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Film and Media Studies

AbbottCelluloid Vampires: Life After Death in the Modern World
Adare"Indian" Stereotypes in TV Science Fiction: First Nations' Voices Speak Out
AllenDugout
AndersonHollywood TV: The Studio System in the Fifties
AndrewThe Image in Dispute: Art and Cinema in the Age of Photography
Aumont et al.Aesthetics of Film
Barnard and RistSouth American Cinema: A Critical Filmography, 1915-1994
BarreraLooking for Carrascolendas: From a Child's World to Award-Winning Television
Batye-mail trouble: love and addiction @ the matrix
BenavidesDrugs, Thugs, and Divas: Telenovelas and Narco-Dramas in Latin America
BergCinema of Solitude: A Critical Study of Mexican Film, 1967-1983
BergLatino Images in Film: Stereotypes, Subversion, and Resistance
BerlinerHollywood Incoherent: Narration in Seventies Cinema
BernardiFilming Difference: Actors, Directors, Producers, and Writers on Gender, Race, and Sexuality in Film
Blackstock, Cohen, and SmithSXSW Scrapbook: People and Things That Went Before
BoozerAuthorship in Film Adaptation
BoozerCareer Movies: American Business and the Success Mystique
Boyd and PalmerAfter Hitchcock: Influence, Imitation, and Intertextuality
Brady and LeeThe Understructure of Writing for Film and Television
BradyPrinciples of Adaptation for Film and Television
Briefel and MillerHorror after 9/11: World of Fear, Cinema of Terror
Britton and BarkerReading between Designs: Visual Imagery and the Generation of Meaning in The Avengers, The Prisoner, and Doctor Who
BrockettHow Happy to Call Oneself a Turk: Provincial Newspapers and the Negotiation of a Muslim National Identity
BrodeFrom Walt to Woodstock: How Disney Created the Counterculture
BrodeMulticulturalism and the Mouse: Race and Sex in Disney Entertainment
BrodeShooting Stars of the Small Screen: Encyclopedia of TV Western Actors, 1946-present
BuchsbaumCinema and the Sandinistas: Filmmaking in Revolutionary Nicaragua
BurtonCinema and Social Change in Latin America: Conversations with Filmmakers
CarverBrann and the Iconoclast
Cash and SterlingThe News in Texas: Essays in Honor of the 125th Anniversary of the Texas Press Association
CassidyWhat Women Watched: Daytime Television in the 1950s
ChakravartyNational Identity in Indian Popular Cinema, 1947-1987
ClemonsBranding Texas: Performing Culture in the Lone Star State
ConsalviBroadcasting the Civil War in El Salvador: A Memoir of Guerrilla Radio
CookThelma & Louise Live!: The Cultural Afterlife of an American Film
Cronkite and CarletonConversations with Cronkite
Dalle VaccheCinema and Painting: How Art Is Used in Film
Dalle VaccheDiva: Defiance and Passion in Early Italian Cinema
DanielHarry Reasoner: A Life in the News
de la MoraCinemachismo: Masculinities and Sexuality in Mexican Film
DevineVietnam at 24 Frames a Second: A Critical and Thematic Analysis of Over 400 Films about the Vietnam War
DillonDerek Jarman and Lyric Film: The Mirror and the Sea
DillonThe Solaris Effect: Art and Artifice in Contemporary American Film
DinelloTechnophobia!: Science Fiction Visions of Posthuman Technology
DonalsonBlack Directors in Hollywood
Ehrlich and DesserCinematic Landscapes: Observations on the Visual Arts and Cinema of China and Japan
ErishCol. William N. Selig, the Man Who Invented Hollywood Coming in Spring/Summer 2012!
FellemanArt in the Cinematic Imagination
FerrariSince When Is Fran Drescher Jewish?: Dubbing Stereotypes in The Nanny, The Simpsons, and The Sopranos
FojasBorder Bandits: Hollywood on the Southern Frontier
FosterGender and Society in Contemporary Brazilian Cinema
FosterMexico City in Contemporary Mexican Cinema
FosterQueer Issues in Contemporary Latin American Cinema
FotschWatching the Traffic Go By: Transportation and Isolation in Urban America
Fowler and CrawfordBorder Radio: Quacks, Yodelers, Pitchmen, Psychics, and Other Amazing Broadcasters of the American Airwaves, Revised Edition
Fox and WaisbordLatin Politics, Global Media
FregosoLourdes Portillo: The Devil Never Sleeps and Other Films
GoldovskayaWoman with a Movie Camera: My Life as a Russian Filmmaker
GordonThe Gordon File: A Screenwriter Recalls Twenty Years of FBI Surveillance
GordonHollywood Exile, or How I Learned to Love the Blacklist
GouldWatching Television Come of Age: The New York Times Reviews by Jack Gould
GrantThe Dread of Difference: Gender and the Horror Film
GrantFilm Genre Reader III
GrevenManhood in Hollywood from Bush to Bush
GuglerFilm in the Middle East and North Africa: Creative Dissidence
HakePopular Cinema of the Third Reich
HeiderEthnographic Film: Revised Edition
HigginbothamSpanish Film Under Franco
HigginsHarnessing the Technicolor Rainbow: Color Design in the 1930s
HoganUnderstanding Indian Movies: Culture, Cognition, and Cinematic Imagination
HogarthRealer Than Reel: Global Directions in Documentary
HopkinsScreening the Gothic
HorneClass Struggle in Hollywood, 1930-1950: Moguls, Mobsters, Stars, Reds, and Trade Unionists
HortonErnie Kovacs & Early TV Comedy: Nothing in Moderation
HortonHenry Bumstead and the World of Hollywood Art Direction
JenkinsThe CIA in Hollywood: How the Agency Shapes Film and Television Coming in Spring/Summer 2012!
KahnSeeing and Being Seen: The Q'eqchi' Maya of Livingston, Guatemala, and Beyond
KaletaHanif Kureishi: Postcolonial Storyteller
KarlynUnruly Girls, Unrepentant Mothers: Redefining Feminism on Screen
KernanComing Attractions: Reading American Movie Trailers
KleinAmerican Film Cycles: Reframing Genres, Screening Social Problems, and Defining Subcultures
LadermanDriving Visions: Exploring the Road Movie
LadermanPunk Slash! Musicals: Tracking Slip-Sync on Film
LeeThe Death and Life of Drama: Reflections on Writing and Human Nature
LeeA Poetics for Screenwriters
LeibmanLiving Room Lectures: The Fifties Family in Film and Television
LeutholdIndigenous Aesthetics: Native Art, Media, and Identity
LevAmerican Films of the 70s: Conflicting Visions
LewisSplendor in the Short Grass: The Grover Lewis Reader
LinvilleFeminism, Film, Fascism: Women's Auto/biographical Film in Postwar Germany
LinvilleHistory Films, Women, and Freud's Uncanny
LoshitzkyIdentity Politics on the Israeli Screen
LuciaFraming Female Lawyers: Women on Trial in Film
MacorChainsaws, Slackers, and Spy Kids: Thirty Years of Filmmaking in Austin, Texas
MarlaneWomen in Television News Revisited: Into the Twenty-first Century
McAnany and WilkinsonMass Media and Free Trade: NAFTA and the Cultural Industries
McCaughey and KingReel Knockouts: Violent Women in the Movies
MehtaCensorship and Sexuality in Bombay Cinema
MelzerAlien Constructions: Science Fiction and Feminist Thought
MendibleFrom Bananas to Buttocks: The Latina Body in Popular Film and Culture
MorawetzMaking Faces, Playing God: Identity and the Art of Transformational Makeup
MullenThe Rise of Cable Programming in the United States: Revolution or Evolution?
MurrayFilm and the German Left in the Weimar Republic: From Caligari to Kuhle Wampe
NamaBlack Space: Imagining Race in Science Fiction Film
NamaSuper Black: American Pop Culture and Black Superheroes
NericcioTex[t]-Mex: Seductive Hallucinations of the "Mexican" in America
NochimsonThe Passion of David Lynch: Wild at Heart in Hollywood
NochimsonScreen Couple Chemistry: The Power of 2
Palmer and BrayHollywood's Tennessee: The Williams Films and Postwar America
PerezThere Was a Woman: La Llorona from Folklore to Popular Culture
PerrenIndie, Inc.: Miramax and the Transformation of Hollywood in the 1990s Coming in Spring/Summer 2012!
PickConstructing the Image of the Mexican Revolution: Cinema and the Archive
PickThe New Latin American Cinema: A Continental Project
PrinceSavage Cinema: Sam Peckinpah and the Rise of Ultraviolent Movies
RaderEngaged Resistance: American Indian Art, Literature, and Film from Alcatraz to the NMAI
RashkinWomen Filmmakers in Mexico: The Country of Which We Dream
RobéLeft of Hollywood: Cinema, Modernism, and the Emergence of U.S. Radical Film Culture
RocchioCinema of Anxiety: A Psychoanalysis of Italian Neorealism
RoweThe Unruly Woman: Gender and the Genres of Laughter
SamuelBrought to You By: Postwar Television Advertising and the American Dream
Santa AnaBrown Tide Rising: Metaphors of Latinos in Contemporary American Public Discourse
SeguraBelo: From Newspapers to New Media
Semmerling"Evil" Arabs in American Popular Film: Orientalist Fear
Shary and SeibelYouth Culture in Global Cinema
SharyGeneration Multiplex: The Image of Youth in Contemporary American Cinema
SherzerCinema, Colonialism, Postcolonialism: Perspectives from the French and Francophone Worlds
SmithBeautiful TV: The Art and Argument of Ally McBeal
SmythEdna Ferber's Hollywood: American Fictions of Gender, Race, and History
Spencer MitchellDanger Pay: Memoir of a Photojournalist in the Middle East, 1984-1994
SpringerElectronic Eros: Bodies and Desire in the Postindustrial Age
SpringerJames Dean Transfigured: The Many Faces of Rebel Iconography
Strong and WilderViewpoints: Visual Anthropologists at Work
Talmon and PelegIsraeli Cinema: Identities in Motion
TarkovskySculpting in Time: Reflections on the Cinema
TashiroPretty Pictures: Production Design and the History Film
TelotteThe Cult Film Experience: Beyond All Reason
TimbergTelevision Talk: A History of the TV Talk Show
TotaThe Seduction of Brazil: The Americanization of Brazil during World War II
VågnesZaprudered: The Kennedy Assassination Film in Visual Culture
van NieuwkerkMuslim Rap, Halal Soaps, and Revolutionary Theater: Artistic Developments in the Muslim World
VertreesSelznick's Vision: Gone with the Wind and Hollywood Filmmaking
WagerDames in the Driver's Seat: Rereading Film Noir
WardMouse Morality: The Rhetoric of Disney Animated Film
WasserVeni, Vidi, Video: The Hollywood Empire and the VCR
WellingCinema Houston: From Nickelodeon to Megaplex
WhittingtonSound Design and Science Fiction
WittliffA Book of Photographs from Lonesome Dove
WolfThe Medium of the Video Game
WyattHigh Concept: Movies and Marketing in Hollywood
ZuhurAsmahan's Secrets: Woman, War, and Song

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