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2001

8 1/4 x 11 3/4 in.
424 pp., 105 color and 204 b&w illus., 1 map

ISBN: 978-0-292-70857-0
$70.00, hardcover with dust jacket
33% website discount: $46.90

ISBN: 978-0-292-70858-7
$39.95, paperback
33% website discount: $26.77

 
 
 
     

Twentieth-Century Art of Latin America

By Jacqueline Barnitz

 

Table of Contents and Excerpt


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Vasari Award
Dallas Museum of Art


Honorable Mention, ALAA Book Award
The Association of Latin American Art

 

"An exciting and invaluable work of synthesis and interpretation, Barnitz's grand survey greatly enhances understanding of the extraordinary cultural mix that infuses Latin American art with its soulfulness and vigor. "

—Booklist

"With ease and agility, Barnitz navigates an entire century's worth of art produced in the varied regions and cultures of Latin America."

ARTnews

"For breadth of reference and range of coverage, this book will stand for some time as the most comprehensive study to date of modern Latin American art from the Caribbean basin to the Southern cone countries."

—David Craven, author of Diego Rivera as Epic Modernist

The twentieth-century art of Latin America is art in the western tradition, and its leading figures—Wifredo Lam, Roberto Matta, Diego Rivera, Joaquín Torres-García, to name only a few—have achieved international stature. Yet much of the writing about this art has offered either a victimized view of an art tradition dominated by foreign models or a romanticized view of what Latin American art should be. This pathfinding book, by contrast, seeks not to "invent" Latin American art but to look at it from the points of view of its own artists and critics.

Drawing on some forty years of studying and teaching Latin American art, Jacqueline Barnitz surveys the major currents and artists of the twentieth century in Mexico, the Caribbean, and South America (including Brazil). She progresses chronologically from modernismo and the break with nineteenth-century academic art to some of the trends of the 1980s, setting each movement within its historical and cultural contexts. This grand survey of modern Latin American art will thus be the essential guide to a vibrant art tradition, as well as a vital teaching tool. Lavishly illustrated with color and black-and-white reproductions of major works, it will be useful to artists, collectors, historians, writers, and social scientists, as well as art historians.

Jacqueline Barnitz is Professor of Modern Latin American Art at the University of Texas at Austin.


 Of Related Interest Camnitzer, Conceptualism in Latin American Art
Orozco, José Clemente Orozco

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