Latin American Music Review, 20, 1, Spring, 1999/ Summer, 1999

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Front Matter
Argentine Art Music and the Search for National Identity Mediated through a Symbolic Native Heritage: The "tradición gauchesca" and Felipe Boero's "El Matrero" (1929), 1-29
Deborah Schwartz-Kates
The Bolero: The Birth, Life, and Decline of Mexican Modernity, 30-58
Mark Pedelty
Strike up the Tambora: A Social History of Sinaloan Band Music, 59-104
Helena Simonett
As trilhas do Samba-Reggae: a invenção de um ritmo, 105-140
Goli Guerreiro
Reviews
----------------, 141-145
Santiago de Murcia's "Códice Saldívar No. 4": A Treasury of Secular Guitar Music from Baroque Mexico
Craig Russell, Santiago de Murcia
Review Author[s]: Scott Pauley
----------------, 145-148
Nationalizing Blackness: Afrocubanismo and Artistic Revolution in Havana, 1920-1940
Robin Moore
Review Author[s]: Katherine J. Hagedorn
----------------, 148-157
Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican Cultures
Frances R. Aparicio
Review Author[s]: Lise Waxer
----------------, 157-160
A Day for the Hunter, a Day for the Prey: Popular Music and Power in Haiti
Gage Averill
Review Author[s]: Voegeli Juste-Constant
Communications and Announcements, 161-163
Back Matter

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