items found in Dubus’s archive, which has opened for research at the Ransom Center.
To help with Dubus’s mounting medical bills, a group of authors including Kurt Vonnegut, John Irving, Ann Beattie, John Updike, Richard Yates, and Tim O’Brien read from their works in a public benefit for Dubus. He later wrote to thank the participants because they “made me feel, during a very bad time, that I had hundreds of friends I didn’t even know.” In 1988, he published a book of Selected Stories and won a MacArthur fellowship. Three years later, he published a collection of essays titled Broken Vessels, many of which focus on the accident and aftermath. In a 1996 interview, he said, ”My condition increased my empathy and rid me of my fear of disability and misfortune.”
In addition to his notebooks of drafts and short story ideas, the papers of the Dubus collection include family correspondence and a series of journals chronicling his thoughts, personal and religious exercises, and housekeeping notes. The items span from 1925 to 2001.
His son, Andre Dubus III, a graduate of The University of Texas at Austin and fellow author, spoke of his father’s affinity for the city and university where his papers are now housed. Dubus received from his son a LONGHORNS DAD sticker, which he applied to the back of his writing chair. The younger Dubus reflects: “Sometimes I’d walk into his room before he was finished working, and I’d see my Longhorn father hunched over his desk, writing slowly in pen into a bound notebook, composing one of his masterful stories, all of which will now be in Austin.”