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Abstract: Perhaps the most significant reasons for cinema's emergence as a viable industry in the United States between 1903 and 1906
were the quality and quantity of Pathé's "red rooster" films sold on the American market.
Abstract: The disputes between Universal Pictures and censors in New York state, Milwaukee, and Atlanta over the banning of "Scarlet
Street" (1945) are symptomatic of Hollywood's uncertain status in post--World War II America.
Abstract: An upsetting genre mix of melodrama and horror, "Mommie Dearest" (Frank Perry, 1981) plays out fundamental psychological anxieties
concerning the "realness" of motherly love through the figure of the "unreal" female star.
Abstract: In referring to both the upper-class attire of seventeenth-century Holland and contemporary "punk" fashion, Jean-Paul Gaultier's
costumes in "The Cook, the Thief, His Wife, and Her Lover" (1990) ambiguously complement the film's critique of late capitalism.
Abstract: The film resources on the Internet continue to grow; here's a guide to accessing the information available through e-mail,
discussion groups, the World Wide Web, and other forms of virtual communication.
Robert Lang, Greg Martino