Department of Art and Art History Award or Honor

Fifth Member of Fine Arts Faculty Wins Hamilton Book Award

Tue. November 10, 2015

four people standing with trophy and posing for photo
(Left to right) College of Liberal Arts Associate Dean for Research Esther Raizen, grand prize winner Associate Professor of Islamic art and architecture Stephennie Mulder, UT Austin Vice President for Research Dr. Juan Sanchez, and College of Fine Arts Dean Doug Dempster.

Associate Professor Stephennie Mulder’s book on medieval Syrian shrines took the $10,000 top prize at the 2015 University Co-op Robert W. Hamilton Book Awards. Announced November 2, Mulder is the fifth recipient connected to the College of Fine Arts to receive the university-wide award.

College of Fine Arts Dean Doug Dempster said Mulder’s receipt of the Hamilton Book Award is another great credit to the original scholarship coming out of UT Austin's Art History program.

“Our Art History faculty, one of the most productive research faculties in the humanities at UT, now accounts for five of the twenty Hamilton Book Awards ever given—an unparalleled winning streak for any department,” he said. “The Art History program is one of the research gems of The University of Texas at Austin.”

Mulder’s book, The Shrines of the ‘Alids in Medieval Syria: Sunnis, Shi’is, and the Architecture of Coexistence, is the first illustrated, architectural history of these shrines, increasingly endangered by the conflict in Syria. Mulder, a specialist in Islamic architectural history and archaeology, holds a joint appointment in the College of Fine Arts’ Department of Art and Art History and the College of Liberal Arts’ Department of Middle Eastern Studies. She is the fourth Middle Eastern Studies professor to take home the Hamilton Award.

“It is enormously meaningful for me to have my work recognized among my peers at the university,” said Mulder. “I think that culturally, we tend to think of Art History as being less serious than some other fields. We tend to see images and works of art and architecture as aesthetically pleasing, but only worthy of study as a luxury or as a leisure activity—as only worth thinking about on a weekend visit to an art museum,” Mulder said. “But nothing could be further from the truth. Throughout the history of humanity, art has been at the forefront of how we have communicated about who we are and what we believe. Even before humans invented the first alphabet, created the first city, wrote the first history book, or conducted the first scientific experiment, we made art.”

During her career, she’s spent years in the field in Syria and throughout the Middle East and works on the conservation of antiquities and cultural heritage sites endangered by war and illegal trafficking. She is a founder of UT Antiquities Action, a group dedicated to raising awareness of the loss of cultural heritage.

“I have worked as an archaeologist in Syria since 1998, and fell in love with the country upon my first visit,” she said. “I began the research for this book in 2004, when I lived and worked in the vine-covered, winding streets of the ancient city of Damascus for a year and a half.”

During that research period, she never imagined that as she completed the book between 2011 and 2013, Syria would descend into a warzone.

“As this was unfolding, it was painful to write about a time in the medieval era when Syrian rulers used architecture to emphasize coexistence and sectarian harmony,” Mulder said. “My Syrian friend Ubayda lost his life during the time I wrote the book, and I dedicated the book to him and to the broadminded, cosmopolitan and democratic Syria in which he wished to live.”

Mulder has served as an expert for media reporting on the losses of those antiquities she studied. In September she was quoted in the International Business Times about the destruction of a 2,000-year-old temple in Palmyra. In 2014, she wrote an opinion piece for Al Jazeera arguing that the West’s desire to purchase ancient artifacts is the cause for looting, not the Islamic State.

She also used her expertise on the Middle East to co-write an op-ed for the Huffington Post with the History Department’s Erika Bsumek about the textual subversion techniques used by Middle Eastern artists in Western pop culture—particularly for the TV series, Homeland.

“Stephennie’s research may revolve around the 12th century, but it could not be more relevant to our current moment,” said Jack Risley, chair of the Department of Art and Art History. “The overwhelming reception to her book and her presence in the media, show that her research has consequence in the contemporary world, and that there is a role for scholars in public discourse.”

As her book gains recognition and support, Mulder said she hopes it illuminates those beautiful qualities of Syria that she researched, instead of the war-torn country in the news.

“Syria has always been a place where people of many faiths and beliefs lived together and created pragmatic systems of coexistence,” she said. “We can see in that picture a model for how coexistence can one day return to the region. Syria was and remains a beautiful country, with a rich and ancient past as one of the world’s great crossroads of human knowledge and civilization. I hope to see the day that it becomes so again.”

Jacky Cardenas awarded 2015 TAEA Student Teacher of the Year

Thu. October 29, 2015

woman posing for photo in front of brick wall
Image courtesy of Jacky Cardenas

Undergraduate in Art Education Jacky Cardenas was recognized the TAEA Student Teacher of the Year.

The award is given to one TAEA member from each division who is nominated and has significantly contributed to the association and to art education on the state, local and/or national levels.

In her nomination, Christina Bain wrote:

As a co-director/president of UT Austin’s Artists in Action Group (UTAIA), Jacky has demonstrated outstanding leadership abilities. Jacky’s efforts greatly contributed to UTAIA receiving one of the UT Tower Awards in 2014, recognizing the organization’s work for service learning/community outreach.

Jacky believes that art can be used as a tool to improve our quality of life and brighten our communities. She is one of the most reliable and personable student leaders that I have worked with at UT Austin. Her leadership style is inclusive—always seeking to work collaboratively toward common goals. Jacky’s involvement in student leadership extends far beyond her dedication to UTAIA and the undergraduate Art Education program. Some of the groups Jacky volunteers with include: The Lambda Theta Alpha Latin Sorority, Via Colori, The Memory Project, Austin Animal Shelter, Clean Up Austin, and Celebracion. Recently, she was featured in an Ethics Unwrapped video.

Jacky is a student leader who “walks the walk” and demonstrates by example. She is committed to her studies as well as serving those around her. UT Austin’s motto “What Starts Here Changes the World” is one that Jacky exemplifies through her actions as an inspirational student leader.

Beth Ferguson selected as American Arts Incubator Artist

Fri. October 23, 2015

Woman in button down shirt looking at camera
Image courtesy of Beth Ferguson.


Beth Ferguson (M.F.A. in Design, 2009) has been selected as an American Arts Incubator 2015–16 Artist. Ferguson will spend four weeks in Indonesia leading workshops to teach specific skills, develop project ideas with community participants, and execute a micro-grant program to fund the development of community driven art projects. 

Jessamine Batario receives $20,000 dissertation fellowship from Dedalus Foundation

Wed. September 30, 2015

woman in blue shirt and slacks poses for picture in front of tree

Jessamine Batario, a doctoral candidate in Art History, has been awarded a $20,000 Dedalus Foundation Dissertation Fellowship for 2015–2016. Batario’s dissertation, “The Art and Intellectual History of Byzantine Modernism,” seeks to establish the significance of a “Byzantine Modern” art history alongside other narratives of modernism and to contribute to the discipline’s recent evaluation of institutional periodization.

Batario received a B.A. in art history from the University of California, Berkeley and a M.A. in Art History from the Department of Art and Art History at The University of Texas at Austin. Her interests lie in 19th century European painting, history of art history, phenomenology and hermeneutics.

Batario’s work focuses on Modern art and critical theory. Her research interests include European and American modernism, Byzantine art, mid-20th century art criticism and history of art history. For two years, she worked as the graduate research assistant for Dr. Richard Shiff in the Center for the Study of Modernism. She has also served the Department of Art and Art History as the Ph.D. co-chair of the Graduate Student Art History Association and the co-chair of the Research Roundtable. Batario also holds a Named/Endowed Continuing Fellowship from the Graduate School at UT Austin.

Founded in 1981 by the artist Robert Motherwell (1915–1991), the Dedalus Foundation fosters public understanding of modern art and modernism through its programs in arts education, research and publications, archives and conservation, and exhibitions, as well as in the guardianship and study of Robert Motherwell’s art.

The Dedalus Foundation Dissertation Fellowship is awarded annually to a Ph.D. candidate at a university in the United States who is working on a dissertation related to painting, sculpture and allied arts from 1940-1970, with a preference shown to Abstract Expressionism.

Noah Simblist's curatorial project False Flags selected for Artis Exhibition Grant

Fri. September 18, 2015

white hexagonal and cube outline on green background

False Flags, an exhibition curated by Noah Simblist (Ph.D. candidate in Art History), was awarded a 2015 Artist Exhibition Grant. False Flags opens in March 2016 at Pelican Bomb in New Orleans, Louisiana.

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