| Abbas | The Female Voice in Sufi Ritual: Devotional Practices in Pakistan and India |
| Alden and Blackstock | No Depression #76: Surveying the Past, Present, and Future of American Music |
| Alden and Blackstock | No Depression #77: Surveying the Past, Present, and Future of American Music |
| Alden and Blackstock | No Depression #78: Surveying the Past, Present, and Future of American Music |
| Alden and Blackstock | The Best of No Depression: Writing about American Music |
| Appleby | The Music of Brazil |
| Bierhorst | Ballads of the Lords of New Spain: The Codex Romances de los Senores de la Nueva Espana |
| Blackstock, Cohen, and Smith | SXSW Scrapbook: People and Things That Went Before |
| Boyd | The Jazz of the Southwest: An Oral History of Western Swing |
| Boyd | "We're the Light Crust Doughboys from Burrus Mill": An Oral History |
| Bradley and Wood | House of Hits: The Story of Houston's Gold Star/SugarHill Recording Studios |
| Bridger | Bridger |
| Broyles-González | El Teatro Campesino: Theater in the Chicano Movement |
| Bush | Whiskey River (Take My Mind): The True Story of Texas Honky-Tonk |
| Cheatham | Meet Me with Your Black Drawers On: My Life in Music |
| Clemons | Branding Texas: Performing Culture in the Lone Star State |
| Cohen | Poor Pearl, Poor Girl!: The Murdered-Girl Stereotype in Ballad and Newspaper |
| Corcoran | All Over the Map: True Heroes of Texas Music |
| Crawford | Please Pass the Biscuits, Pappy: Pictures of Governor W. Lee "Pappy" O'Daniel |
| Dorsey | Pachangas: Borderlands Music, U.S. Politics, and Transnational Marketing |
| Dyer | Conjunto |
| Edberg | El Narcotraficante: Narcocorridos and the Construction of a Cultural Persona on the U.S.-Mexican Border |
| Ely | Bonfire of Roadmaps |
| Facemire | Music in the Kitchen: Favorite Recipes from Austin City Limits Performers |
| Fleming | Stoppard's Theatre: Finding Order amid Chaos |
| Garcia, Gutierrez, and Nuñez | Teatro Chicana: A Collective Memoir and Selected Plays |
| Garfinkel | Dancing at the Dawn of Agriculture |
| George | The Modern Brazilian Stage |
| González | Afro-Mexico: Dancing between Myth and Reality |
| Gutiérrez | Performing Mexicanidad: Vendidas y Cabareteras on the Transnational Stage |
| Hanna | The Performer-Audience Connection: Emotion to Metaphor in Dance and Society |
| Harris | Carnival and Other Christian Festivals: Folk Theology and Folk Performance |
| Harris | Texas Troubadours |
| Hawhee | Bodily Arts: Rhetoric and Athletics in Ancient Greece |
| Hudson | Telling Stories, Writing Songs: An Album of Texas Songwriters |
| Hudson | Women in Texas Music: Stories and Songs |
| Jennings | Eight Plays for Children: The New Generation Play Project |
| Keen | Merry Christmas from the Family |
| Keen | The Road Goes On Forever and the Music Never Ends |
| Kuss | Music in Latin America and the Caribbean: An Encyclopedic History: Volume 2: Performing the Caribbean Experience |
| Kuss | Music in Latin America and the Caribbean: An Encyclopedic History: Volume 1: Performing Beliefs: Indigenous Peoples of South America, Central America, and Mexico |
| Lewis | Splendor in the Short Grass: The Grover Lewis Reader |
| Looper | To Be Like Gods: Dance in Ancient Maya Civilization |
| Malone and Neal | Country Music, U.S.A.: Third Revised Edition |
| McFarland | Chicano Rap: Gender and Violence in the Postindustrial Barrio |
| McLeese | Dwight Yoakam: A Thousand Miles from Nowhere |
| Menconi | Ryan Adams: Losering, a Story of Whiskeytown Coming in Fall/Winter 2012-2013! |
| Minutaglio | In Search of the Blues: A Journey to the Soul of Black Texas |
| Moore | The Theater of Plautus: Playing to the Audience |
| Nadel | Various Positions: A Life of Leonard Cohen |
| Newton and Lickona | Austin City Limits: 35 Years in Photographs |
| Oglesby | Fire in the Water, Earth in the Air: Legends of West Texas Music |
| Oliphant | Jazz Mavericks of the Lone Star State |
| Oliphant | Texan Jazz |
| Owens | Tell Me a Story, Sing Me a Song: A Texas Chronicle |
| Paredes | "With His Pistol In His Hand": A Border Ballad and Its Hero |
| Paredes | A Texas-Mexican Cancionero: Folksongs of the Lower Border |
| Peña | The Texas-Mexican Conjunto: History of a Working-class Music |
| Pedelty | Musical Ritual in Mexico City: From the Aztec to NAFTA |
| Perrone | Masters of Contemporary Brazilian Song: MPB, 1965-1985 |
| Powell and Freeman | The Austin Chronicle Music Anthology |
| Prieto | The Adventures of a Cello: Revised Edition, with a New Epilogue |
| Reid and Sahm | Texas Tornado: The Times and Music of Doug Sahm |
| Reid | The Improbable Rise of Redneck Rock: New Edition |
| Schade-Poulsen | Men and Popular Music in Algeria: The Social Significance of Raï |
| Seed | José Limón and La Malinche: The Dancer and the Dance |
| Shaver | Honky Tonk Hero |
| Sherzer | Stories, Myths, Chants, and Songs of the Kuna Indians |
| Tejeda and Valdez | ¡Puro Conjunto!: An Album in Words and Pictures |
| Underiner | Contemporary Theatre in Mayan Mexico: Death-Defying Acts |
| van Nieuwkerk | Muslim Rap, Halal Soaps, and Revolutionary Theater: Artistic Developments in the Muslim World |
| van Nieuwkerk | "A Trade like Any Other": Female Singers and Dancers in Egypt |
| Wood and Fraher | Down in Houston: Bayou City Blues |
| Wood and Fraher | Texas Zydeco |
| Zuhur | Asmahan's Secrets: Woman, War, and Song |
