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Editor: Robin Moore, The University of Texas at Austin
LAMR explores the historical, ethnographic, and socio-cultural dimensions of Latin American music in Latin American social groups, including the Puerto Rican, Mexican, Cuban, and Portuguese populations in the United States. Articles are written in English, Spanish, or Portuguese.
"It is interdisciplinary in scope, touching the disciplines of anthropology, sociology, and urban studies."
—Magazines for Libraries
Latin American Music Review is indexed and/or abstracted in Academic Search Premier, HAPI (Hispanic American Periodicals Index), IBR (International Bibliography of Book Reviews), IBZ (International Bibliography of Periodical Literature), and The Music Index.
Submission Guidelines
Spring/Summer 2009, 30:1
Fall/Winter 2008, 29:2
Spring/Summer 2008, 29:1
Fall/Winter 2007, 28:2
Spring/Summer 2007, 28:1
Fall/Winter 2006, 27:2
Spring/Summer 2006, 27:1
Fall/Winter 2005, 26:2
Spring/Summer 2005, 26:1
Archives
Spring/Summer 2009, 30:1
- The Acoustic Body: Rumba Guarapachanguera and Abakuá Sociality in Central Park
- Berta Jottar
- The Singing Voice and Racial Politics on the Brazilian Evangelical Music Scene
- John Burdick
- Appropriation in Reverse; or What Happens When Popular Music Goes Dodecaphonic
- Fabio Akcelrud Durão and José Adriano Fenerick
- Placer Culpable: Shame and Nostalgia in the Chilean 1990s Balada Revival
- Daniel Party
Reviews
- Geoffrey Baker, Imposing Harmony: Music and Society in Colonial Cuzco
- Joshua Tucker
- Julian Carrillo, Seis casi-sonatas en cuartos de tono para violoncello solo
- Alejandro L. Madrid
- Helmut Brenner, Marimbas in Latinamerika. Historische Fakten unt Status quo der Marimbatraditionen in Mexiko, Guatemala, Belize, Honduras, El Salvador, Nicaragua, Costa Rica, Kolumbien, Ecuador, und Brasilien
- Carola Schormann
- Holly Wissler, Kusisqa Waqashayku (DVD)
- Kathryn Metz
Fall/Winter 2008, 29:2
- Acúmulos e Vazios da Pesquisa Sobre o Rock Argentino (Accumulation and Gaps in the Research on Argentine Rock )
- Adrián Fanju
- La Flûte Indienne: The Early History of Andean Folkloric-Popular Music in France and its Impact on Nueva Canción
- Fernando Rios
- A propósito de nuevos sonidos para nuevos reinos: prescripciones y práctices músico-rituales en el área surandina colonial
- Victor Rondón y Alejandro Vera
- Danza antillana, conjuntos militares, nacionalismo musical e identidad dominicana: retomando los pasos perdidos del merengue
- Edgardo Díaz Díaz
Reviews
- Garth L. Green and Philip W. Scher, (eds.), Trinidad Carnival: The Cultural Politics of a Transnational Festival
- Timothy Rommen
- Cristóbal Díaz Ayala, Los contrapunteos de la Música Cubana
- Robin Moore
- Björn Heile, The Music of Mauricio Kagel
- Deborah Schwartz-Kates
- Jan Sverre Knudsen, Those that Fly without Wings: Music and Dance in a Chilean Immigrant Community
- Molly White
- Lorraine Leu, Brazilian Popular Music: Caetano Veloso and the Regeneration of Tradition
- Krista Kateneva
- Sydney Hutchinson, From Quebradita to Duranguense:
Dance in Mexican American Youth Culture
- Kim Kattari
Spring/Summer 2008, 29:1
- Brazil in France, 1922: An Anthropological Study about the Congenital International Nexus of Popular Music
- Rafael José de Menezes Bastos
- Música e Fé: A cena religiosa no mercado fonográfico brasileiro
- Eduardo Vicente
- M. Camargo Guarnieri and the Influence of Mário de Andrade's Modernism
- Sarah Tyrrell
- Cultural Geographies of Afro-Brazilian Symbolic Practice: Tradition and Change in Maracatu de Nação (Recife, Pernambuco, Brazil)
- Jerry D. Metz
Reviews
- Book Review: Tamara Elena Livingston-Isenhour and Thomas George Caracas Garcia's Choro: A Social History of a Brazilian Popular Music (Indiana University Press)
- Daniel Sharp
- Book Review: Malena Kuss (ed.) Music in Latin America and the Caribbean: An Encyclopedic History. Volume 1: Performing Beliefs: Indigenous Peoples of South America, Central America, and Mexico (University of Texas Press)
- Jane L. Florine
- CD Review: Ecos de Borinquen, Jibaro Hasta el Hueso; Los Pleneros de la 21, Para Todo Ustedes; Viento de Agua, Viento de Agua Unplugged: Materia Prima; Various artists, Quisqueya en el Hudson/Dominican Music in New York City (Smithsonian Folkways Recordings)
- Julian Gerstin
- CD Review: José Gutierrez y Los Hermanos Ochoa, La Bamba: Sones Jarochos from Veracruz; Los Camperos de Valles, El ave de mi Sonar: Mexican Sones Huastecos; Arpex, ¡Tierra Caliente! Music from the Hotlands of Michoacán (Smithsonian Folkways Recordings)
- Jesus A. Ramos-Kittrell
- CD Review: Nati Cano's Mariachi Los Camperos, ¡Llegaron Los Camperos! Concert Favorites of Nati Cano's Mariachi Los Camperos (Smithsonian Folkways Recordings)
- Jesus A. Ramos-Kittrell
- CD Review: Lydia Cabrera and Josefina Tarafa's Havana & Matanzas, Cuba, ca. 1957: Batá, Bembé, and Palo Songs (Smithsonian Folkways Recordings)
- Michael Marcuzzi
Fall/Winter 2007, 28:2
- Music, Citizenship, and Violence in Postdictatorship Brazil
- Frederick Moehn
- Bandidos de Cristo: Representations of the Power of Criminal Factions in Rio's Proibidão Funk
- Paul Sneed
- Colonialidad y Poscolonialidad Musical en Colombia
- Oscar Hernández Salgar
- Histórias e historadores da música popular no Brasil
- José Geraldo
Reviews
- Charles W. White, Alejandro García Caturla: A Cuban composer in the twentieth century
- Mareia Quintero Rivera
- Leonardo Acosta, Otra visión de la musica cubana
- Alejandro L. Madrid and Liliana González Moreno
- David García, Arsenio Rodríguez and the Transnational Flows of Popular Music
- Susan Thomas
- Bryan McCann, Hello, Hello Brazil: Popular Music in the Making of Modern Brazil
- Frederick Moehn
- Heidi Feldman, Black Rhythms of Peru: Reviving African Musical Heritage in the Black Pacific
- Joshua Tucker
- DVD Review: Los Cenzontles Mexican Arts Center, Fandango: Searching for the White Monkey (Buscando el Mono Blanco)
- Alex E. Chávez
Spring/Summer 2007, 28:1
- El bambuco, los saberes mestizos y la academia: un análisis histórico de la persistencia de la colonialidad en los estudios musicales latinoamericanos
- Carolina Santamaría Delgado
- El chico duro de La Habana agresividad, desafío y cinismo en la timba cubana
- Rubén López Cano
- Tango Renovación: On the Uses of Music History in Post-Crisis Argentina
- Morgan James Luker
- Celebrity, "Crossover," and Cubanidad: Celia Cruz as "La Reina de Salsa," 1971-2003
- Christina D. Abreu
- El arpa diatónica paraguaya en la búsqueda del tekorã: representaciones de paraguayidad
- Alfredo Colman
Reviews
- Tomas Marco, El sonido del realismo mágico
- David P. Appleby
- Juan Orrego Salas, Encuentros, visiones y repasos. Capítulos en el camino de mi música y mi vida
- Juan Pablo González
- Mariana Martins Villaça, Polifonia tropical: experimentalismo e engajamento na música popular (Brasil e Cuba, 1967-1972)
- Mareia Quintero Rivera
- Vincenzo Perna, Timba: The Sound of Cuban Crisis
- Robin Moore
- Michael Largey, Vodou Nation: Haitian Art Music and Cultural Nationalism
- Lois Wilken
- Karen E. Richman, Migration and Vodou
- Rebecca Sager
- Catana Pérez de Cuello and Rafael Solano, El Merengue: Música y Baile de la República Dominicana; and Darío Tejeda and Rafael Emilio Yunén, eds., El Merengue en la Cultura Dominicana y del Caribe: Memorías del Primer Congreso Internacional "Música, Identidad y Cultura en el Caribe"
- Peter Manuel
- CD Review: Reinado do Rosário de Itapecerica (MG): Da Festa e dos Mistérios, and Folia de Reis: Tradição e Fé
- Suzel Ana Reily
Fall/Winter 2006, 27:2
- The Saga of a Song: Authorship and Ownership in the Case of "Guantanamera"
- Peter Manuel
- Imagining an Afro-Creole Nation: Eugène Mona's Music in Martinique of the 1980s
- Dominique Cyrille
- The Film Music of Alberto Ginastera: An Introduction to the Sources and Their Significance
- Deborah Schwartz-Kates
- Carlos Guastavino: A Re-evaluation of His Harmonic Language
- Jonathan Kulp
Reviews
- Helena Simonett, En Sinaloa nací: Historia de la música de banda
- Daniel Sheehy
- Robin Moore, Music and Revolution: Cultural Change in Socialist Cuba
- Julian Gerstin
- Shannon Dudley, Carnival Music in Trinidad: Experiencing Music, Expressing Culture
- Hope Munro Smith
- Daniel H. Sheehy, Mariachi Music in America: Experiencing Music, Expressing Culture
- Cándida F. Jácquez
- Dale A. Olsen, The Chrysanthemum and the Song. Music, Memory, and Identity in the South American Japanese Diaspora
- Ketty Wong
- Guty Cárdenas, Un siglo del ruiseñor; Beatriz Heredia y Rafael de Pau, Guty Cárdenas: Leyenda o realidad; Luis Pérez Sabido, Guty Cárdenas: Su vida y sus canciones; Álvaro Vega and Enrique Martín, Guty Cárdenas: Cancionero
- Helmut Brenner
- Patricia Caicedo and Eugenia Gassull, A mi ciudad nativa/To my native city: Art Songs of Latin America
- Jonathan Kulp"
Spring/Summer 2006, 27:1
- Editor's Note: A Selection of the Works of Gerard Béhague
- Robin Moore
Theoretical or Issue-Oriented Works
- A Performance and Listener-Centered Approach to Musical Analysis: Some Theoretical and Methodological Factors. Originally published in Ethnomusicologie und historiche Musikwissenschaft, ed. Christoph-Helmut Mahling and Stephen Münch. Tutzing, Germany: Verlag Hans Schnieder, 1997
- Diversity and the Arts: Issues and Strategies. Symposium Paper, University of Michigan of Ann Arbor, May 2005
Art Music Studies
- Indianism in Latin American Art-Music Composition of the 1920s to 1940s: Case Studies from Mexico, Peru, and Brazil. Conference Paper, International Conference of Americanists, Stockholm, July 1994
- La problemática de la identidad cultural en la música culta hispano-caribeña. Ponencia presentada en el Tercer Foro de Compositores del Caribe, San Juan, Puerto Rico, octubre 1990
- La problemática de la posición socio-política del compositor en la música nueva en Latinoamérica. Ponencia presentada en el Tercer Foro de Compositores del Caribe, San Juan, Puerto Rico, octubre 1990
State of Research of Brazilian Music
- Música "erudita", "folclórica" e "popular" do Brasil: Interações e inferências para a musicologia e etnomusicologia modernas. Lisboa, octubre 1998
- Perspectivas atuais na pesquisa musical e estratégias analíticas da Música Popular Brasileira
Globalization/Modernization
- Rap, Reggae, Rock, or Samba: The Local and the Global in Brazilian Popular Music (1985-1995). Published in Selected Reports in Ethnomusicology 11, 2003
- Regional and National Trends in Afro-Brazilian Religious Musics: A Case of Cultural Pluralism. Lecture, Brown University, March 6, 1992
Reviews
- Paul Austerlitz, Jazz Consciousness: Music, Race, and Humanity
- David F. García
- Jill Lane, Blackface Cuba, 1840-1895
- Robin Moore
- Guillermo Carbó Ronderos, Tambora: Baile cantado en Colombia
- Carolina Santamaría
- Various composers, Guitarra de Cristal: Contemporary Cuban Music for the Guitar
- Alejandro L. Madrid
- Estevan César Azcona and Russell Rodriguez, comp., ann., prod., Rolas de Aztlán: Songs of the Chicano Movement
- Brenda M. Romero
Fall/Winter 2005, 26:2
Articles
- ¿De qué color es el oro?: Race, Environment, and the History of Cuban National Music, 1898-1958
- Gregory T. Cushman
- Encuentros: Dances of the Inti Raymi in Cotacachi, Ecuador
- Michelle Wibbelsman
- Carrasco or Mathías: Plagiarism and Corruption in an Eighteenth-Century Examen de Oposición from the Oaxaca Cathedral
- Mark Brill
- The Making of a Social History of Popular Music in Chile: Problems, Methods, and Results
- Juan Pablo Gonzalez
- El compositor español Hernando Franco (1532-85) antes de su llegada a México: trayectoria profesional en Portugal, Santo Domingo, Cuba y Guatemala
- María Gembero Ustárroz
- Ritual y espectáculo en la música indígena: El caso de los jóvenes toba del Chaco argentino
- Silvia Citro
Reviews
- Joel Sherzer, ed. and trans., Stories, Myths, Chants, and Songs of the Kuna Indians
- Greg Urban
- Frances R. Aparicio and Cándida F. Jáquez, eds., Musical Migrations: Transnationalism and Cultural Hybridity in Latin/o America
- Estevan Azcona
- Elizabeth A. McAlister, Rara! Vodou, Power, and Performance in Haiti and Its Diaspora
- Bryan Walls
- Música para piano: Ricardo Tacuchian
- Márcio Bezerra
Spring/Summer 2005, 26:1
Articles
- The Oaxaca Cathedral Exámen de Oposición and the Quest for a Modern Style
- Mark Brill
- Borderland Music as Symbolic Forms of Nationalism: The Best of the Texas Tornados, Partners, and ¡Viva Luckenbach!
- Margaret E. Dorsey
- Making it There: Piazzolla's New York Concerts
- David Butler Cannata
- Stravinsky y la constelación ideológica argentina en 1936
- Omar Corrado
- Film Music and Community Development in Rural Puerto Rico: The DIVEDCO Program (1948-1991)
- Donald Thompson
Reviews
- Lynn A. Meisch, Andean Entrepreneurs: Otavalo Merchants and Musicians in the Global Arena
- Michelle Wibbelsman
- Michelle Bigenho, Sounding Indigenous: Authenticity in Bolivian Music Performance
- Elizabeth LaBate
- Ernesto Donas y Denise Milstein, Lenguajes, imaginarios y mediaciones en la canción popular montevideana (1962-1999)
- Marcos Napolitano
- The Piano Works of Aurelio de la Vega Martha Marchena, piano
- Carl Byron
LAMR Archives
Guidelines for Contributors
Latin American Music Review publishes original articles in the fields of musicology and ethnomusicology, broadly defined, applied to Latin American musical expressions. Manuscripts, notes, and bibliographies should be typed double-spaced with ample margins, and submitted electronically as Microsoft Word (.doc) or Rich Text (.rtf) files attached to e-mail sent to lamr@austin.utexas.edu. The total length of the article, including notes and bibliography, should be approximately 12,000-15,000 words. If score examples, photographs, or other diagrams are to be included, please attach them separately as graphic files (.TIF or .JPG) with as high a resolution as possible (300 dpi minimum). Along with the article, please submit a short abstract (100–150 words, in both English and Spanish or Portuguese) and a brief biographical sketch of the author. Articles and reviews may be submitted in English, Spanish, or Portuguese, and formatting for punctuation, quotations, and capitalization should follow the conventions for scholarship in the language of the article. Formats for notes and bibliography are those of the Chicago Manual of Style or of the social science publications, such as Current Anthropology. Communications and books and CDs for review should be sent to the editor, Robin Moore, School of Music, 1 University Station E3100, University of Texas, Austin, TX 78712-0435.
La Revista de Música Latinoamericana publica artículos originales en los campos de musicología y etnomusicología, ampliamente definidos, dedicados a las expresiones musicales latinoamericanas. Los manuscritos, notas y bibliografías se deben redactar a espacio doble y márgenes suficientes, como archivos de tipo Microsoft Word (.doc) o Rich Text (.rtf), adjuntados a un e-mail que se puede mandar al lamr@austin.utexas.edu. El tamano total del artículo, incluyendo las notas y la bibliografia, debe ser aproximadamente 12,000-15,000 palabras. Si se deben incluir imágenes (partituras, fotos u otras figuras), favor de adjuntarlos como archivos gráficos (.TIF o .JPG) separados, con la resolución más alta posible (mínimo de 300 dpi). Con el artículo, favor de incluir una breve reseña (100–150 palabras, en una versión en español o portugués y otra en inglés) y una pequeña biografía del autor. Las materias se pueden entregar en inglés, español o portugués, y el formato para puntuación, citas y uso de mayúscula se debe seguir las normas para publicaciones en el idioma del artículo. Para el formato para notas y bibliografía, véase el Chicago Manual of Style o revistas de las ciencias sociales como Current Anthropology. Otras comunicaciones, libros y CDs enviados para reseñas se deben mandar al editor, Robin Moore, School of Music, 1 University Station E3100, University of Texas, Austin TX 78712-0435.
Manuscripts, Editorial Correspondence, and Review Copies: Robin Moore, School of Music, MRH 3.204, University of Texas, Austin, TX 78712-1208. (E-mail: lamr@austin.utexas.edu).
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