Skip navigation
    University of Texas Press contacts  
shopping cart
  Find a book. Journals. For authors. Booksellers & educators. About the Press.  
 
 

2006

6 x 9 in.
288 pp., 64 b&w photos

ISBN: 978-0-292-71343-7
$25.00, paperback
33% website discount: $16.75
Print-on-demand title; expedited shipping not available

 
 

 

 
 
     

Woman with a Movie Camera
My Life as a Russian Filmmaker

By Marina Goldovskaya
Translated by Antonina W. Bouis
Foreword by Robert Rosen

 

Table of Contents and Excerpt

available through netLibrary

 

Marina Goldovskaya is one of Russia's best-known documentary filmmakers. The first woman in Russia (and possibly the world) to combine being a director, writer, cinematographer, and producer, Goldovskaya has made over thirty documentary films and more than one hundred programs for Russian, European, Japanese, and American television. Her work, which includes the award-winning films The House on Arbat Street, The Shattered Mirror, and Solovky Power, has garnered international acclaim and won virtually every prize given for documentary filmmaking.

In Woman with a Movie Camera, Goldovskaya turns her lens on her own life and work, telling an adventurous, occasionally harrowing story of growing up in the Stalinist era and subsequently documenting Russian society from the 1960s, through the Thaw and Perestroika, to post-Soviet Russia. She recalls her childhood in a Moscow apartment building that housed famous filmmakers, being one of only three women students at the State Film School, and working as an assistant cameraperson on the first film of Andrei Tarkovsky, Russia's most celebrated director. Reviewing her professional filmmaking career, which began in the 1960s, Goldovskaya reveals her passion for creating films that presented a truthful picture of Soviet life, as well as the challenges of working within (and sometimes subverting) the bureaucracies that controlled Russian film and television production and distribution. Along the way, she describes a host of notable figures in Russian film, theater, art, and politics, as well as the technological evolution of filmmaking from film to video to digital media.

A compelling portrait of a woman who broke gender and political barriers, as well as the eventful four decades of Russian history she has documented, Woman with a Movie Camera will be fascinating reading for a wide audience.

Marina Goldovskaya is Professor of Film, Television, and Digital Media at UCLA, where she heads the documentary film program. In 2005, the Russian Association for Nonfiction Film and Television awarded her the Laurel Prize for a lifetime contribution to the art of documenting Russian history.

Constructs
Vivian Sobchack, H. Randolph Swearer, and Robert Mugerauer, series editors

 Of Related Interest Spencer Mitchell, Danger Pay
Tarkovsky, Sculpting in Time

Search Books  |  Orders |  Catalogs |  Current Season

Terms of Sale |  Privacy Policy | UT Austin Web Accessibility Guidelines
Copyright © 2003-2011 University of Texas Press. All rights reserved.