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December 2011

6 x 9 in.
362 pp., 10 maps, 14 b&w photos, 11 line drawings, 6 charts, 22 tables

ISBN: 978-0-292-72862-2
$60.00, hardcover with dust jacket
33% website discount: $40.20

 
 

The University of Texas Press's warehouse will be closed for inventory from Friday, 24 February 2012, until Thursday, 1 March 2012. Orders placed after noon Central time on Wednesday, 22 February 2012, will not ship until the inventory is over.

 
 
     

Vintage Moquegua
History, Wine, and Archaeology on a Colonial Peruvian Periphery

By Prudence M. Rice

 

Table of Contents and Excerpt

 

The microhistory of the wine industry in colonial Moquegua, Peru, during the colonial period stretches from the sixteenth through nineteenth centuries, yielding a wealth of information about a broad range of fields, including early modern industry and labor, viniculture practices, the cultural symbolism of alcohol consumption, and the social history of an indigenous population. Uniting these perspectives, Vintage Moquegua draws on a trove of field research from more than 130 wineries in the Moquegua Valley.

As Prudence Rice walked the remnants of wine haciendas and interviewed Peruvians about preservation, she saw that numerous colonial structures were being razed for development, making her documentary work all the more crucial. Lying far from imperial centers in pre-Hispanic and colonial times, the area was a nearly forgotten administrative periphery on an agricultural frontier. Spain was unable to supply the Peruvian viceroyalty with sufficient wine for religious and secular purposes, leading colonists to import and plant grapevines. The viniculture that flourished produced millions of liters, most of it distilled into pisco brandy. Summarizing archaeological data and interpreting it through a variety of frameworks, Rice has created a three-hundred-year story that speaks to a lost world and its inhabitants.

Prudence M. Rice is Distinguished Professor of Anthropology, Associate Vice Chancellor for Research, and Director of the Office of Research Development and Administration at Southern Illinois University Carbondale. She has written or edited ten previous books, including Maya Calendar Origins: Monuments, Mythistory, and the Materialization of Time, and she has published more than 150 articles, chapters, and reviews

Joe R. and Teresa Lozano Long Series in Latin American and Latino Art and Culture

 Also by the Author Maya Calendar Origins
Maya Political Science

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