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2008

6 x 8 in.
242 pp.

ISBN: 978-0-292-71879-1
$60.00, hardcover, no dust jacket
33% website discount: $40.20

ISBN: 978-0-292-71891-3
$24.95, paperback
33% website discount: $16.72

 
 
 
     

The Art of Friction
Where (Non)Fictions Come Together

Edited by Charles Blackstone and Jill Talbot

 

Table of Contents and Excerpt

 

"What I like about this collection is that it takes a complicated issue and intentionally muddies the waters even more—in the interim giving us some wonderful stories, essays, or what-have-you."

—Phillip Lopate

"The Art of Friction doesn't clarify the gray space between fiction and non-, the perpetual argument in the post-Frey literary world. It inhabits it, exploits it, and celebrates it, and reorients us all toward what's more important: good writing, good stories, regardless of category. This anthology is full of them."

—Lisa Selin Davis

"We live in an Enquirer, reality television–addled world, a world in which most college students receive their news from the Daily Show and discourse via text message," assert Charles Blackstone and Jill Talbot. "Recently, two nonfiction writers have been criticized for falsifying memoirs. Oprah excoriated James Frey on her show; Nasdijj was impugned by Sherman Alexie in Time. Is our next trend in literature to lock down such boundaries among the literati? Or should we address the fictionalizing of nonfiction, the truth of fiction?"

The Art of Friction surveys the borderlands where fiction and nonfiction intersect, commingle, and challenge genre lines. It anthologizes nineteen creative works by contemporary, award-winning writers including Junot Díaz, Jonathan Safran Foer, Thomas Beller, Bernard Cooper, Wendy McClure, and Terry Tempest Williams, who also provide companion pieces in which they comment on their work. These selections, which place short stories and personal essays (and hybrids of the two) side by side, allow readers to examine the similarities and differences between the genres, as well as explore the trends in genre overlap.

Functioning as both a reader and a discussion of the craft of writing, The Art of Friction is a timely, essential book for all writers and readers who seek the truthfulness of lived experience through (non)fictions.

Charles Blackstone is the author of The Week You Weren't Here, a novel. His short fiction has appeared in Esquire, Bridge, and The Journal of Experimental Fiction. He is a regular contributor to the "Writer's Block Party" segment on Chicago Public Radio's 848.

Jill Talbot is the author of Loaded: Women and Addiction. Her work has been published in Under the Sun, Cimarron Review, Blue Mesa Review, Notre Dame Review, and It's All Good.


 Of Related Interest Rosenstone, The Man Who Swam

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