| Abbott | Celluloid Vampires: Life After Death in the Modern World |
| Adare | "Indian" Stereotypes in TV Science Fiction: First Nations' Voices Speak Out |
| Allen | Dugout |
| Anderson | Hollywood TV: The Studio System in the Fifties |
| Andrew | The Image in Dispute: Art and Cinema in the Age of Photography |
| Aumont et al. | Aesthetics of Film |
| Barnard and Rist | South American Cinema: A Critical Filmography, 1915-1994 |
| Barrera | Looking for Carrascolendas: From a Child's World to Award-Winning Television |
| Baty | e-mail trouble: love and addiction @ the matrix |
| Benavides | Drugs, Thugs, and Divas: Telenovelas and Narco-Dramas in Latin America |
| Berg | Cinema of Solitude: A Critical Study of Mexican Film, 1967-1983 |
| Berg | Latino Images in Film: Stereotypes, Subversion, and Resistance |
| Berliner | Hollywood Incoherent: Narration in Seventies Cinema |
| Bernardi | Filming Difference: Actors, Directors, Producers, and Writers on Gender, Race, and Sexuality in Film |
| Blackstock, Cohen, and Smith | SXSW Scrapbook: People and Things That Went Before |
| Boozer | Authorship in Film Adaptation |
| Boozer | Career Movies: American Business and the Success Mystique |
| Boyd and Palmer | After Hitchcock: Influence, Imitation, and Intertextuality |
| Brady and Lee | The Understructure of Writing for Film and Television |
| Brady | Principles of Adaptation for Film and Television |
| Briefel and Miller | Horror after 9/11: World of Fear, Cinema of Terror |
| Britton and Barker | Reading between Designs: Visual Imagery and the Generation of Meaning in The Avengers, The Prisoner, and Doctor Who |
| Brockett | How Happy to Call Oneself a Turk: Provincial Newspapers and the Negotiation of a Muslim National Identity |
| Brode | From Walt to Woodstock: How Disney Created the Counterculture |
| Brode | Multiculturalism and the Mouse: Race and Sex in Disney Entertainment |
| Brode | Shooting Stars of the Small Screen: Encyclopedia of TV Western Actors, 1946-present |
| Buchsbaum | Cinema and the Sandinistas: Filmmaking in Revolutionary Nicaragua |
| Burton | Cinema and Social Change in Latin America: Conversations with Filmmakers |
| Carver | Brann and the Iconoclast |
| Cash and Sterling | The News in Texas: Essays in Honor of the 125th Anniversary of the Texas Press Association |
| Cassidy | What Women Watched: Daytime Television in the 1950s |
| Chakravarty | National Identity in Indian Popular Cinema, 1947-1987 |
| Clemons | Branding Texas: Performing Culture in the Lone Star State |
| Consalvi | Broadcasting the Civil War in El Salvador: A Memoir of Guerrilla Radio |
| Cook | Thelma & Louise Live!: The Cultural Afterlife of an American Film |
| Cronkite and Carleton | Conversations with Cronkite |
| Dalle Vacche | Cinema and Painting: How Art Is Used in Film |
| Dalle Vacche | Diva: Defiance and Passion in Early Italian Cinema |
| Daniel | Harry Reasoner: A Life in the News |
| de la Mora | Cinemachismo: Masculinities and Sexuality in Mexican Film |
| Devine | Vietnam at 24 Frames a Second: A Critical and Thematic Analysis of Over 400 Films about the Vietnam War |
| Dillon | Derek Jarman and Lyric Film: The Mirror and the Sea |
| Dillon | The Solaris Effect: Art and Artifice in Contemporary American Film |
| Dinello | Technophobia!: Science Fiction Visions of Posthuman Technology |
| Donalson | Black Directors in Hollywood |
| Ehrlich and Desser | Cinematic Landscapes: Observations on the Visual Arts and Cinema of China and Japan |
| Erish | Col. William N. Selig, the Man Who Invented Hollywood Coming in Spring/Summer 2012! |
| Felleman | Art in the Cinematic Imagination |
| Ferrari | Since When Is Fran Drescher Jewish?: Dubbing Stereotypes in The Nanny, The Simpsons, and The Sopranos |
| Fojas | Border Bandits: Hollywood on the Southern Frontier |
| Foster | Gender and Society in Contemporary Brazilian Cinema |
| Foster | Mexico City in Contemporary Mexican Cinema |
| Foster | Queer Issues in Contemporary Latin American Cinema |
| Fotsch | Watching the Traffic Go By: Transportation and Isolation in Urban America |
| Fowler and Crawford | Border Radio: Quacks, Yodelers, Pitchmen, Psychics, and Other Amazing Broadcasters of the American Airwaves, Revised Edition |
| Fox and Waisbord | Latin Politics, Global Media |
| Fregoso | Lourdes Portillo: The Devil Never Sleeps and Other Films |
| Goldovskaya | Woman with a Movie Camera: My Life as a Russian Filmmaker |
| Gordon | The Gordon File: A Screenwriter Recalls Twenty Years of FBI Surveillance |
| Gordon | Hollywood Exile, or How I Learned to Love the Blacklist |
| Gould | Watching Television Come of Age: The New York Times Reviews by Jack Gould |
| Grant | The Dread of Difference: Gender and the Horror Film |
| Grant | Film Genre Reader III |
| Greven | Manhood in Hollywood from Bush to Bush |
| Gugler | Film in the Middle East and North Africa: Creative Dissidence |
| Hake | Popular Cinema of the Third Reich |
| Heider | Ethnographic Film: Revised Edition |
| Higginbotham | Spanish Film Under Franco |
| Higgins | Harnessing the Technicolor Rainbow: Color Design in the 1930s |
| Hogan | Understanding Indian Movies: Culture, Cognition, and Cinematic Imagination |
| Hogarth | Realer Than Reel: Global Directions in Documentary |
| Hopkins | Screening the Gothic |
| Horne | Class Struggle in Hollywood, 1930-1950: Moguls, Mobsters, Stars, Reds, and Trade Unionists |
| Horton | Ernie Kovacs & Early TV Comedy: Nothing in Moderation |
| Horton | Henry Bumstead and the World of Hollywood Art Direction |
| Jenkins | The CIA in Hollywood: How the Agency Shapes Film and Television Coming in Spring/Summer 2012! |
| Kahn | Seeing and Being Seen: The Q'eqchi' Maya of Livingston, Guatemala, and Beyond |
| Kaleta | Hanif Kureishi: Postcolonial Storyteller |
| Karlyn | Unruly Girls, Unrepentant Mothers: Redefining Feminism on Screen |
| Kernan | Coming Attractions: Reading American Movie Trailers |
| Klein | American Film Cycles: Reframing Genres, Screening Social Problems, and Defining Subcultures |
| Laderman | Driving Visions: Exploring the Road Movie |
| Laderman | Punk Slash! Musicals: Tracking Slip-Sync on Film |
| Lee | The Death and Life of Drama: Reflections on Writing and Human Nature |
| Lee | A Poetics for Screenwriters |
| Leibman | Living Room Lectures: The Fifties Family in Film and Television |
| Leuthold | Indigenous Aesthetics: Native Art, Media, and Identity |
| Lev | American Films of the 70s: Conflicting Visions |
| Lewis | Splendor in the Short Grass: The Grover Lewis Reader |
| Linville | Feminism, Film, Fascism: Women's Auto/biographical Film in Postwar Germany |
| Linville | History Films, Women, and Freud's Uncanny |
| Loshitzky | Identity Politics on the Israeli Screen |
| Lucia | Framing Female Lawyers: Women on Trial in Film |
| Macor | Chainsaws, Slackers, and Spy Kids: Thirty Years of Filmmaking in Austin, Texas |
| Marlane | Women in Television News Revisited: Into the Twenty-first Century |
| McAnany and Wilkinson | Mass Media and Free Trade: NAFTA and the Cultural Industries |
| McCaughey and King | Reel Knockouts: Violent Women in the Movies |
| Mehta | Censorship and Sexuality in Bombay Cinema |
| Melzer | Alien Constructions: Science Fiction and Feminist Thought |
| Mendible | From Bananas to Buttocks: The Latina Body in Popular Film and Culture |
| Morawetz | Making Faces, Playing God: Identity and the Art of Transformational Makeup |
| Mullen | The Rise of Cable Programming in the United States: Revolution or Evolution? |
| Murray | Film and the German Left in the Weimar Republic: From Caligari to Kuhle Wampe |
| Nama | Black Space: Imagining Race in Science Fiction Film |
| Nama | Super Black: American Pop Culture and Black Superheroes |
| Nericcio | Tex[t]-Mex: Seductive Hallucinations of the "Mexican" in America |
| Nochimson | The Passion of David Lynch: Wild at Heart in Hollywood |
| Nochimson | Screen Couple Chemistry: The Power of 2 |
| Palmer and Bray | Hollywood's Tennessee: The Williams Films and Postwar America |
| Perez | There Was a Woman: La Llorona from Folklore to Popular Culture |
| Perren | Indie, Inc.: Miramax and the Transformation of Hollywood in the 1990s Coming in Spring/Summer 2012! |
| Pick | Constructing the Image of the Mexican Revolution: Cinema and the Archive |
| Pick | The New Latin American Cinema: A Continental Project |
| Prince | Savage Cinema: Sam Peckinpah and the Rise of Ultraviolent Movies |
| Rader | Engaged Resistance: American Indian Art, Literature, and Film from Alcatraz to the NMAI |
| Rashkin | Women Filmmakers in Mexico: The Country of Which We Dream |
| Robé | Left of Hollywood: Cinema, Modernism, and the Emergence of U.S. Radical Film Culture |
| Rocchio | Cinema of Anxiety: A Psychoanalysis of Italian Neorealism |
| Rowe | The Unruly Woman: Gender and the Genres of Laughter |
| Samuel | Brought to You By: Postwar Television Advertising and the American Dream |
| Santa Ana | Brown Tide Rising: Metaphors of Latinos in Contemporary American Public Discourse |
| Segura | Belo: From Newspapers to New Media |
| Semmerling | "Evil" Arabs in American Popular Film: Orientalist Fear |
| Shary and Seibel | Youth Culture in Global Cinema |
| Shary | Generation Multiplex: The Image of Youth in Contemporary American Cinema |
| Sherzer | Cinema, Colonialism, Postcolonialism: Perspectives from the French and Francophone Worlds |
| Smith | Beautiful TV: The Art and Argument of Ally McBeal |
| Smyth | Edna Ferber's Hollywood: American Fictions of Gender, Race, and History |
| Spencer Mitchell | Danger Pay: Memoir of a Photojournalist in the Middle East, 1984-1994 |
| Springer | Electronic Eros: Bodies and Desire in the Postindustrial Age |
| Springer | James Dean Transfigured: The Many Faces of Rebel Iconography |
| Strong and Wilder | Viewpoints: Visual Anthropologists at Work |
| Talmon and Peleg | Israeli Cinema: Identities in Motion |
| Tarkovsky | Sculpting in Time: Reflections on the Cinema |
| Tashiro | Pretty Pictures: Production Design and the History Film |
| Telotte | The Cult Film Experience: Beyond All Reason |
| Timberg | Television Talk: A History of the TV Talk Show |
| Tota | The Seduction of Brazil: The Americanization of Brazil during World War II |
| Vågnes | Zaprudered: The Kennedy Assassination Film in Visual Culture |
| van Nieuwkerk | Muslim Rap, Halal Soaps, and Revolutionary Theater: Artistic Developments in the Muslim World |
| Vertrees | Selznick's Vision: Gone with the Wind and Hollywood Filmmaking |
| Wager | Dames in the Driver's Seat: Rereading Film Noir |
| Ward | Mouse Morality: The Rhetoric of Disney Animated Film |
| Wasser | Veni, Vidi, Video: The Hollywood Empire and the VCR |
| Welling | Cinema Houston: From Nickelodeon to Megaplex |
| Whittington | Sound Design and Science Fiction |
| Wittliff | A Book of Photographs from Lonesome Dove |
| Wolf | The Medium of the Video Game |
| Wyatt | High Concept: Movies and Marketing in Hollywood |
| Zuhur | Asmahan's Secrets: Woman, War, and Song |
