Department of Art and Art History News

Alumna Xochi Solis featured on Urban Outfitters blog

Tue. March 22, 2016

circular shapes cut from different media pasted on top of one another
Image courtesy.

Xochi Solis (B.F.A. in Studio Art, 2005) was featured in a studio visit on the Urban Outfitters blog.

Alumna Jennifer Chenoweth presents XYZ Atlas during SXSW

Mon. March 14, 2016

white logo on green background

Jennifer Chenoweth (M.F.A. in Studio Art, 1999) presents XYZ Atlas during SXSW 2016.

Design industry leader Doreen Lorenzo joins College of Fine Arts to integrate Design Studies across UT

Mon. March 14, 2016

TAGS
woman in black sweater leans on desk and smiles

The College of Fine Arts at The University of Texas at Austin has appointed to its faculty design industry leader Doreen Lorenzo to oversee a campus-wide initiative to integrate design thinking into the curriculum across the university.

A successful leader of global creative firms, Lorenzo has advised Fortune 100 companies on design and innovation issues for decades. She is the former president of the global design firms Frog and Quirky, co-founder of the mobile video insights firm Vidlet, a board member and adviser to several startup companies, and a columnist for Fast Company Co. Design and Medium. A thought leader on business and design issues, she speaks publicly about her signature leadership style and the power of empathy to drive business results. Read a Q&A with Lorenzo to learn more about her work and what drew her to the university.

“We’re living in a multidisciplinary age of design,” said Doug Dempster, dean of the College of Fine Arts. “Design disciplines are reshaping the landscape of product development, Internet commerce, organizational decision-making and cultural creativity and consumption. The University of Texas at Austin intends to put itself at the nimble, leading edge of this creative economy. Doreen Lorenzo brings us exactly the leadership we need to discover and maintain that edge.”

Lorenzo will lead an advisory group tasked with integrating design studies curricula in the College of Fine Arts, the McCombs School of Business, the School of Information, the Cockrell School of Engineering, the School of Architecture and the Department of Computer Science in the College of Natural Sciences. New curricular options will offer students opportunities to study design from a variety of disciplinary perspectives. She will also work to create corporate and industry partnerships that connect students and faculty members to local and regional firms seeking design-savvy graduates.

“I’m excited for this opportunity to bring my decades of experience in the design and innovation fields to create one of the most holistic design and business university programs in the country,” said Lorenzo. “Today design isn’t just about artifacts. It’s about systems thinking. Great design is inseparable from other disciplines like business and technology, so we are developing an integrated educational experience that will prepare students to become systems thinkers who are sought after in an increasingly interdisciplinary job market.”

In 2015, the College of Fine Arts partnered with the Dell Medical School to create the Design Institute for Health, a first-of-its-kind initiative dedicated to applying a creative design-based approach to the nation’s health care challenges. The institute is led by two veterans of the internationally recognized design firm IDEO: Stacey Chang, IDEO’s former managing director of health and wellness; and Beto Lopez, former head of systems design at IDEO and a UT Austin alumnus.

The Department of Art and Art History has revitalized its Design program in recent years, and the program expects to double its undergraduate enrollment during the next five years. The department has hired several new faculty and staff members — many with industry experience and expertise.

Associate Professor and Chair of Design Carma Gorman has worked with the design faculty to develop a possible new B.A. in design, a program intended for students who prefer the flexibility and breadth of a liberal arts degree or who are interested in pursuing a double major. The B.A. is also a more accommodating option for transfer students. In fall 2016, the Design Division will also roll out a newly revised B.F.A. in design curriculum that will offer more flexibility in upper-division design courses and electives so students can supplement their design studies with courses in supporting areas.

“I’m really thrilled to be working with Doreen,” Gorman said. “Her hiring comes at the perfect time, and I’m looking forward to working with her and colleagues across campus to build innovative design curriculum and programming at UT.”

UT Antiquities Action Conference: Global Initiatives Towards Cultural Heritage Preservation: Who Owns the Past? program

Mon. March 14, 2016

egyptian statue with gold warning lable
Photo source: ARCA/Tsirogiannis. Design by D C Trein.

Global Initiatives Towards Cultural Heritage Preservation: Who Owns the Past?

A UT Antiquities Action conference will take place April 2, 2016 and feature keynote speaker Salam al-Kuntar from the University of Pennsylvania. This conference is sponsored by Middle East Studies, Department of Classics and Department of Art and Art History.

8:30 a.m.
Coffee

9 a.m.
Sterling Wright (The University of Texas at Austin)

Socialist Archaeology: Is It Worth Saving?
The Former Yugoslav Republic of Macedonia is a country that resides just north of Greece. Following World War II, the country became one of the constituent republics of Yugoslavia. The government for this new country was based on what many scholars refer to as Marxism and socialism. Today, the general public in Macedonia disapproves this socio-political policy. In light of this, many have felt that the country should destroy all “archaeological remains” that have been associated with socialism. However, there is also a growing number of people in Macedonia to reevaluate this sort of action. They feel that even though their socialist history was a dark period, it is still part of their cultural identity. This presentation looks into the developments of socialist archaeology in Macedonia.

9:30 a.m.
Dr. Nathan Elkins (Baylor University)

Saving Our Past: The Centrality of the Trade in Ancient Coins
When we think about the illicit antiquities trade, we tend to focus on statues, sarcophagi, Greek vases, and other “monumental” objects. But the trade in “minor antiquities,” and especially in ancient coins, is an integral part of the illicit antiquities trade. Fortunately, in recent years, there has been greater attention paid to the role of the illicit trade in ancient coins. This contribution examines the centrality of the trade in ancient coins in the broader trade in Mediterranean antiquities, sourcing practices for the trade, the scale of the trade, and legal challenges mounted by coin dealers and their lobbyist.

10 a.m.
Dr. Susan Benton-Bruning (Southern Methodist University)

From Pueblo to Paris: The International Trade in Indigenous Cultural Objects
Abstract coming soon...

10:30 a.m.
Dr. David Stuart (The University of Texas at Austin)

The Looting of La Corona: A Case Study of Destruction, Archaeology and Preservation at an Ancient Maya Center
In the late 1960s a group of related sculptures and text fragments came to the attention of scholars, all looted from an unknown Maya ruin designated as “Site Q.” Epigraphic studies of these inscriptions revealed the outlines of royal history from this unidentified site, which evidently had close associations with other powerful Maya kingdoms during the 7th and 8th centuries. In 1997, the initial discovery and documentation of the ruins of La Corona revealed it to be the likely origin of nearly all of the Site Q materials. Archaeological investigations at La Corona since 2005 have uncovered many more sculptures, some parts of monuments looted decades ago. Efforts are now underway to restore La Corona’s monuments, merging data from both excavations and from collections, giving hope to what had once been a hopeless example of site destruction.

11 a.m.
Dr. Dale Correa (The University of Texas at Austin)

Writing Manuscripts into Cultural Heritage Preservation: The Role of Western Scholars in the Recovery of Knowledge
Often overlooked in cultural heritage preservation discourse, handwritten and print materials frequently meet a similar fate to that of art and architecture in conflict areas. In the mid-1990s, the Bosnian Manuscript In-Gathering Project sought to recover materials that had been destroyed or damaged during the war in the former Yugoslavia by asking researchers to contribute the copies of manuscripts and archival documents that they had procured in previous years. Taking cues from this project and others, the Aleppo Recovery Archive addresses the destruction of written cultural heritage in Aleppo, Syria, through strategic archiving of materials acquired by researchers before the onset of conflict. This project not only involves collaboration with scholars locally in Syria and internationally, but also challenges approaches to preservation, access and cultural patrimony in the context of the Middle East. It is hoped that the fruits of Western scholars’ privileged access and acquisition during fieldwork will help to recover some of what has been lost forever in Aleppo.

Noon – 1 p.m.
Lunch

1 p.m.
Nicole Payntar (The University of Texas at Austin)

Local Identities in Global Contexts: Examining the Effects of Cultural Heritage Destruction in Conflict Zones
The recent surge in cultural heritage destruction and antiquities trafficking in Syria is occurring at an unprecedented rate. With most Western media outlets focusing their attention on high profile instances of heritage destruction at the hands of Da’esh, damage to archaeological sites by additional operatives in the country continues to be under reported. The sustained looting and trafficking of antiquities constitutes an irreparable loss of regional knowledge and presents adverse impacts on local identities. By assessing the damage and destruction of heritage sites by groups across Syria, patterns of social inequality and heritage hierarchy emerge. This paper will examine the consequences of cultural heritage destruction in terms of identity and the perception of regional power. It will also address the significance that cultural heritage may contribute toward rebuilding nations in post-conflict stages.

1:30 p.m.
Dr. Janice Leoshko (The University of Texas at Austin)

On the Invention of Heritage
In hindsight the many ensuing tragedies resulting from the events of September 11, 2001 are spectacularly foregrounded by the destruction of the colossal Buddhas at Bamiyan orchestrated by the Taliban in March 2001. This paper seeks to understand what has happened to the “image” of this famous site since that time within perspectives first developed in the insightful volume The Invention of Tradition, edited by Eric Hobsbawm and Terence Ranger (1983). What are the results of the inscription of Bamiyan as a Unesco World Heritage Site in 2003? What is at stake in “heritage production” within museum, academic and political contexts?

2 p.m.
Dr. Salam al-Kuntar (University of Pennsylvania)

Responses to the Destruction of Cultural Heritage in Syria and Iraq: A Critical Appraisal of Current Efforts
The destruction of cultural heritage in the current conflicts in Syria and Iraq is well known to the international heritage community. The common belief is that interventions to protect cultural heritage are extremely difficult to design and implement during conflict, and that both the Syrian and Iraqi crisis are particularly intractable for experts and heritage actors who are seeking to offer their assistance. In this presentation, I provide a critical appraisal of the responses that have been advanced to protect cultural heritage during the crisis to date. I argue that the mobilization of the international community and the varied responses that have been made are hindered by the real difficulty inherent in maintaining a professed rhetoric of universality and neutrality. I also offer some evidence that emergency heritage projects designed to address local needs inside Syria may offer some measure of success and hope for saving heritage and helping the people who are struggling to survive this war.

3 p.m.
Coffee + adjourn

Alumna Rachel Lee Hovnanian presents installation at 2016 Dallas Art Fair

Mon. March 14, 2016

baby dolls on pedestals with photograph hanging on wallpappered wall
Rachel Lee Hovnanian, Perfect Baby Showroom, 2014.

Rachel Lee Hovnanian (B.F.A. Studio Art, 1982) presents Perfect Baby Showroom as the solo feature of Leila Heller Gallery at the sixth annual Dallas Art Fair April 15–17, 2016.