| Barnard and Rist | South American Cinema: A Critical Filmography, 1915-1994 |
| Benavides | Drugs, Thugs, and Divas: Telenovelas and Narco-Dramas in Latin America |
| Berg | Cinema of Solitude: A Critical Study of Mexican Film, 1967-1983 |
| Buchsbaum | Cinema and the Sandinistas: Filmmaking in Revolutionary Nicaragua |
| Burton | Cinema and Social Change in Latin America: Conversations with Filmmakers |
| de la Mora | Cinemachismo: Masculinities and Sexuality in Mexican Film |
| Fojas | Border Bandits: Hollywood on the Southern Frontier |
| Foster | Gender and Society in Contemporary Brazilian Cinema |
| Foster | Mexico City in Contemporary Mexican Cinema |
| Foster | Queer Issues in Contemporary Latin American Cinema |
| Fowler and Crawford | Border Radio: Quacks, Yodelers, Pitchmen, Psychics, and Other Amazing Broadcasters of the American Airwaves, Revised Edition |
| Fox and Waisbord | Latin Politics, Global Media |
| Kahn | Seeing and Being Seen: The Q'eqchi' Maya of Livingston, Guatemala, and Beyond |
| McAnany and Wilkinson | Mass Media and Free Trade: NAFTA and the Cultural Industries |
| Pick | Constructing the Image of the Mexican Revolution: Cinema and the Archive |
| Pick | The New Latin American Cinema: A Continental Project |
| Rashkin | Women Filmmakers in Mexico: The Country of Which We Dream |
| Tota | The Seduction of Brazil: The Americanization of Brazil during World War II |
