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2003

6 x 9 in.
245 pp., 5 tables

ISBN: 978-0-292-75273-3
$25.00, paperback
Print-on-demand title; expedited shipping not available
33% website discount: $16.75

 
 
 
     

The Rise of Cable Programming in the United States
Revolution or Evolution?

By Megan Mullen

 

Table of Contents and Excerpt

2004 Joan and John Goddard Cable Center Book Award

available through netLibrary

 

"This is an important contribution to the literature on media history and institutions. The book also is written in an accessible style and definitely not aimed only at those in media or communication studies."

—Janet Wasko, author of Hollywood in the Information Age: Beyond the Silver Screen

In 1971, the Sloan Commission on Cable Communications likened the ongoing developments in cable television to the first uses of movable type and the invention of the telephone. Cable's proponents in the late 1960s and early 1970s hoped it would eventually remedy all the perceived ills of broadcast television, including lowest-common-denominator programming, inability to serve the needs of local audiences, and failure to recognize the needs of cultural minorities. Yet a quarter century after the "blue sky" era, cable television programming closely resembled, and indeed depended upon, broadcast television programming. Whatever happened to the Sloan Commission's "revolution now in sight"?

In this book, Megan Mullen examines the first half-century of cable television to understand why cable never achieved its promise as a radically different means of communication. Using textual analysis and oral, archival, and regulatory history, she chronicles and analyzes cable programming developments in the United States during three critical stages of the medium's history: the early community antenna (CATV) years (1948-1967), the optimistic "blue sky" years (1968-1975), and the early satellite years (1976-1995). This history clearly reveals how cable's roots as a retransmitter of broadcast signals, the regulatory constraints that stymied innovation, and the economic success of cable as an outlet for broadcast or broadcast-type programs all combined to defeat most utopian visions for cable programming.

Megan Mullen is Associate Professor of Communication at the University of Wisconsin-Parkside, where she directs the Interdisciplinary Humanities program.

Texas Film and Media Studies Series
Thomas Schatz, Editor

 Of Related Interest Wasser, Veni, Vidi, Video

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