Frances Ya-Chu Cowhig
The Keene Prize selection committee of The University of Texas at Austin’s College of Liberal Arts may have been among the first to recognize the power of Frances Ya-Chu Cowhig’s work when they awarded her their $50,000 literary prize. But they are far from the last. Her prize-winning play “Lidless” will soon be seen on stages both in the United States and abroad.
The 27-year old Cowhig has been in an eddy of career opportunities and artistic accolades since winning the Keene Prize and completing her Master of Fine Arts with the university’s Michener Center for Writers (MCW) in 2009. ”Lidless” — which powerfully and poetically tells the story of a Guantanamo detainee who confronts his female interrogator 15 years later — was also selected by David Hare for the 2009 Yale Drama Prize and published by Yale University Press.
In readings and workshops at theatres across the country — among them Yale Rep, Ojai Playwright’s Conference, Houston’s Alley Theatre, and L.A.’s Open Fist Theatre — “Lidless” has captivated audiences. Over the past year it has also been produced at two major playwriting festivals, the Contemporary American Theatre Festival in Shepherdstown, W. Va., and the High Tide Festival in Edinburgh, Scotland, where it won the Fringe First Award. Reviewing the play, The Scotsman said, “If Henrik Ibsen had been alive in the era of Guantanamo, he’d surely have written a play every bit as scintillating as ‘Lidless.’ Reframing global politics on a domestic scale, [Cowhig] turns headline news into a modern-day tragedy.”
This coming year, though, “Lidless” has its fully staged regional U.S. premiere at Interact Theatre in Philadelphia—city of the playwright’s birth—running from Jan. 21 through Feb. 13. Then only weeks later, it opens on the London stage at Trafalgar Studios 2 Theatre, a noted venue for new work, running from March 15 through April 2.
Cowhig has lived largely out of her backpack since leaving Austin eighteen months ago. For several months, she moved between distinguished writers’ residencies—Yaddo, MacDowell, Ragdale and the Santa Fe Art Institute — then spent another half a year traveling throughout China, Taiwan and Mongolia. The daughter of an Irish-Catholic U.S. diplomat and a Taiwanese-Daoist, Cowhig credits her cross-cultural, transient childhood for the fluidity of her work, which always seeks to push boundaries and examine the personal in light of the political.
She is currently settled in Oakland and in January begins a stint as Playwright-in-Residence at the Marin Theatre Company (MTC) in Mill Valley, Calif., as recipient of its 2010 David Calicchio Emerging Playwright Prize. There, she will judge MTC’s writing prizes and shape the company’s upcoming season, and her newest play, “Sunspots,” will get a workshop treatment.
It’s no less than anyone who knows her work from the university expected of her. “Frances’s talent was apparent immediately,” MCW director James Magnuson says. “Because she’d gone to Brown and had done a lot of work in experimental theater, I was concerned about her being a little on the ethereal side. But once I started seeing her work in class, I was blown away by how bold and gusty she is. And she’s such a craftsman! She works as hard as any young writer I know. Honestly, the sky is the limit for her.”
By Marla Akin