This issue is archived at JSTOR. If your institution has a subscription, you can read articles using the below links.
Abstract: This essay attempts to historicize the visibility and readability of "Fort Apache" along two axes. First, it undertakes to
reread the film's notorious conclusion by construing it against the earlier departure scene where questions of sight, distance,
and institutional loyalty are raised. The essay's last section then undertakes a speculative reading of some of the ideological
and institutional protocols that have worked to render such a view of the film unthinkable or invisible.
Abstract: This essay critiques the psychoanalytic analysis of film spectatorship and gender representation by drawing on data gathered
as part of a study of pornographic feature films. The issues explored bear on the relationship between film theory and its
object of study.
William C. Wees
Abstract: In a significant departure from his usual practice, Stan Brakhage gave words an essential role in "23rd Psalm Branch" by treating
them as visual images. Besides contributing to the film's deeply personal meditation on war, these words-as-images show how
Brakhage's visual aesthetics can effectively incorporate verbal expression.
Mirella Jona Affron