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Texas Studies in Literature and Language

Editor-in-Chief: Kurt Heinzelman, The University of Texas at Austin

An established journal of literary criticism publishing substantial essays reflecting a variety of critical approaches and covering all periods of literary history.

Texas Studies in Literature and Language is indexed and/or abstracted in Abstracts of English Studies, Academic Search Premier, American Humanities Index, Current Contents: Arts and Humanities, IBR (International Bibliography of Book Reviews), IBZ (International Bibliography of Periodical Literature), Literary Criticism Register, MHRA Annual Bibliography of English Languages and Literature, MLA Bibliography, and Sociological Abstracts.

Manuscripts and editorial correspondence: The Editors, Texas Studies in Literature and Language, Department of English, 1 University Station B5000, The University of Texas at Austin, Austin, Texas 78712-0195.

Submission Guidelines

Spring 2013, 55:1
Winter 2012, 54:4
Fall 2012, 54:3
Summer 2012, 54:2
Spring 2012, 54:1
Winter 2011, 53:4
Fall 2011, 53:3
Summer 2011, 53:2
Spring 2011, 53:1
Winter 2010, 52:4
Fall 2010, 52:3
Summer 2010, 52:2
Spring 2010, 52:1
Winter 2009, 51:4
Fall 2009, 51:3
Summer 2009, 51:2
Spring 2009, 51:1
Winter 2008, 50:4
Fall 2008, 50:3
Summer 2008, 50:2
Spring 2008, 50:1
Archives

Spring 2013, 55:1

The Bedrock of Gravity: Pondering the Grammar of Fall in Geoffrey Hill
Susan Ang
Special Section: Literary Modernism and Melody
Edited by Marysa Demoor, Sarah Posman, and Debora Van Durme
Literary Modernism and Melody: An Avant-Propos
Marysa Demoor, Sarah Posman, and Debora Van Durme
Endless Melody
Jed Rasula
Wallace Stevens's Modernist Melodies
Bart Eeckhout
Gertrude Stein's Melodies: In Anticipation of the Loop
Michel Delville
Opera, Allegory, and Remembrance: The Certain Melody in Auden's and Stravinsky's The Rake's Progress
Sascha Bru
Ezra Pound and Charles Bernstein: Opera, Poetics, and the Fate of Humanism
Robert Zamsky

Winter 2012, 54:4

Editor's Introduction to the Special Issue
Kurt Heinzelman
The Perforated Amulet
Sevgi Soysal, translated by Ruth Whitehouse
Three Sections from "Istanbul" in Beş Şehir (Five Cities)
Ahmet Hamdi Tanpınar, translated by Ruth Christie
Balcony
Hasan Ali Toptaş, translated by Amy Spangler and Nilgün Dungan
Edouard Roditi and the Istanbul Avant-Garde
Clifford Endres
Dirty, White candles: Ernest Hemingway's Encounter with the East
Mel Kenne
Heteroglossic Sprees and Murderous Viewpoints in Orhan Pamuk's My Name Is Red
Barish Ali and Caroline Hagood
A Heathen between Two Mosques
Behçet Çelik, translated by The Cunda Workshop for Translators of Turkish Literature
Limits of the Imaginable in the Early Turkish Novel: Non-Muslim Prostitutes and Their Ottoman Muslim Clients
Hülya Yıldız
Yaşar Kemal, Son of Homer
Barry Tharaud

Fall 2012, 54:3
Linguistics and Literary Studies: Computation and Convergence Essays from the 2010 Texas Institute for Literary and Textual Studies

Guest Editors: Matt Cohen and Lars Hinrichs

Electronic Text Analysis and Nineteenth-Century Newspapers: TokenX and the Richmond Daily Dispatch
Elizabeth Lorang and Brian Pytlik Zillig
The Substantial Words Are in the Ground and Sea: Computationally Linking Text and Geography
Travis Brown, Jason Baldridge, Maria Esteva, and Weijia Xu
Editing in the Age of Automation
Amanda Gailey
Literary Forensics: Fingerprinting the Literary Dialects of Three Works of Plantation Fiction
Philip Leigh
A Variationist Approach to Text: What Role-Players Can Teach Us about Form and Meaning
Josh Iorio
Prototypical Characteristics of Blockbuster Movie Dialogue: A Corpus Stylistic Analysis
Dan McIntyre
The Story of one: Narrative and Composition in Gertrude Stein's The Making of Americans
Tanya Clement

Summer 2012, 54:2
Tony Hilfer on Negative Spaces in Ecocriticism: A Monograph on the Sublime in Philosophy, Poetry, Short Story, and Film

Editor’s Note
Kurt Heinzelman
“The Nothing That Is”: Representations of Nature in American Writing
Anthony Channell Hilfer

Spring 2012, 54:1
Special Issue: Literature and Religious Conflict in the English Renaissance: Essays from the Inaugural Year of the Texas Institute for Literary and Textual Studies

Guest Editors: Wayne A. Rebhorn and Frank Whigham

Introduction
Wayne A. Rebhorn and Frank Whigham
Rewriting Spiritual Community in Spenser, Donne, and the Book of Common Prayer
Daniel R. Gibbons
“A warre . . . commodious”: Dramatizing Islamic Schism in and after Tamburlaine
Jane Grogan
The Theater of the Damned: Religion and the Audience in the Tragedy of Christopher Marlowe
David K. Anderson
Reformed Dragons: Bevis of Hampton, Sir Thomas Malory’s Le Morte Darthur, and Spenser’s Faerie Queene
Kenneth Hodges
Equivocation, Cognition, and Political Authority in Early Modern England
Todd Butler
Temperate Revenge: Religion, Profit, and Retaliation in 1622 Jamestown
Kasey Evans
The Politics of Truth in Herbert of Cherbury
Anita Gilman Sherman

Winter 2011, 53:4

Rereading Barbara Baynton’s Bush Studies
Leigh Dale
The Reflected Eye: Reading Race in Barbara Baynton’s “Billy Skywonkie”
Julieanne Lamond
“Trying all things”: Romantic Polymaths, Social Factors,and the Legacies of a Rhetorical Education
Catherine E. Ross
Dostoevsky and the Diamond Sutra: Jack Kerouac’s Karamazov Religion
Jesse Menefee
“Almost a Sense of Property”: Henry James’s The Turn of the Screw, Modernism, and Commodity Culture
Guy Davidson

Fall 2011, 53:3

“Sallets in the Lines to Make the Matter Savoury”: Bakhtinian Speech Genres and Inserted Genres in Hamlet 2.2
Philip D. Collington
A and an in English Plays, 1580–1639
Hugh Craig
Populist Crane: A Reconsideration of Melodrama in Maggie
David Huntsperger
The Reader-Brand: Tolstoy in England at the Turn of the Century
Gwendolyn J. Blume
Ongitan and the Possibility of Oral Seeing in Beowulf
Robin Waugh
Dionysian Negative Theology in Donne’s “A Nocturnall upon S. Lucies Day”
Jennifer L. Nichols

Summer 2011, 53:2

Legacies of Reading in the Late Poetry of Thomas Merton
Dustin D. Stewart
New Left in Victorian Drag: The Rolling Stones Rock and Roll Circus
Barry J. Faulk
Prague 1968: Spatiality and the Tactics of Resistance
Julia Friday
“upsidedown like fools”: Jack Kerouac’s “Desolation Blues” and the Struggle for Enlightenment
Todd Giles
The Strange Literary Career of Jean Toomer
Michael Nowlin

Spring 2011, 53:1

The “Backbone of England”: History, Memory, Landscape, and the Fordian Reconstruction of Englishness
Toby Henry Loeffler
A Savagist Abroad: Anti-Colonial Theory and the Quiet Violence in Twain’s Western Oeuvre
Susan Kalter

Winter 2010, 52:4

Edgar Allan Poe and the Author-Fiction: The Narrative of Arthur Gordon Pym of Nantucket
Ki Yoon Jang
Becoming America's "Prophet of Outdoordom": John Burroughs and the Profession of Nature Writing, 1856–1880
Eric Lupfer
Beyond the Romance: The Aesthetics of Hawthorne's "Chiefly About War Matters"
Edward Wesp
The Satirist Who Clowns: Mark Twain's Performance at the Whittier Birthday Celebration
James E. Caron

Fall 2010, 52:3

"One Important Witness": Remembering Lydia Brown in Thomas Dixon's The Clansman
Tara Bynum
"The Shape of Credit": Imagination, Speculation, and Language in Nostromo
Joshua Gooch
Modernist Looking: Surreal Impressions in the Poetry of Allen Ginsberg
Brian Jackson
Speaking "to All Humanity": Renaissance Drama in Orhan Pamuk's Snow
Mary Jo Kietzman

Summer 2010, 52:2

Samuel Johnson as Intertextual Critic
Anthony W. Lee
Dickens's Genera Mixta: What Kind of a Novel is Hard Times?
Nils Clausson
Henry Miller and the Book of Life
Katy Masuga
"Shadow of Abandonment": Graham Green's The Confidential Agent
Robert Lance Snyder
Allen Ginsberg's Biographical Gestures
Jason Arthur

Spring 2010, 52:1

"Your Majesty's Self Is But a Ceremony": Laura (Riding) Jackson, Emerson, and the Conduct of Life
Luke Carson
Social Demarcation and the Forms of Psychological Fracture in Book One of Richard Wright's Native Son
Matthew Elder
Monstrous Rhetoric: Naked Lunch, National Insecurity, and the Gothic Fifties
Fiona Pato
Three Lean Cats in a Hall of Mirrors: James Baldwin, Norman Mailer, and Eldridge Cleaver on Race and Masculinity
Douglas Taylor
The American Protest Novel in a Time of Terror: Carolyn Chute's Merry Men
Gregory Leon Miller

Winter 2009, 51:4
Special Issue: News of Ulysses: Readings and Re-Readings

Guest Editors: Charles Rossman and Alan W. Friedman

Don Giovanni on Eccles Street
Roy D. Carlson
Quotation Marks, the Gramophone Record, and the Language of the Outlaw
Damien Keane
Romantic "Ghoststory": Lingering Shades of Shelley in Ulysses
Michael Schandorf
The Role of Elijah in Ulysses's Metempsychosis
Tekla Schell
"Don't eat a beefsteak": Joyce and the Pythagoreans
Ariela Freedman
"Weggebobbles and Fruit": Bloom's Vegetarian Impulses
Marguerite M. Regan
Circean Aerodynamics
James F. Lowe
Molly and Bloom in the Lists of "Ithaca"
Tony Thwaites
"O, despise not my youth!": Senses, Sympathy, and an Intimate Aesthetics in Ulysses
Siân E. White

Fall 2009, 51:3
Britain before Modernism

The Loneness of the Stalker: Poaching and Subjectivity in The Parlement of the Thre Ages
Randy P. Schiff
The Grotesque Body in the Hollow Tub: Swift's Tale
William Freedman
Manufacturing Novels: Charles Dickens on the Hearth in Coketown
Elizabeth Starr
Noblemen Who Have Gone Wrong: Novel-Reading Pirates and the Victorian Stage in Gilbert and Sullivan's The Pirates of Penzance
Monica F. Cohen
Byron's Orphic Poetics and the Foundations of Literary Modernism
Christopher A. Strathman

Summer 2009, 51:2

Scratching the Surface: Reading Character in Female Quixotism
Jessica Lang
"Clothes upon sticks": James Fenimore Cooper and the Flat Frontier
Sandra Tomc
Intimate Geography: The Body, Race, and Space in Larsen's Quicksand
Laura E. Tanner
"[A]ll / things began in Order to / end in Ordainer": The Theological Poetics of Louis Zukofsky from "A" to X
Jonathan Ivry
Fun City: Kenneth Koch among Schoolchildren
Timothy Gray

Spring 2009, 51:1: Samuel Beckett in Austin and Beyond

Alan W. Friedman and Charles Rossman, Guest Editors

"The Protestant Thing to Do": Anglo-Irish Performance in James Joyce's Dubliners and Samuel Beckett's All That Fall
Emily C. Bloom
Hesitancy in Joyce and Beckett's Manuscripts
Dirk Van Hulle
From Hardware to Software, or "Rocks, Cocks, Creation, Defacation, and Death": Reading Joyce and Beckett in the Fourth Dimension
Rodney Sharkey
Samuel Beckett Meets Buster Keaton: Godeau, Film, and New York
Alan W. Friedman
"White World. Not a Sound": Beckett's Radioactive Text in Embers
James Jesson
"Thought of everything? . . . Forgotten nothing?": (Re-)Editing Beckett's Eh Joe
Justin Tremel
"Someone is Looking at me still": The Audience-Creature Relationship in the Theater Plays of Samuel Beckett
Matthew Davies
The Posthumous Worlds of Not I and Play
Brian Gatten
Giving Sam a Second Life: Beckett's Plays in the Age of Convergent Media
Sean McCarthy

Winter 2008, 50:4

Raiding, Reform, and Reaction: Wondrous Creatures in the Exeter Book Riddles
Brian McFadden
Pedagogy or Gerontagogy: The Education of the Miltonic Deity
Neil D. Graves
William Jones, "Eastern" Poetry, and the Problem of Imitation
Zak Sitter
"In a Room": Elizabeth Bishop in Europe, 1935-1937
Marit J. MacArthur

Fall 2008, 50:3, Cultures of Detention

The Inside Stories of the Global American Prison
H. Bruce Franklin
Detention Without Subjects: Prisons and the Poetics of Living Death
Caleb Smith
Pits, Pendulums, and Penitentiaries: Reframing the Detained Subject
Jason Haslam
Permeable Borders and American Prisons: Malcolm Braly's On the Yard
Katy Ryan
Reading and Reckoning in a Women's Prison
Megan Sweeney

Summer 2008, 50:2

Globalizing Jewish Communities: Mapping a Jewish Geography in Fragment VII of the Canterbury Tales
Miriamne Ara Krummel
George Puttenham's Lewd and Illicit Career
Steven W. May
Disputing Good Bishop's English: Martin Marprelate and the Voice of Menippean Opposition
Joseph Navitsky
Heroic Contradictions: Samson and the Death of Turnus
Maggie Kilgour

Spring 2008, 50:1

James Purdy's Allegories of Love
Don Adams
"Not to Creation or Destruction but to Truth": Robert Duncan, Kenneth Anger, and the Conversation between Film and Poetry
Daniel Kane
Fire, Flutter, Fall, and Scatter: A Structure in the Epiphanies of Hawthorne's Tales
Martin Bidney
The Domestic Transcendentalism of Fanny Fern
Carole Moses

Archives

Guidelines for Contributors

Texas Studies in Literature and Language invites essays, including some at monograph length, that contribute to our understanding of a significant subject. Essays should be stylistically precise and rich and critically contextualized, whether in carrying forward the contemporary criticism of the subject or in questioning its terms. For occasional issues devoted to special topics, we call for papers well in advance. We do not accept notes (generally, manuscripts of less than seventeen pages), and we accept reviews only in the form of essay-length, well-argued articles examining the basic assumptions involved in contemporary critical thinking about a given topic. Please note we will review only one submission per author per year. A stamped self-addressed envelope should accompany all submissions. Please also include an email address and FAX number, if available. Receipt of a manuscript is acknowledged. Before an essay is approved for publication, it must receive strong recommendations from at least two readers and from the editors. We try hard to keep this process down to three months, though sometimes various exigencies delay our response. Acceptable formats for essays are the Chicago Manual of Style or the MLA Style Manual. Manuscripts must be double-spaced throughout, and notes should be numbered consecutively and grouped on pages separate from the text. Blind submission form please. Please send two copies of the manuscript to the Editors, Texas Studies in Literature & Language, Dept. of English, 1 University Station B5000, The University of Texas, Austin, TX 78712-0195. Manuscripts originating outside the continental United States may be sent via email to tsll@uts.cc.utexas.edu.

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