| Acosta and Winegarten | Las Tejanas |
| Aldama | Postethnic Narrative Criticism |
| Bers | Demosthenes, Speeches 50-59 |
| Blue | The Dawn at My Back |
| Blue | The Dawn at My Back DVD-ROM |
| Boosahda | Arab-American Faces and Voices |
| Boudon | Handbook of Latin American Studies: No. 59 |
| Boyd | "We're the Light Crust Doughboys from Burrus Mill" |
| Braswell | The Maya and Teotihuacan |
| Britton and Barker | Reading between Designs |
| Camnitzer | New Art of Cuba |
| Carrera | Imagining Identity in New Spain |
| Carroll | Felix Longoria's Wake |
| Chibnik | Crafting Tradition |
| Christie | Maya Palaces and Elite Residences |
| Darian | Understanding the Language of Science |
| Deeds | Defiance and Deference in Mexico's Colonial North |
| DiMento | The Global Environment and International Law |
| Dunne | Golden Wings and Other Stories about Birders and Birding |
| Evans | Big Bend Pictures |
| Fleming | Stoppard's Theatre |
| Foote | Shadowed Ground |
| Garfinkel | Dancing at the Dawn of Agriculture |
| Haley | Baetica Felix |
| Harvey | Texas Cemeteries |
| Labyrinth Project | Mysteries and Desire |
| Lagarde | The French in Texas |
| Marquez | Constructing Identities in Mexican American Political Organizations |
| Meadows | Kiowa, Apache, and Comanche Military Societies |
| Morgan | Popular Tyranny |
| Mullen | The Rise of Cable Programming in the United States |
| Nagy | Homeric Questions |
| Oropesa | The Contemporáneos Group |
| Ramirez | Collecting Latin American Art for the 21st Century |
| Rodríguez | Women in Contemporary Mexican Politics |
| Romberg | Witchcraft and Welfare |
| Rostow | Concept and Controversy |
| Scott | Endangered and Threatened Animals of Florida and Their Habitats |
| Taylor and Taggart | Alex and the Hobo |
| Urton | Signs of the Inka Khipu |
| Watson | Horton Foote |
| Williams | The Twentieth-Century Spanish American Novel |
| Wood and Fraher | Down in Houston |
