This issue is archived at JSTOR. If your institution has a subscription, you can read articles using the below links.
Abstract: This article suggests that during the late 1960s the introduction of 16mm film technology into an adult film marketplace dominated
by 35mm production and exhibition precipitated a series of industrial adjustments that resulted in the development of the
hardcore narrative feature.
Charles S. Tashiro
Abstract: This essay examines the labor and production policies of contemporary Hollywood in an effort to stimulate an informed criticism
Abstract: This article analyzes how the major Hollywood studios attempted to lure youth audiences in 1969-1971 with a spate of films
about campus activism and youth protest. The article also explores the responses to these representations by critics writing
for the youth movement's underground newspapers.
Abstract: The controversy surrounding the 1968 release of "Night of the Living Dead" was the result of changes in the horror genre and
efforts by the distributor, Continental, to exploit its diverse seasonal releases in several markets, including the afternoon
matinee, art house, and inner-city neighborhood theater.
Abstract: Sinification, in the sense of rendering Chinese, or indigenizing a foreign medium, has been a dominant discourse in Chinese
film historiography. This article analyzes film music in Chinese cinema of the 1930s and argues that sinification should not
be taken as a natural or inevitable process but instead should be viewed as a conditional, negotiated practice, subject to
intertwined industrial and political mediations.
Abstract: This essay examines the ways that W. S. Van Dyke's island romance, "White Shadows in the South Seas" (1928), reveals the imprint
of both desire and anxiety at the heart of American representations of the South Pacific. The film also highlights the transitional
and contradictory nature of American cultural, racial, and sexual discourses of the 1920s.
Eric Schaefer, Dan Streible
Paula J. Massood, Sudhir Mahadevan