Latin American Music Review, 21, 1, Spring, 2000/ Summer, 2000

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Front Matter
This Issue of LAMR Is Dedicated to Juan A. Orrego-Salas on the Occasion of His Eightieth Birthday (18 January 1999), 1-2
Gerard Béhague
Juan Orrego-Salas a los ochenta años, 3-8
Luis Merino
Orrego-Salas in Half a Century of Sound Recordings, 9-15
Ricardo Lorenz
Boundaries and Borders in the Study of Music in Latin America: A Conceptual Re-Mapping, 16-30
Gerard Béhague
Rock with Punk with Pop with Folklore: Transformations and Renewal in Aterciopelados and Café Tacuba, 31-44
Carmelo Esterrich, Javier H. Murillo
"Raise Yuh Hand, Jump up and Get on Bad!": New Developments in Soca Music in Trinidad, 45-58
Lorraine Leu
"Já temos um passado": 40 anos do LP "Chega de Saudade", 59-65
Marcos Napolitano
Reviews
----------------, 66-69
O Método de Pianoforte de José Maurício Nunes Garcia
Marcelo Fagerlande
Review Author[s]: Carlos Alberto Figueiredo
----------------, 69-70
Music in Latin American Culture: Regional Traditions
John M. Schechter
Review Author[s]: Peter Manuel
----------------, 70-72
The Big Drum Ritual of Carriacou: Praisesongs in Rememory of Flight
Lorna McDaniel
Review Author[s]: Stephen D. Glazier
----------------, 72-75
The Political Calypso: True Opposition in Trinidad and Tobago, 1962-1987
Louis Regis
Review Author[s]: Hope Munro Smith
----------------, 75-79
South America, Mexico, Central America, and the Caribbean
Dale A. Olsen, Daniel E. Sheehy
Review Author[s]: Gerard Béhague
----------------, 79-81
Songs and Romances
Review Author[s]: Carl Byron
Communications and Announcements, 82-84
Back Matter

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