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Abstract: Placing Dreyer's "La Passion de Jeanne d'Arc" in historical context raises questions about the tendency of film historiography
to reduce major film styles of the 1920s to counter-Hollywood avant-garde practices.
Vance Kepley Jr.
Abstract: The reorganization of Soviet studios under Stalin's First Five-Year Plan led to a system of central planning, the bureaucratization
of cinema affairs, and a dramatic decline in productivity.
Abstract: This essay focuses on the master plots, characterizations, settings, and genre history of boxing in Hollywood fiction films
Abstract: Congressional debates over "The Untouchables" and television violence in the early 1960s reveal both the changing modes of
production of prime-time programming and larger institutional and social scientific reconceptualizations of the television
Abstract: Wayne Wang, in "Chan Is Missing," discourses on the heterogeneity of Chinese American identities, paving the way for a fluid
notion of how Asian American subjectivities are constructed.
Robert Lang, Greg Martino