Cinema Journal, 39, 1, Fall, 1999

This issue is archived at JSTOR. If your institution has a subscription, you can read articles using the below links.

Entire issue in JSTOR


Front Matter
"Come on Home with Me": "42nd Street" and the Gay Male World of the 1930s, 3-22
Leonard J. Leff
Abstract: In 1933, when the fairy was the most visible representative of American gay culture, Warner Bros.' "42nd Street" portrayed its lead character, Julian Marsh, as a "masculine homosexual" who lent a gay sensibility to the film's narrative and the musical numbers that animated it.
Lois Weber's "The Blot": Rewriting Melodrama, Reproducing the Middle Class, 23-53
Jennifer Parchesky
Abstract: This 1921 film about the economic and emotional struggles of an impoverished professor's family dramatizes the intense struggles over gender and class ideologies in the early 1920s. Weber's formal innovations transform conventions of melodrama and realism to articulate visually the cultural anxieties centered on the reproduction of a changing middle class.
"Torn Curtain's" Futile Talk, 54-73
Christopher D. Morris
Abstract: While conceding the story's moral ambiguities, most critics of "Torn Curtain" ultimately concur with the popular judgment of the film as a satire flawed by a weak script, production problems, and even the director's indifference. This deconstructive study reads the film as a narrative of the illusion of mutual understanding, one that puts into question political, ethical, and religious distinctions.
Private Knowledge, Public Space: Investigation and Navigation in "Devil in a Blue Dress", 74-89
Mark L. Berrettini
Abstract: Carl Franklin's "Devil in a Blue Dress" (1995) uses film noir's critical potential to present a studied assessment of Los Angeles' "dark" criminal terrain as it is defined by the color line. In this regard, the film pays significant attention to figures historically marginalized in postwar L.A.
"Almost Worse than the Restrictive Measures": Chicago Reformers and the Nickelodeons, 90-112
J. A. Lindstrom
Abstract: This essay examines the reform movement's response to the nickelodeon boom in Chicago and shows that it was cautiously supportive of moving pictures while simultaneously promoting the need for municipal government to become more responsible for recreational activities for youth.
Archival News, 113-120
Brian Taves
Professional Notes, 121-130
Robert Lang, Greg Martino
Back Matter

Order a single article

Back to UT Press Journals