Thursday, April 18, 2013
A case of materials from the Commentary magazine archive is on display in the lobby for the Morris Dickstein lecture. Photo by Alicia Dietrich.
In conjunction with tonight’s lecture by author Morris Dickstein, an accompanying display case in the Ransom Center’s lobby features items from the Center’s Commentary magazine archive. Dickstein’s lecture, titled “America’s Best Magazine?: Commentary in the 1960s,” takes place tonight at 7 p.m. in the Prothro Theater. The Commentary magazine archive was donated to the Center in 2011.
Materials on display include a 1961 subscriber survey, a 1986 exchange of letters between Allen Ginsberg and Commentary editor Norman Podhoretz, and the May 1952 issue of the magazine, which contains the first American publication of “Diary of Anne Frank.”
This program is co-sponsored by…
Tags: Allen Ginsberg, Bernard Malamud, Commentary magazine, Elie Wiesel, James Baldwin, Morris Dickstein, Norman Mailer, Norman Podhoretz, Schusterman Center for Jewish Studies, The Albert and Ethel Herzstein Charitable Foundation, The University of Texas at Austin, “Diary of Anne Frank”
by Ady Wetegrove at 10:34 AM |
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Thursday, August 9, 2012
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According to popular mythology, the publisher Allen Lane, founder of Penguin Books, formulated his idea for a press dedicated exclusively to paperbacks while visiting a railway station. Having spent the weekend visiting his friend Agatha Christie, the famed author of Murder on the Orient Express, Lane arrived at the Exeter railway station and realized he had forgotten his book. Frustrated and facing the boredom of a long train trip, Lane tried to buy a novel at the station but found that there was nothing available that he felt worth reading. Bookless for the next few hours, he sat on the train and planned a new line of cheap, pocket-sized, and travel-worthy books, which could be sold at railway stations, grocers, and department stores. Penguin Books—and the paperback revolution—were born.
While this version of Allen Lane’s epiphany may be slightly romanticized, there is no doubt that Penguin Books, launched in 1935, sparked a new phase of publishing that would change the printing industry irrevocably. Mass marketing of paperbacks not only brought classics to a wider audience but also brought pulp fiction—previously published in magazines—to the forefront of the book trade.
The Ransom Center’s book collection is known for first editions, many of them lush volumes with elaborate bindings. Perhaps lesser known is the fact that the Ransom Center also houses multiple volumes that illuminate the development of the paperback book trade in both America and Britain. Alongside important editions of Lane’s Penguins, the Center also houses Tauchnitz editions of paperbacks that pre-date Penguin, as well as the “penny dreadfuls” and dime novels that slowly developed into modern pulp fiction. This slideshow exhibits numerous items from the library’s collections that represent landmarks in the history of the paperback book trade.

"What Maisie Knew" by Henry James. Book cover design by Edward Gorey. 1954.
Tags: A Farewell to Arms, Agatha Christie, Albatross Verlag, Aldine Press, Aldus Manutius, Allen Ginsberg, Allen Lane, Anchor Books, Armed Services Editions Collection, Charles Dickens, City Lights Pocket Bookshop, D. H. Lawrence, Dante Alighieri, dime novels, E.O. Lorimer, Edith Sitwell, Edward Gorey, Erle Stanley Gardner, Ernest Hemingway, George Bernard Shaw, George Sala, Gold Medal Books, Golden Cockerell Press, Have Gat—Will Travel, Henry David Thoreau, Henry James, Howl and Other Poems, J. Dicks, Lady Chatterley’s Lover, Le terze rime di Dante, Malaeska the Indian Wife of the White Hunter, Mrs. Ann Stephens, Murder on the Orient Express, Oliver Twist, paperbacks, Penguin Books, Penguin Illustrated Classics, penny dreadfuls, Pocket Books, publishing, pulp fiction, Richard S. Pranther, Robert Gibbings, Tauchnitz, Terrible Tales, The Case of the Velvet Claws, The Intelligent Woman’s Guide to Socialism Capitalism Sovietism & Fascism, The Pickwick Club, Walden, What Hitler Wants, What Maisie Knew
by Jean Cannon at 8:58 AM |
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Wednesday, September 30, 2009
Fred Kaplan worked in the Ransom Center’s Reading and Viewing Rooms while researching his book 1959: The Year Everything Changed, which was released last month. He describes his work at the Center:
I came down to the Harry Ransom Center for a few days in the summer of 2008 as part of my research for a book that wound up being titled 1959: The Year Everything Changed (Wiley, 2009). I focused mainly on the papers of Norman Mailer and Allen Ginsberg. Without the materials that I found there, my book would have been less rich and complete than it is. Certain letters and diary entries in the Mailer papers forced me to revise my concept and chronology of where and when Mailer acquired or…
Tags: 1959: The Year Everything Changed, Allen Ginsberg, Fred Kaplan, Norman Mailer, Research
by Jennifer Tisdale at 8:58 AM |
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Tuesday, September 8, 2009
Poe’s influence on varied and broad swaths of popular culture—hard-boiled detective fiction, horror and suspense films, song lyrics, crime-scene-analysis dramas, graphic novels—seems to prove Allen Ginsberg’s claim that “everything leads to Poe.” Immortalized in the minds of readers and fans—as well as in television, film, t-shirts, and collectibles—Poe continues to fascinate and inspire.
One classic example is Poe’s appearance on The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band album (1967). In their song “I Am the Walrus,” The Beatles declared, “Man you should have seen them kicking Edgar Allan Poe.” The band also made him a member of Sgt. Pepper’s Lonely Hearts Club, placing him in a prominent position on the memorable album cover.
Many other popular musicians have paid homage to…
Tags: Alan Parsons, Allen Ginsberg, Edgar Allan Poe, Pink Floyd, Sgt. Pepper's Lonely Hearts Club Band, The Beatles
by Alicia Dietrich, Harry Ransom Center at 2:00 PM |
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